|
Post by EXODUS Office on Dec 1, 2014 12:32:48 GMT -6
We come back from commercial with a huge graphic for the main event of the next EXPRO On FX! In the first main event booked by Jimmy Riley, Chris Strike will meet Lexy Chapel in a non-title match! Dick Morosi: Can you believe it? This is a huge development! Chris Strike and Lexy Chapel, one on one in two weeks! Seth Ericson: He's gonna kill her! How on earth is she supposed to combat that?! Dick Morosi: Lexy Chapel has been one of the most competitive athletes in EXODUS, hands down. If anyone's capable of going toe to toe with The War Machine, it's Lexy Chapel. She's one of the few, but two of them are meeting in our next match! Seth Ericson: Whoa boy, here we go. Dick Morosi: Fiona Collins meets Laurel Anne Hardy next! NORMAL MATCH LAUREL ANNE HARDY vs. FIONA COLLINSMulticoloured spotlights swirl around the entranceway as the martial-sounding intro to Glass Candy's "Candy Castle" comes across the PA. As the beat kicks in Laurel Anne Hardy bursts through the curtain, cavorting energetically and twisting a feather boa around like a dancing partner. David Zinkus: From Rhyl, Wales, weighing one hundred and forty-eight pounds, representing The Asylum... Laurel dances around the ringside area, interacting with the fans with hugs, high fives and handshakes. After completing a couple of circuits she leaps onto the apron and somersaults over the top rope. She hits each corner in turn, posing theatrically; atop one of them, she throws her boa into the crowd, prompting a scrum to catch it. David Zinkus: She is "The Living, Breathing Installation Event Of The Millennium"... LAUREL... ANNE... HAAARRRDAAAYY! Hardy moonsaults down to the centre of the ring and takes a deep stage bow before regrouping to go over last minute strategy in her head. Dick Morosi: Laurel Anne Hardy hasn't been in the right spot lately, and one has to wonder if she's mentally prepared to face Fiona Collins. Seth Ericson: She's going to need to be, because I can't imagine that it's going to go well. She's going to need to be at her best if she's going to get anything in against the former World Champion. The lights in the arena start to dim, and the crowd begins to stir as the opening riffs of "The Ocean" by Tonight Alive begin to play! I feel heavy, I feel weighted And I feel hungry I feel wasted, oh I can't put my finger on my feelings, Put my ear up to the ceiling Where is that coming from? Where are you coming from?
I'm just waiting for the walls of my insides to come clean I've been praying for the day that my spirit is finally free Some days, it feels like the ocean lies inside of me Lies inside of me... David Zinkus: And her opponent...from Portlandia...weighing in at a number I am legally obligated to NOT say...she is the HEC Women's Champion...THE STARDUST SERAPH, FIONAAAAAAAAAA COLLINSSSSS! As the chorus begins, standing at the entrance way, Fiona Collins starts to look out at the crowd in her gear and a black hoodie with her Shinigami logo on it. Nodding her head to the beat, she finally gives a small grin as she runs to one side of the stage to look at her fans before jogging to the other side to look out for them and salute. Finally, getting back to the center of the stage, she starts crouching down, hood still over her head all as the song plays. And I feel paralyzed, been cut down to size I hardly have the strength to open up my eyes 'Cause I am swollen And this has stolen my sanity But it's hard to see beyond this When it's fighting against me... As that second verse plays, Fiona starts to make her way to the ring, an intense look on her face. Glancing at a young fan, she nods and touches foreheads with them as she pulls off a glow necklace from her neck and gives it to the fan. As the chorus repeats, she flips off the hood and hops up onto the apron. Once she looks out and surveys the crowd, she turns to face the ring before springboarding over the top rope, flipping over it and landing down on her knee, hand touching the mat as if she landed like a superhero! Quickly heading to a corner, she climbs up and once again holds up one finger to the air to get the crowd into everything. Looking back at the people in the ring, Fiona starts to remove her hoodie and look ready as she mentally prepares herself for the match. Dick Morosi: Fiona had some really harsh words for Laurel in her promo in the days leading up to the match. Seth Ericson: Dick, I don't often say this, but...I agree with her. Fiona and her life is EXODUS. It's a family business to her. If this place had lost the war, she'd have nowhere to go, unlike Laurel. So maybe she has a right to be angry. The bell sounds and Fiona comes out of the corner, Fiona waiting for Laurel who doesn't seem particularly interested in leaving the corner. As the referee waits for Laurel to leave her corner, Fi looks in wait for Laurel, deciding to put it behind her and offer her hand. Laurel finally steps out and almost seems to not really seem interested in shaking her hand but does it rather half heartedly before the bell rings and the match is on! Fiona starts to lock up with Laurel, Laurel seemingly not too interested in things at this point. Fiona powers Laurel into a corner, the referee breaking things up before Fiona looks at Laurel, who just doesn't seem interested. Fiona waits for Laurel to come forward, and as soon as she does, they lock up again, Fiona starting to get her to the ropes before Laurel viciously whips Fiona to the ropes, Fiona sliding under to get to the outside as Laurel comes after, but Fiona trips her up and pulls her to the outside by the ending of the ramp! She starts to charge Laurel, but Laurel goes for the back body drop, Fiona landing on the apron and springboarding off the ropes for her to fall back down and hit Hardy with a DDT! The crowd pops as Fiona nods, picking her up and throwing Laurel into the ring before she leaps up onto the apron and springboards to the top rope before twisting and coming down with a huge moonsault, hooking the leg for the cover! One... Two......... TH--KICKOUT! Laurel gets a shoulder up and Fiona backs up before coming in to work on her knee, locking in a spinning toe hold. Dick Morosi: Fiona not letting up on Laurel Anne Hardy now. Seth Ericson: She's got to keep her grounded, make Laurel compete in the type of match she wants her in. Fiona finally pulls away as Laurel gets into the corner, and Laurel remains indifferent to this, not really interested in this match. Watching Fiona, she slowly gets up and sighs, seemingly not happy she has to continue this. The two start to lock up again and this time Fiona whips her to the ropes and Laurel bounces off, Fiona ducking under an aggressive rebound from Hardy, leaping up to avoid her again, this time remaining on Laurel's shoulders, looking to go for the reverse hurricanrana, but Laurel grabs her arms and drops her with an ocean cyclone suplex! Fiona hits the mat and Laurel starts to get out of the ring, loooking for a weapon, all before she looks back at the ring and hesitates for a moment...before reaching under the apron to find a chair! She gets back into the ring and starts sizing up Fiona...BUT SHE HESITATES! Laurel looks a little uneasy about it, and she throws the chair to the side, all before she picks up Fiona, whippping her to a corner and charging in, hitting a sommersault clothesline on the former World Champ before pulling her out of the corner and lifting her...PARTY HARDY: THE HANGOVER! She goes for the cover! ONE! TWO! TH-KICKOUT! Laurel casually rolls off of Fiona and looks like the lack of a pin doesn't bother her, leaving them at a stalemate. Fiona slowly gets to her feet and Laurel charges in, looking for The Poseidon Misadventure, but Fiona hits the mat before Laurel can land the kick, still on the mat! Fiona gets lifted by Laurel all before she whips her to the corner and charges in with a cartwheel into a handspring back elbow, nailing Fiona again. Fiona stumbles out and Laurel goes to lift her, but Fiona floats over and nails the Oz-O-Matic! Fiona starts to get to her feet slowly as she looks at Laurel, ducking under a spinning clothesline, only to help turn Laurel a full 360, hitting a rolling elbow! Then comes the palm strike...AND THE DROPSAULT! Clear Eyes, Full Heart, Can't Lose! Fiona starts pumping herself up, and as Laurel approaches her...SUPERKICK! Fiona starts looking over at Laurel, and she starts charging for the Shinigami, but Laurel catches her with the Battlegrounds Uppercut as Fiona's in mid-air! She's had enough of it, and she leaves the ring, going back to grab that chair! Dick Morosi: I'm not sure I like where this is going... Seth Ericson: But it's Laurel Anne Hardy, so it's going to this place! Laurel starts to look at Fiona as she starts to stir, Laurel rearing the chair back as she's looking down at Collins...but she's starting to hesitate, putting down the chair...and Fiona gets up and hits the Shinigami! Laurel goes down, and Fiona hooks the leg! ONE! TWO! THREE! "The Ocean" starts again over the PA system as the referee raises Fiona's hand in victory! Meanwhile, Laurel just lays in the ring, not seemingly upset or happy she lost. Either way, she looks completely uninterested in what's going on all while Fiona starts to head back to the ring. WINNER: Fiona CollinsAs soon as Fiona’s match ends, an image hits the EXOScreen! And suddenly all the lights in the arena go black as Fiona continues to look around with confusion before a lone light shines on the stage, two girls standing there, identical twins each one with an arm out holding a black lantern in unison! Dick Morosi: Seth, this doesn’t look good. Seth Ericson: I thought we were done with this! Suddenly, after blackness on the EXOScreen, it comes to this. And as the two continue to stand there, they slowly approach the ring. Dick Morosi: I recognize them! They’re the Daughters of Janus! Are they the ones behind these eerie lanterns we’ve seen lately? They slowly approach the ring, and suddenly, over the music, a female voiceover is heard as they look at Fiona. Voice: Are you listening now, Seraph? I’ve been calling for you, waiting for you. I’ve been looking to see how soon it would take for you to open your eyes, but all you’ve been able to do is push me aside. You see, the problem is that you’re too busy trying to deny yourself, but we know. The fact is, there’s few things angelic about the Stardust Seraph, but it sells pretty shirts and makes you a hero to the little girls...but what about the little girl you stole from? What happened to the little girl that you took everything from? You did that, and you haven’t once let it weigh on your conscience, Fiona! All while you sleep soundly at night, I CAN’T REST! I CAN’T REST BECAUSE YOU DESTROYED SOMETHING THAT BELONGS TO ME! The music continues to play, its eerie pace a stark contrast to the aggression in the voice. Voice: You like symbolism, don’t you? You and your husband adopt the blue as a symbol of hope. You tell people all will be well, and then you sit in your ivory tower of happiness, everything all perfect. You took from me, Seraph, and soon...so soon, I’m going to take from you. And now you have to stop not a monster that threatens your company, but a monster that threatens you and only you. You have been weighed, measured, and you have been found wanting, Seraph...what say you? Fiona rolls her eyes as she looks around the darkened arena before asking for a microphone. David Zinkus quickly grabs one and hands it over. Fiona shakes her head before putting it up to her lips. Fiona Collins: What say I? I say you stop pulling the Wizard of Oz crap and come out here yourself so we can do exactly what you want….FIGHT. She throws down the mic as the crowd erupts with excitement. Suddenly, the lights go back out again, and after a moment of darkness, the light from the lantern shines again in the middle of the ring, the arena lights coming up as Fiona’s now surrounded by both Minvera and Athena Janus! Fiona looks to her left and to her right to stay on the defensive, all before they rush in to attack her, Fiona continuing to go on the attack as they come after her. Fiona is only one person, however, and two people are too much for her, leaving her to be lifted in a double team variation of a Neutralizer, aka The Fall of Janus! Leaving the black lantern next to Fiona, the crowd jeers at the duo attacking her like that before the voice returns. Voice: If you want to find me...all you have to do is reach for the dead. And as the camera focuses on a fallen Fiona Collins in the ring, lantern next to her, we fade to commercial.
|
|
|
Post by EXODUS Office on Dec 1, 2014 12:31:24 GMT -6
We come back from commercial to backstage, where we see Shinji Uchikawa. The crowd can be heard reacting uncertainly to him, due to recent actions with REVOLUTION. Shinji turns a corner, and stops. The camera pans over to reveal what stopped him: Aries Reed and Devan Whitmore. There is a moment of staring between them, before Aries steps straight into Shinji's face.
Aries Reid: I think it's time we had ourselves a discussion, Shinji.
Shinji, not wanting to be so close to Aries, takes a few steps back, only to stop as he runs into something solid. The camera pans around to show GRENDEL standing behind Shinji, looking down at him with his usual unending glare of hatred. Shinji backs against a wall facing the three of them, who glare at him. Shinji lets out a sigh.
Shinji Uchikawa: Please understand...I know you have feelings about last ReVo show....
Aries Reid: Naaaaah, why you thinkin' that?
Shinji Uchikawa: Look. Your ideals are mine too. What REVOLUTION was founded on, I believe in.
Devan Whitmore: Oh Shinji, dear, are you really sure of that? Because we're certainly not. If you were, you'd be standing with us, not stopping us. You say your ideals are the same as ours? When have you stood with us. When have you acted with us. Not once. So do you really feel like you're with us?
Shinji Uchikawa: Listen-
GRENDEL: No. You listen. You've gotten in our way once, so your words about being on our side feel like bull.
Aries Reid: What big guy said, all I'm hearing from you is that *BLEEP* comin' out of a cow's ass, and it stinks just as bad. I'm of a full mind to take care of you right now, so you can't be a problem anymore. Evolve or Die, sounds like you're thinking about checking the box next to option two.
GRENDEL: Agreed.
The two begin to step towards Shinji, Devan seeming to stay back, when they're both stopped by someone coming towards them. He comes into view as it's revealed to be Shozo Arino, leader of the group, who immediately puts himself between Shinji and the rest of them. He holds his hands up placatingly.
Shozo Arino: My friends, hang on. I understand your frustrations, and I can even sympathize with them. The urge to remove any threat you see to our future is so great. Believe me, I feel it in my heart too...but I don't feel it towards Shinji. I sympathize with him as well.
The three look uncertain as Shozo turns his head to look at Shinji and smile before looking back at the three.
Shozo Arino: We're not just trying to change something small for people, we're changing the business they work in, that they've loved for so long. This kind of change, to be part of it, it's such a gargantuan undertaking. One that is, to them, so uncertain. It's a brave new world we're creating, and it can be scary to those who are not yet at our level of evolution. To take that step, to evolve, is such a big one. Uncertainty is only human. If we put down every person taken over with uncertainty, then we'd be cutting a massive, bloody path through all of wrestling. It's not a decision someone can make lightly, and though we know what the right decision is, for others it can take time for them to come to that decision.
He moves his hand to indicate Shinji in what he's about to say.
Shozo Arino: Shinji's only crime is uncertainty, and if we prosecute for that then we'd have to judge me as well, because I was so uncertain about starting this REVOLUTION. We're evolving an entire business, and each person has a different amount of time to come to a resolute decision about this. All I ask for, my friends, is for some time for him.
The three look among themselves, seemingly taking the words to heart.
Aries Reid: Yeah...alright, Shozo. We'll give him his time. Since you asked.
GRENDEL: Just as long as he comes to the right decision.
Shozo smiles at them, raising his arms.
Shozo Arino: Of course. I trust him, and I'm glad you all trust me and allow this. We're all brothers in this...
He turns to look at Shinji, who looks uncertain at Shozo's smile.
Shozo Arino: And brothers never abandon each other.
We cut to ringside.
NORMAL MATCH THE MASKED SALARYMAN vs. CHANDLER SCOTT (EXODUS Pro San Diego Bay Champion)
The enka styling of “Ore no Wasuremono – Kazenban-” begin to fill the arena's sound system with enough might to destroy an evil-doers' eardrum, spotlights beginning to pan the arena. One of them finally finds the Masked Salaryman standing for all to see, high up in the stands, striking a heroic pose in his cape. His right hand clutches an attache case, raised triumphantly over his head as he always managed to do.
David Zinkus: Making his way to the ring, from Tokyo, Japan and weighing in at an astounding 289 pounds.. He is The Masked Salaryman!!
As the Salaryman makes his way down the stairs towards the ring, he slaps hands with the appreciative crowd on either side of the aisleway, the excitement in the crowd itself palpable. Coming to the barricade, he leaps over it with surprising agility and grace before diving in the ring under the bottom rope.
Dick Morosi: Seth, this man won the Call Your Shot Battle Royal fair and square at the top of this past Autumn Effect, but you know what else he won? Our hearts. We may never know who's behind the mask, but we can certainly anticipate what he'll do next. Do you think he goes after the San Diego Bay Championship, or does he go after the International prize?
Seth Ericson: Give me a break. I doubt this loon will even make it past this match. If he's smart, he'll go after the other choice instead of chasing down Chandler, that's for sure.
After another heroic pose that leaves the crowd trembling with joy and cheers all around, he casually and courteously removes his cape and places the attache on the ring apron, ready for the upcoming match against the man preparing to enter the ring any second now.
The sound of an organ plays throughout the arena. The lighting in the arena slowly switches to an orange hue, causing the fans to quickly shift their attention to the entrance way. As "Perfect Strangers" by Deep Purple kicks in, the crowd leaps to their feet to boo the man that's about to walk out. At around the 30 second mark, Chandler Scott bursts through the curtain as the crowd really begins to let him have it with their boos, jeers and random catcalls.
David Zinkus: And his opponent, from Hayannis Port, Massachusetts and weighing in at 240 pounds... He is the EXODUS Pro San Diego Bay Champion... Chandler Scott!
Seth Ericson: C'mon, Chandler! Make the rest of the Godfathers Of Wrestling proud and put this 'hero' in the dirt. The last thing we need is another 'hero'...
As Chandler makes his way to the ring, he looks at both sides of the aisle and points both of his thumbs back at himself. He then throws up both index fingers in the air as he swaggers his way to the ring. After climbing up onto the apron, Chandler steps through the ropes, springboards up onto the second ropes and poses once more, basking in his glory.
DING DING DING!!
The bell rings, a sudden burst of energy coming out of Salaryman as we start this contest strong. He tries for a running dropkick, only to be inaccurate once Chandler Scott skillfully steps out of the way, leaving a somewhat dazed and completely masked Salaryman to quickly scurry to his feet again. The crowd picked up heat once Scott responded, a simple bulldog to send the superhero down to the mat for just a moment. Next, he got to his feet and slammed his elbow towards his opponent's heart, jumping in the air to do it from the mat. The man scoffed, an arrogant scoff that caused the crowd to get in another uproar, booing the villain who seeked to end this match early with a pin.
ONE—
Kickout; Salaryman with a heroic return! It took a few punches, followed by a powerful headbutt to take the champ down to the mat. The crowd erupted once more, their voices audible as Chandler made his way back to his feet once again, slapping the bigger man across the face - the ultimate show of disrespect.
The slap is followed up with a quick transition behind the heroic wrestler, Chandler Scott's hands wrapping around the other's chin. Part of his fingers gripped the bottom side of his mask, attempting to skillfully use it against him by pulling at one of the straps on the back - effectively pulling the mask itself deeper into his defenseless face, a sight that could appall most.
The referee asked if he'd like to quit, a flashback of the Abby Park Johnny Cannon match at The Autumn Effect two weeks prier. Unlike Johnny Cannon however, through the tremendous pain, the respectful businessman from Tokyo refuses to give up, wrapping his arms around the back of Chandler's neck. He wrenches his body down, flipping the champion over his shoulder to the cheer of the crowd, fixing his mask right after giving a heroic pose to the crowd's delight.
Dick Morosi: Smart thinking by the one and only Masked Salaryman!
Seth Ericson: What are you, the leader of his fan club? We're supposed to be objective, right?
Dick Morosi: What would you know about being objective?
Seth Ericson: Eh, point taken... Dick.
With that, the match continues, a sudden backbreaker by the Harvard graduate, Salaryman getting the worst of it. A sinister smirk crosses his lips, the crowd raining down boos on he man who would attempt to stop their hero from getting closer to the title hunt, yet the man himself reveled in it.
Picking up his opponent's body like it was dead weight, he suddenly looked to set up his powerful signature move, thel spinning sitout sleeper slam— Reversed! The Masked Salaryman managed to pound his elbow against Chandler's side, causing him to release his grip midway through the spin. Salaryman flew out of it, still spinning a couple rotations, before gaining back his footing. He crouched down, in battle stance, his hands out in front of him Bruce Lee style.
The crowd watched eagerly, the hero using one final breath to Irish whip his Harvard nemesis towards the corner. He ran at Chandler at full speed, landing a running avalanche he calls Salaryman's Sandwich! Chandler falls helplessly to the mat, the crowd on their feet as The Masked Salaryman slowly climbs the top rope, his energy drained from the long contest. In the blink of an eye, he's in the air, nearly flying as he prepares to land a big splash on the prone Chandler Scott!
Dick Morosi: S3! S3!! It's all—
Seth Ericson: Chandler's got his knees up!
And he did, leaving The Masked Salaryman to reluctantly slam body first into bone, writhing around in pain as Chandler raised himself to his feet to the sound of boos cascading down on him relentlessly throughout the noisy RIMAC. He catches his breath, taunts to the crowd by lifting up his arm prematurely, and waits for the hero of this match to finally get to his feet. Once he had, Chandler almost effortlessly lands the CRS ONE and folds his opponent up for the pin.
ONE!!
TWO!!
THREE!!
WINNER: Chandler Scott
Dick Morosi: Chandler Scott reigns supreme again!
Seth Ericson: That match may have convinced The Masked Salaryman that he's better off facing Christian Kane...or waiting until someone knocks off Chandler Scott!
Dick Morosi: And really, if you thought the last San Diego Bay Champ was hard to take out, imagine how it's going to be with THIS one! While Chandler celebrates and the Salaryman recovers, let's head to the back!
Laurel Anne Hardy is sitting in a quiet backstage area, leaning against the wall. As she lights a cigarette, she begins to talk.
Laurel Anne Hardy: Every time anyone in wrestling tries to be honest about their feelings they get called a whining brat. Admit your problems and people think you're expecting them to fix them for you. Sure as sunrise. But if you don't say anything at all, people **** on you for that too. Tens of thousands of years this species has been around now and the collective consciousness still can't process anything outside the orthodoxy - and wrestling's orthodoxy is so especially idiotic. Remember when me and Leanne had that match against Jon and Andreas last year? Remember the movie we made? People tried to tell me it wasn't appropriate to the bad blood between us and Lasie then. Not appropriate? Well deeply sorry, then. I won't bother expressing anything more abstract than the same old ridiculous trash talk. Same posturing, same hollow aggression, same tired out old insults.
She takes a long, thoughtful drag.
Laurel Anne Hardy: I really hoped Fiona would engage me maturely. I thought to myself, she's a nice person. A good person. We get on. And after everything she's been through in the last year or two she's learned a lot. But no, instead I just get a masterclass in that classic old trick of talking about how self-obsessed I am while still making everything about her. Did she feel slighted that I wasn't falling over myself to shout about how defining a moment in my life this match is for me? Does she really actually believe that just because I haven't been saying her name, I haven't been thinking it? She hasn't seen me studying her tapes. She hasn't seen how much I've been training for her. And she thinks I don't take her seriously because I haven't been tweeting about this match? Even though she's never mentioned it once either? Believe it or not, I have thoughts that don't go on social media. What I keep to myself could fill an ocean liner. ****, I had a title defence last week that I think I mentioned once, in passing. Trained like a mother****er for that one. Just had nothing I needed to express about it that couldn't be said in the ring.
Another long draw.
Laurel Anne Hardy: You know something else I didn't feel the need to mention? How insulting it was that this match was even advertised around Sally. Making it seem like my motivation here is to avenge her or something. I never once used the words 'Sally Talfourd' in connection to this match. I'm a grown ****ing woman. You people really actually think I'm gonna want to beat the **** out of Fiona Collins because she took down Christum Furor's right hand? **** off. I made it perfectly clear I wanted Fiona to win that match, and I'm still glad she did.
She shakes her head.
Laurel Anne Hardy: But it's not like it's new. Lose my composure once and people act like I'm some deranged lunatic. Make one match request and people act like I'm holding EXODUS to ransom until my demands are met. Care about more than one wrestling company, and people act like I can't really care about any of them. Fiona, if my lack of dedication to one company is an insult to you and to EXODUS, then your tribalism to one company is an insult to the entirety of wrestling. You bleed EXODUS - I bleed this entire ****ing art form. I love EXODUS because EXODUS loves wrestling, and I will continue to love EXODUS for as long as that's the case and I'll do whatever I can to keep it that way. Far as most of all this goes, you can think what you like about me. Whatever. But if you ever, ever insinuate again that I don't care about wrestling, I will ****ing gut you.
There's no menace, no raising of the voice; it's just a statement.
Laurel Anne Hardy: I'd like to think one day we can look back at how dumb we both were because this was such an emotional time for everyone. But as for right now... I still don't need to get my motivation from people spewing **** about me, and then trying to claim they were just lighting a fire under me. I'd managed to stoke fire up for this match my own damn self. What you did, Fiona, was extinguish it. Truthfully, because you deserve the truth? You're right. I don't care about this match. Not any more. I mean, I did. Took a bit of forcing myself at first, but that's what I did. I trained my ass off for this. Not because you're a former world champion, Fiona, because that kind of thing doesn't matter to me, but because you're an outstanding wrestler and because you care.
She lets slip one single, hollow laugh.
Laurel Anne Hardy: Now?
And then she takes another deep drag.
Laurel Anne Hardy: Two nights ago I fought in a damn near hour long deathmatch against five of my friends and you know what? It was the best I've felt in ages. Probably the most fun I've had all year. I know biochemistry; right now I'm probably on the low from that high. But even so - here I am facing someone I should be able to put on a five star classic with any night of the week, and it still can't just be a wrestling match, it needs to be a... goddamn... wrestling match, with all the other stuff that goes with it. Can't just put on a great show with Fiona. No, gotta get drawn into this sniping. Gotta bring titles into it. Gotta accept that if I want to just put my feelings out there on record, explain why I've been the way I've been lately, she has to make them all about her.
Her puffs are spaced out but deep, and the cigarette is almost done.
Laurel Anne Hardy: I'm not going to get what I want from you? Hah. You have nothing to give me. Even if you did, I wouldn't be making demands. And I ain't interested in standing between you and the World Championship. You're probably the best champion EXODUS has had. Me, I don't care about world titles. I don't want the title. I've had people falling over their feet to give me world championship matches and I turned them down. But to each their own, right? You want to go for it again, then you do that, Fiona. I'll be happy for you, and I hope you accept that I mean that genuinely. But let's not pretend the outcome of this match makes a difference to your campaign. You'll be back in the picture soon enough whichever way this goes. And all I particularly want from this match right now is that we're both still in one piece on the other side of it.
Slowly, stretching her arms, Laurel rises.
Laurel Anne Hardy: That's my piece said, I guess. I don't know why Fiona felt the need to talk shit about me, or if it was just part of the stupid wrestling rubric... but here you go, either way. For what's worth, this is my response. If she wants to take it as me trying to find an excuse for a fight, so be it. You guys can ignore it, disbelieve me, twist it and put words in my mouth to suit your own mental narrative like every other ****ing thing I've ever said around here. As of this moment, as of getting all this off my chest tonight, I'm past talking to people who don't listen and I'm past caring.
With that, Laurel stubs her cigarette butt out on the 'No Smoking' sign on the wall and walks away.
|
|
|
Post by EXODUS Office on Dec 1, 2014 12:30:00 GMT -6
NORMAL MATCH BLACK JONES vs. JASMINE ROSE
The Honda Center lights somewhat dim, causing the crowd to get restless in anticipation. Finally, "Braveheart" by Lupe Fiasco hits the speakers, starting as a slow electronic noise until the drums and bass kick in. The audience turns their attention to the entryway where the curtains dividing the ringside and the backstage area are suddenly thrown back as the superstar behind the music emerges.
May the Lord have mercy on my soul Forgive me for my fetishes, my purchases, my clothes Allow me to catch my rhythm so the nervousness just goes That's why I sound so certain in my verses and my flows The verbiage just gets merciless, the wordsmithness just rolls.
Black Jones scans over the audience while he stands draped in a hoodie vest with "Half Man- Half Amazing" written on the back before taking a deep breath; his eyes continue to survey the crowd until he suddenly begins to bounce around in place, making dodging movements as if he were fighting an imaginary opponent, a smile lining across his face before pointing to the ground and screaming “MAIN ROSTER BABY!”.
David Zinkus: On his way to the ring, from West Philadelphia, PA, weighing in at two hundred and ten pounds... BLACK! JONESSSSSS!
I've tuned into my pertinence, my purposes, my goals The feeling when you realize you've been working for your foes And the curtains have just opened and they worthlessness exposed You remember where you've came from, where the purses was stole There was nothing in the oven and just work up on the stove And you blossomed from the bottom, yeah, you worked with it and rose From nothing to a dozen and a garden now there grows. Tell em!
Jones makes his way down the aisle with a steady march. His eyes remain focused and in front of him as he reaches ringside, "Braveheart" continues to blare through the speakers. BJ knees up onto the apron, quickly pulling on the top ring cable before using the elasticity of the ropes to propell himself off the apron and into the air. He somersaults into the ring, immediately exploiting the momentum into a roll before springing to a stand to excite the crowd with his athleticism and exuberance.
Courage under fire, gave me a brave heart (That's me) Courage under fire, gave me a brave heart (Yessir) Brave heart (Yeah I got that) Brave heart (You know) Brave heart!
Jones removes his vest, throwing it over the ropes before backing into the nearest corner. With his tune coming to an end, he strokes his fingers on his chin before cracking his knuckles and preparing for war.
Seth Ericson: There’s Black, Dick.
Dick Morosi: I’ve never been more thankful for commas in a sentence, Seth; but yes, there is the exciting Black Jones, previously of (R)evo! I’m sure he’ll be hoping for a quick statement win tonight against Jasmine Rose.
Seth Ericson: Speaking of her, here she comes!
As Katy Perry's "Roar" hits the PA System, Jasmine waits for the lyrics to begin before popping out. She showcases a smile as wide as her face as she raises one fist into the air and then makes her way to the ring, happily and excited. Upon reaching the squared circle, she slides in under the bottom rope and jumps onto the nearest middle turnbuckle, raising another fist into the air as the smile stays plastered on her face. She hops down and stays in her corner as the referee talks to them both before ringing the bell.
Dick Morosi: Here we go!
As soon as the bell rings Jasmine charges across the ring and looks to take Black out with a huge dropkick, but Jones ducks out of the way, sending Rose crashes to the canvas. She lands hard and is about to slowly make her way to her feet until Jones jumps on her, locking in a tight headlock.
Dick Morosi: An excellent duck there!
Seth Ericson: Not the only excellent duck in this city, apparently. Get it Dick, because hockey?
Dick Morosi: Sure thing, Seth, your wit is undeniable. Jones has Rose in a headlock here early on, maybe looking to keep things safe as we start the match off.
Seth Ericson: It’s not like him, but this is the main roster!
Black slowly allows Jasmine back up to her feet as he wrenches on the headlock and Rose begins to back Black into the ropes, but using his significant weight advantage Black simply stands there, not allowing Jasmine to move him. This goes on for a few moments before Jones spins out of the headlock in a flash, then proceeding to drop Rose with a belly to back suplex! Black hooks the leg, bridging over Jasmine Rose as he does so.
Dick Morosi: This could be it!
ONE...!
TWO...!
TH-
KICKOUT!
Dick Morosi: Rose kicks out!
Seth Ericson: And look, Black Jones is going right back on the offensive.
That he does, pulling Jasmine up to her feet before kicking her in the abdomen to double her over. He sizes up Rose who stays hunched over grabbing her stomach before springboarding off the ropes, taking Rose down with a Springboard Tornado DDT! Jones immediately jumps up to his feet, playing to the crowd who absolutely love him before going back to Rose, clubbing her in the back with a few forearms as she gets to her feet before irish whipping the new EXODUS Pro star into the corner. He charges at her and jumps up to begin Immortal Technique but he ducks down out of the way, taking a breather as she lies down on the mat, expecting Black to have crashed and burned into the turnbuckle. Unbeknownst to her however Black Jones landed on the second turnbuckle to the amazement of the crowd! He jumps up to the top turnbuckle before diving backwards off of it, but landing on his feet as Jasmine moved out of the way! But Jones performed another moonsault, this time a standing one, nailing Rose!
Dick Morosi: STAY SCHEMIN’!
Seth Ericson: That was excellent!
Dick Morosi: Wait...look!
In one swift motion however Black Jones rolls away from Jasmine, runs backwards into the opposite corner before sprinting forward, hitting her with a Rolling Thunder Senton! The crowd in the Honda Center goes wild at Black’s athleticism, and he himself loses it a bit, jumping onto the ropes playing to the crowd once again! This prove to be a mistake though, as in this time Jasmine Rose has been able to fight back to her feet. Black sees this and charges in but is taken down by an armdrag, however he takes it eloquently and in his stride rolling through, hitting the ropes then connecting with a flying forearm smash on Rose! He kips up to his feet and picks Rose up, whipping her into the corner. Without wasting time this time, he runs at her, hitting her with two knees to the chest, taking her down with a rolling snapmare before hitting her with a vicious shoot kick which sends echoes throughout the arena.
Dick Morosi: That Immortal Technique is something else; that kick, the connection that made! Jasmine must be out!
Dusting his hands to the crowd, Black signals that the end is near as he backs away from Rose. She stirs to her knees and is met with a shining wizard! Black shakes his head however as he moves behind Rose, hitting her with a shining wizard to the back of the head! And he’s still not done! He moves to her front again and hits her with another shining wizard!
Dick Morosi: POETIC JUSTICE!
Seth Ericson: If she wasn’t out then, she is now! Wow!
Black hooks the leg, the fans counting along with the referee’s count...
ONE...!
TWO...!
THREE...!
The referee calls for the bell as Black Jones jumps up in joy, going to each side of the ring, getting them hyped as “Braveheart” begins to play over the speaker system once more.
David Zinkus: Your winner by pinfall, in his EXODUS PRO main roster debut....BLAAAAACCKKK JONEEEESSSSS!
Dick Morosi: A dominant performance from Black Jones on his official main roster debut!
Seth Ericson: That was awesome work from Black. Rose just never got her offence going and Jones didn’t let up. I take my hat off to the kid, he deserves this.
Dick Morosi: Yes he does, Seth. The future is bright for Black Jones.
WINNER: Black Jones
Dick Morosi: Black Jones picks up a huge win in his first OFFICIAL EXPro match! The youngster out of (R)Evolution Wrestling looked strong tonight!
Seth Ericson: Jasmine was game tonight, but it was Black Jones who sealed the win and looks set to move to bigger and better things!
Dick Morosi: And on one of our biggest platforms ever for EXODUS! Take a bow, kid, enjoy your moment! We're heading backst--looks like we have a guest!
The house lights in the arena go out completely, thunder and rain can be heard from a distance, all while the image of a large mountain complete with a temple atop the peak is seen on the LCD screen while the beginning of “Pull Me Under” by Dream Theater blares out of the PA system. The shot zooms into the temple, as the crowd begins to clap along with the beat of the song, watching as a man rises from the throne inside of the temple and makes his way down the steps. Once he nears the camera, he looks up at the sky and makes his way over towards a pool of water. The man looks down into the water, and once he does…a shot of lightning hits the water!
Lost in the sky Clouds roll by and I roll with them Arrows fly, seas increase And then fall again…
As the lightning hits the water in the video, streams of smoke shoot up from the ramp way area and high above, covering the entrance ramp as the song kicks into full motion, the fans clapping along with the song in full while white, yellow and blue spotlights swirl all across the arena.
This world is spinning around me… The whole world keeps spinning around me… All life is future to past… Every breath leaves me one less to my last!
David Zinkus: Ladies and gentlemen, please welcome…THE NEWWWWW…EXODUS PRO WORLD HEAVYWEIGHT CHAMPION! HE IS “THE WAR MACHINE,” HE IS...CHRIIIIIIIIIIISSSSSS…STRRRRIIIIIIIIIIIIIKEEEEEEEEEEEEEEEE!!!!!!!!!
Chris Strike emerges from the curtains in a three-piece suit with a gold tie matching with the title and Brazilian cufflinks, stepping out into the limelight with the EXODUS Pro World Heavyweight title across his right shoulder, drawing a loud reaction from the EXODUS faithful at the Honda Center as he stops in front of the entrance ramp and slowly raises the title up in the air with his right hand. Strike is showered by gold, white and black streamers and smoke appearing from each side of the ramp before he makes his way down, having the occasional fans reaching out towards him from the rail, keeping his eyes solely focused on the ring with the title held high as the fans begin to sing along with the chorus.
Pull me under! Pull me under! Pull me under I'm not afraid! All that I feel is honor and spite, All I can do is set it right!
Chris places the title on his shoulder again before making his way up the ring stairs, using the steel pole for support, putting his right foot over the middle rope and as he is about to get inside, Strike suddenly turns around and finds himself with both elbows locked around the top rope, his entire upper body exposed to the crowd’s sight. Strike just gives the fans a sly smirk and a nod as flashes of light go off, before going under the middle rope and into the ring. He makes his way towards the nearest turnbuckle, ascending it and slowly raising the EXODUS Pro World Heavyweight title in the air again, basking in the reaction before stepping down from the turnbuckle. He looks around at the crowd and walks up to the nearest corner, leaning against the ropes and grabbing a microphone from the timekeeper as “Pull Me Under” fades…
As they fade away, the sold out crowd at the Honda Center roared in their approval as Chris Strike looked up and around, soaking in the reaction with a massive smile on his face as he grabbed the EXODUS Pro World title and raised in the air once again, drawing an even louder reaction from them and letting it soak in before he brought the title down to his shoulder again and the microphone near his lips to speak onto it.
Chris Strike: Thank you. I…well, the last year has been something else, hasn’t it? To go from defeating Christian Kane in a grudge match to earn my shot at this title I held, to failing miserably…and then eventually to return as WEAPON and to spend the past few months fighting Gods & Monsters until the Autumn Effect 2…well, it’s been quite a journey. But now…finally…at long last, I can say the words that EXODUS Pro has been waiting to hear with the upmost confidence.
Chris Strike inhaled, and then exhaled.
Chris Strike: CHRISTUM FUROR…GODS AND MONSTERS…THE NEW AGE…THEY HAVE ALL BEEN BURIED SIX! FEET! UNDER!!!!!
Earth-shattering roar of approval for this one from the Honda Center, as “ALL WILL BE WELL” chants begin to echo and grow in power across the arena.
Chris Strike: You’re damn right it will be!
There is another loud roar of approval, as the chants continue strongly for a few moments before Strike begins to speak again.
Chris Strike: Tonight, we set out on a new journey here in EXODUS Pro…and quite frankly, there’s no better place to set sails on this new chapter than to do it right here at the place they once called the Arrowhead Pond of Anaheim!
Cheap, hometown pop is a success here and there’s even a small “LET’S GO DUCKS!” chant that starts to gain some steam around the Honda Center. Strike lets them keep going for a few moments before nodding and taking the time to continue.
Chris Strike: I don’t know where we’re going, I don’t know where the road leads us…but I’m happy to be right at the helm with this championship around my waist. See, being the EXODUS Pro World champion…there’s a lot of responsibility that goes with it. There’s a weight you have to carry. No longer am I the challenger in some year-long odyssey to get this, I’m now the guy with a target painted across his back by every single person in that locker room…and I embrace that. I want the absolute best out of anybody that steps into this ring to go up against me, whether it is the man stepping across from me tonight in Justin Brooks…
Mostly boos are heard here, though there are a few scattered cheers out of either respect or fear for “The Big Bad Brooks.”
Chris Strike: …Or whether it is the number one contender to the EXODUS Pro World title in Abby Park at our next big show “Dead in Hollywood”…
“The Seoul Train” gets a roar of approval from the Anaheim crowd. The iPPV name shill probably gets some love too. I think. Yeah, sure, let’s go with that.
Chris Strike: No matter who the opponent is, no matter what the time, place or circumstances…I’m going to make this simple: I will fight them! I will fight for this company and everything it stands for, because EXODUS Pro deserves that much out of its World champion. For so long, Christum Furor attempted to topple this company through fear and chaos…but no more of that. I did my part in helping the Sekigun put down Gods & Monsters once and for all…and now; I’m going to take the next step and represent EXODUS Pro in full. Now that I have this World championship on my shoulder, I’m not…just letting it go at a moment’s notice. My aim is to be an EXODUS Pro World champion that is worthy of your respect and I’m going to do that in the same vein in which I’ve done throughout my career…I’m going to come out to this ring, put on the best match in the card and put down any single person who tries to take this World championship from me or die trying! So, my message to every single person in that locker room who thinks they have what it takes to beat me for this championship?
The camera closes-up on Chris Strike.
Chris Strike: The War Machine is lock and loaded to kill on sight! And there isn’t a damned thing…that any of you can do about it.
“Pull Me Under” by Dream Theater begins to play over the PA system as Strike drops the microphone to the mat, soaking in the cheers of the sold out crowd and moving back up to the turnbuckle, raising the title up in the air again before we go to commercial.
|
|
|
Post by EXODUS Office on Dec 1, 2014 12:25:00 GMT -6
As EXODUS starts up for another night of action, a video package recapping the Autumn Effect 2 begins... For a moment. It's quickly cut off as the lights go completely out in the Honda Center. The crowd murmurs in confusion. On the stage, a dim purple light comes from under the stage, and the silhouette of a chair and a female sitting in it. The package from AE2 starts up again, but instead of the theme from the show accompanying it, the opening chords from "Science Fiction/Double Feature" of "Rocky Horror Picture Show" begin to play. A spotlight hits the chair and the crowd cheers raucously when Heather Halliwell is the one revealed. She is wearing a sparkling black and blue corset, a sparkling blue bow tie, top hat, stockings and silver dance shoes. She's leaning forward in the chair on a cane designed to look like a baton very familiar to the EXODUS faithful. She's wearing a mic piece and surprises the crowd when she begins to sing in a clear, sweet voice. It all seems so strange how quickly things can change Gods and Monsters fell, they no longer standHeather moves her body back and forth rhythmically, in time to her song. There is a sly smirk on her face as the crowd let's out another yell of appreciation. Chris Strike claimed his crown, putting Furor in the ground The Seikigun made the ultimate standHeather leans back in the chair and crosses her left leg high up over her right, then switching again. There are loud wolf whistles from the Section B crowd. Then when the landscape seemed calm, something else went wrong The REVOLUTION started showing their handThe Pretty Lil Texan begins to rise slowly from her chair, leaning over the cane and swaying her hips seductively. But the TLC "victims" were riled, their voices wouldn't be stifled And this is how their message ran:Dropping the cane now, Heather tips her hat to the crowd before going into a sexy grinding burlesque against the chair she was just occupying. The crowd is hype now, clapping along with the song. We'll take on any takers Look us in our faces before we break yours See the Prince Kamijo in all his glory See Christian Kane be everything but boring Oh-oh at the prime time, FX featured, EXODUS show. As the music slows again, Heather circles the chair before walking along the guard rails and play flirting with some of the fans. Lifer gave his haters a pause, proving his worth to the cause He took Matthews out with some hellacious bumpsTo emphasize the "bump", Heather throws both hands in the air indeed bumps her famously luscious booty, invoking another loud cheer from the crowd. And I really got hot when I saw the Stardust Seraph Show off her lovely lady lumpsHeather covers her mouth with both hands, mocking modesty as she continues to dance. She heads back to the stage and sets one of her feet up on the chair and begins to slowly, skillfully remove her stocking. She repeats this with the other one and begins to dance sexily using her stockings as props. Jon Collins showed off his skills, Sally Talfourd gave us a chill Section B was shaking from all the thrillsAs she dances, she picks out two of the Section B kids, one male, one female and gives them a "private" dance, pulling them in around the neck with her stockings before moving on. Both fans scream with joy and wing the stockings around in the air. In this ring, they'll be many features Dr. Kuller will build a creature See Angela Jameson kick some asses While Lexy Chapel entertains the masses Oh-oh at the prime time, FX featured, EXODUS show.Heather removes the hat from her head and uses it as a prop for a moment before throwing it out into the crowd. I wanna go, oh-oh, to the prime time, FX featured EXODUS show.She grabs the cane again and begins using it as a prop as well, but she doesn't give this away. oh-oh, to the prime time FX featured EXODUS show.Using the cane, she slides back down into the chair and resumes her opening position slowly. In the front row to the prime time, FX featured EXODUS show.As the lights fade out, the last view of Heather is her sitting the same way she was when the song began, head bowed leaning over the cane. The fans in the Honda Center all rise, giving the popular Texan beauty a standing ovation. The lights come back on and Heather bows deeply and blows several kisses to the fans before running off backstage. December 1st, 2014 Anaheim, CA The scene cuts to a brand new intro video, set to "Beyond Monday" by The Glitch Mob and highlighting various recent highlights of EXODUS events, culminating with a shot of Chris Strike holding the EXODUS World Title high from The Autumn Effect 2! As soon as the intro ends, we’re taken LIVE inside the Honda Center in Anaheim, California! The camera pans the crowd, catching sight of the signs that are dotting the landscape… ...Before The Glitch Mob is cut off by the feedback and pounding drum rhythm of “Trainwreck 1979” by Death From Above 1979. The crowd stands, almost in unison, craning their necks to see who’s coming out...only to be surprised by the appearance of Jimmy Riley! The crowd begins cheering, much of it likely stemming from his last appearance in EXPRO. Pictures take over the screen as Dick and Seth chime in. Dick Morosi: Welcome to EXPRO on FX! I’m Dick Morosi, alongside Seth Ericson, and that is Jimmy Riley! Let’s take you back to two weeks ago, The Autumn Effect 2, and the match between Zack Lifer and Chuck Matthews! Jimmy Riley, putting himself in harms way to...I guess, lure Chuck in! Seth Ericson: He did just that! Check this part out, BOOM, that Supernova Lariat! Dick Morosi: Set up the Forced Suicide and Dead Air from Zack Lifer, and just like that, one-two-three, Chuck Matthews was sent packing! But that doesn’t answer the question we’ve got right now...what is Jimmy Riley doing here!? The shot returns to live TV, where Jimmy Riley’s procured a microphone and motioning for the fans to calm down. Jimmy Riley: I...would like to share a story with all of you. I want to take you back to last year, when I made my return to EXODUS. I got an opportunity, one to clean up my life, to get back into a ring, and to compete once more. But it was not...by the hand of Jonathan Collins. No, instead, I was offered this chance by a couple of benevolent souls...at FX Networks. So when Chuck Matthews revealed his plan to take over EXODUS, to move it to his own network...it hit a little close to home. So close, in fact, that it wasn’t Jonathan Collins who originally came to me to help save EXODUS. It was FX! He pauses, letting the words sink in. Jimmy Riley: So from there, I went to Jon, and we began making a plan. I worked my way into the good graces of Chuck Matthews; the lunches, the dinners, the conversations. I built up his plan, making sure to keep one idea in his head. One that, if all else failed, would allow me to work on a backup plan to keep everything going. Now, thankfully...I didn’t need to do that. But it does bring me to tonight. Dick Morosi: What’s he talking about? Jimmy Riley: See, I looked back at the first two years of EXODUS...and I came to a realization. Daisuke Iwakuma came to EXODUS to destroy Jonathan Collins. LEGION was formed to eliminate Jonathan from EXODUS. Christum Furor’s entire purpose was to get rid of Jon. Gods & Monsters had a stated purpose of an EXODUS without Jonathan Collins, and Chuck Matthews...orchestrated all of this...to get rid of Jonathan Collins. So tonight is the start of the third year of EXODUS. The start of a new era, one without Christum Furor, one without Gods, or Monsters, or LEGIONS. It’s also...the start of EXODUS without Jonathan Collins as the permanent Director. The air is almost completely let out of the building with that announcement, as the fans fall into somewhat of a stunned silence. Jimmy Riley: Fear not, though! First off, this is Jon’s decision; taking a step back from this position is going to allow him to do more than he ever hoped possible. To see the bigger picture, to help protect EXODUS from any incoming threats, and to see those threats before they ever form. Now then, two weeks ago, Jonathan named a new Director of Quality Control. Seymour Almasy, the “Judge Magister,” is in charge of handling...direct issues with talent. And I have no doubt that he’ll be excellent in that job. But that leaves the position of Director of EXODUS Pro open...and it’s being filled, beginning...officially, as of 12:01 AM earlier today...by me, Jimmy Riley. The crowd livens back up, cheering the announcement. After a moment, Jimmy motions for them to calm down. Seth Ericson: ...Him? Eh, there are worse options! Better options, too, but also worse options. Jimmy Riley: Now, check out this building! As if on cue (which it was), the lights in the Honda Center go up, revealing the arena full of fans, and they respond appropriately. Jimmy Riley: This is, by far, the biggest building we’ve ever had the pleasure of being in. But it doesn’t stop there; in just a few short weeks, for both EXPRO on FX episode 28...AND our next iPPV, Dead in Hollywood, we’re headed to Los Angeles! Those shows will be live at the Staples Center, and right now I’m here to announce the official main event for Dead in Hollywood. We’re gonna have the EXODUS World Champion, Chris Strike...defending that title against our new, official Number One Contender...Abby Park! The crowd cheers for that announcement as well. Jimmy Riley: Now then, we’ve got a great show in store, and I’m gonna get out of the way, settle in to my new office...and watch it just like the rest of you! Thank you! “Trainwreck 1979” hits again as Jimmy begins to leave the ring, and the camera switches to the commentary table where Dick and Seth are at. Dick Morosi: Kicking things off with big news; a new Director, Jimmy Riley! And a main event for Dead in Hollywood; Chris Strike and Abby Park! Seth Ericson: Strike better not look ahead to that; he’s in the main event tonight too, against The Big Bad Brooks! Dick Morosi: Abby’s got her hands full tonight as well, against Angela Jameson! But that’s just two of the big matches in store; let’s kick things off with the debut of one of the newest members of the main EXODUS roster; former half of the (R)Evolution Tag Champions, Black Jones!
|
|
|
Post by EXODUS Office on Nov 17, 2014 21:04:13 GMT -6
After the gigantic events of the evening, it seems like once again we're in a darkened room. Then, it seems a small light is turned on in the center, up above a table. No sound is made, at least until the sound of a door opens, a person slowly making their way into the room and having a seat at the head of said table. Thanks to the lack of light, we cannot see who this person is, but once they sit down, they clearly turn the chair around to watch something.
And one monitor flashes on, showing professional wrestling.
And another.
And another.
And another.
One by one, the wall of monitors turn on, all of them showing wrestling from across the globe, and as we see this development, we slowly start to back out of the room, all until we're out the door as it shuts.
And we fade to black.
|
|
|
Post by EXODUS Office on Nov 17, 2014 16:18:08 GMT -6
The feed cuts backstage moments from the Main Event. We find the the nefarious Christum Furor seated in his locker room. In his lap sits the EXODUS World Championship, while he holds his infamous burlap sack. He stares at it with a deep rooted fascination, almost lost in thought as he prepares himself for the most important bout of his career. The end of a chapter. The end of an era in EXODUS. Suddenly, the madman’s trance is broken by a knock on the door. In walks his pupil, former (R)evolution Wrestling star Naoki Arishima. The sword of the New Age is holding a large suit over bag as he slowly approaches his senpai, a somewhat somber aura surrounding him as stands before his senpai. Christum Furor: Naoki… Arishima closes his eyes, acknowledging the call from his senpai. Christum Furor: Is everything in order? Silently, Arishima nods. Christum Furor: You have never failed me, Naoki. You are like a son to me… a son that will inherit this world as I promised you. Tonight, I will ensure our future… your future. The Michigander embraces his student, placing a hand on Arishima’s head in a parental show of affection and esteem. Christum Furor: Is she here? The massive figure nods once more, bringing a heartfelt smile to Furor’s facial features. The twinkle in his eye shines brighter as someone else enters the room. She is the epitome of elegance, dressed in a black dress that hugs her voluptuous figure. Her silky blond hair flows past her shoulders, illuminating the path she walks as she draws closer toward the man of the hour. With a deep breath Christum stands in awe, setting the burlap sack on his chair as he takes the hand of the only woman he’s ever loved - Haven Silver. Christum Furor: My moon… my sun and my stars... There’s a tenderness in his tone as the World Champion wraps his hands around Haven’s face, gingerly caressing her porcelain skin. He brings his forehead to hers, his eyes closing as their souls become entwined. Haven Silver: Love of my life… The couple share an eskimo kiss as Silver holds him tight, almost refusing to let go. Christum slowly pulls away, gently holding her arms as he stares into eyes - diamonds that sparkle bright enough to light one’s darkest hour. Christum Furor: It is almost poetic to have you at my side my love, here at the conclusion of this arduous journey. I have been on this path long before EXODUS… before any of this took into effect. I remember so vividly my darling… so vividly how this cruel world ripped us apart. We were young… we were dreams… naive as we thought we could be decent in indecent times… we thought we could be virtuous in a world depraved of virtues… we thought we could add color to a black world. But we were wrong. They would not let our dreams come to fruition. This world… it does not give… it only takes… takes from our sanity… from our spirit… from our soul until there is NOTHING left. Furor’s eyes become wide with conviction as he gets lost into Haven’s, a multitude of emotions beginning to rush to the surface as he spills his heart out to her. Christum Furor: They took you from me, Haven. They killed who we were.. who I was. I had nothing… nothing but loneliness… but desolation… I was banished into an abyss where the light of day could not reach me. Every single day I tried to climb out… I tried to escape to find you again but I couldn’t… and with every passing moment my sanity dwindled… my humanity deteriorated to the point that I couldn’t recognize myself. My reflexion was a bitter contrast to the man I was… the man you wanted me to be. Alone without you I was lost… so lost that the inner demons I worked hard to suppress took me hostage. I was consumed by my madness to the point that I ceased to be the man you fell in love with. I became something else… something MORE. Christum turns away from Haven, and plods toward a mirror on the wall. He stares into it, staring at his likeness.. into the looking glass that he now calls home. Christum Furor: The madness that came from losing you opened my mind, Haven. It made me aware that when a man learns to love, he must bear the risk of hatred. And I hated them. I hated this world for what it did to me… for what it did to us but then I understood it all. I became absolute, developing an intellect that transcended anything this world has ever known. The longer you live… the more you realize that this cruel world is just made of pain… suffering and emptiness… that our dreams and our hope are meaningless because we do not control our lives… not as long as we allow them to be governed by a broken system that perpetuates the wickedness of men. The greed. The envy. The corruption. There is no light in a world made of shadows… in a world where the concept of winners and losers exists. The selfish desire to maintain a way of existence causes wars, and hatred is born to protect these cherished concepts… concepts that have been passed down to generation… concepts that have never been questioned. Furor shakes his head, balling a fist in frustration as he turns back to Haven. Christum Furor: But I questioned these laws and regulations. I questioned the established order and the fate I had been handed. I questioned EVERYTHING and I came to the conclusion… I became enlightened… that this cycle CAN be broken… only until we are willing to discard these viewpoints… to stop TALKING about change and actually take my life into my OWN hands… and with these hands… Christum stare at his miracle working fingertips. Christum Furor: With these hands I harnessed my dementia into a weapon… into a power source… for power is NOT will… it is a phenomenon… a phenomenon of physically making things happen and I HAVE MADE ALL OF THIS POSSIBLE! For the past half year I have created a world that will replace this cruel reality… a perfect dream…. a world of truth… not LIES. A world where from our pain we have an understanding of each other… and from that understanding we have harmony… and from that harmony we will have true PEACE. Christum takes Haven’s hand again now, looking right into her eyes as she hangs on his every word. Christum Furor: I built the New Age… for you Haven. I created this so that we would NEVER be torn apart again. This is our dream Haven… the everlasting dream… the reality I have shaped and the destiny I have architectured. Haven Silver: Magnus… no… I don’t want any of this. Christum Furor’s brow furrows in confusion as he snatches his hand back. Haven Silver: This is not what I wanted. Everything that has happened… what you did to me… I forgave you… I forgave you but you never could forgive yourself. This… this New Age you created… it’s all because you couldn’t let go… your hatred is what consumed you… what cause you to lose sight of everything that was important. You were important… my love for you is what mattered most. We drifted apart because you let professional wrestling come between us… but now… now we’ve found each other again and we can leave it all behind…. Furor’s eyes widen in confusion as Haven tries to explain herself. Haven Silver: All of this... this world that has caused us so much pain… so much misery… so much grief… we can leave it all and start anew. All of it. None of this matters, Magnus. None of it matters because we are together again. I don’t want you to go out there… because you don’t have to… because you don’t NEED to. You’ve overcome everything they have done to you… to us… you have SUCCEEDED… baby THIS was my dream… to see you become the man you are today… that man who stands as the champion of the free world. You are MY CHAMPION, Magnus! Haven takes his hand, pulling him in close. Haven Silver: You are everything I wanted you to be and more… there’s nothing left for you to do… there’s nothing left for you to accomplish… so don’t go through with this… don’t go out there and face that because you’ve already won… you have me my love so you’ve ALREADY won! Christum frantically runs his hands through his black locks, trying to come to terms to what he’s just heard. There’s a menagerie of thoughts running through his head as murmurs to himself. Christum Furor: I cant…. Haven mouth becomes agape, shocked and frightened by his response. Christum Furor: I can’t because my job isn’t done… my mission is not complete until I finish what I started. This is my fate, Haven. This is the destiny that I’ve chosen and it is the path that I must walk… alone. Haven’s eyes fill with tears now as she shakes her head in disbelief. Christum grabs her now, wiping the tear from her face. Christum Furor: Do not fear, my love. I promise that I will return to you… I will return because I cannot lose… I cannot lose as long as you believe in me. The EXODUS World Champion wraps his hands around Haven’s face. Christum Furor: Do you believe I can win, Haven? Haven’s body goes still as she stares into Furor’s eyes, almost unable to speak as she is paralysed by the sheer magnitude of the question. Suddenly, as more tears cascade down her visage her mouth begins to move, formulating one words that will break her heart and his as well. Haven Silver: No… Christum’s eyes close as Haven’s voice reverberates in the back of his mind. Haven Silver: If you walk out there… you will die. With a smile manifesting on his mug Christum pulls her in, kissing her on the lips for a moment that seems to last an eternity. Finally, the EXODUS World Champion pulls away from her, continuing to smile as he marches over to grab his burlap sack. With Naoki Arishima holding the suit bag the two figures slowly march out of camera view, leaving Haven sobbing in out of fear of the unknown. Dick Morosi: Uncertain times for Furor's camp, Seth. Savannah has fallen. Sally has fallen. Daisuke has fallen. Chuck has fallen. There's only one domino left. Seth Ericson: Yeah but he's the biggest and the baddest domino in the business today. He's overcome every challenge he's faced. We have to hope that Chris Strike is the one to end this nightmare. Dick Morosi: This will end one way or another, Seth. One of these men is going to be put in the ground six feet deep... it's time for our Main Event. STRIKE FUROR II! The lights begin to swirl around ringside, the crowd outside of the RIMAC roaring in approval as they hear the sound of a bass blasting through the PA system followed by a British voice coming through on it as well. People ask a question. What's a War Machine? And I tell 'em…The camera pans over to a small stage with a full set-up of drums, amps and a full fledged band dressed in matching suits, two guitarists, a drummer, a bassist, a keyboardist and a lead singer - all of them having their faces concealed by Turks masks, the outside of the RIMAC cheering fiercely for it while the voice continues while the bass keeps playing the beginning riffs to “I’m A Man” by Black Strobe. It's not about marquees, titles and legendary status. Oh no! There's more there than that, my friend... We all like a bit of the good life. Some the money, some the marquee. Others the championship game, the glamour or the fame... But a real War Machine...oh, they're different.Another riff and suddenly, the music stops, the lights going out all over the outside and leaving them to the darkness of the night. Why? Because a real War Machine...wants the fuckin' lot!!!The crowd roars in approval again at the end, as white and gold lights begin to swirl around the ringside area, as the drummer on the live band bangs his drumsticks as to count them down before they start playing their tune, the lead singer stepping up and a female voice being heard from the microphone - sounding like somebody who seems able to handle herself in both an opera and a rock concert. It burns deep down inside of me, We have ourselves to blame... Not questioning, accepted as the truth.Thunder and rain can be heard from a distance, all while the image of a large mountain complete with a temple atop the peak is seen on the LCD screen while a cover of “Prophets of War” by Dream Theater blares out of the PA system around ringside and the amps around the band stage as well. The shot zooms into the temple, as the crowd begins to clap along with the beat of the song, watching as a man rises from the throne inside of the temple and makes his way down the steps. Once he nears the camera, he looks up at the sky and makes his way over towards a pool of water. The man looks down into the water, and once he does…a shot of lightning hits the water! Debate this fight it's just cause, The facts do not support theirs... To liberate a people... And rid them of tyrant rule.As the lightning hits the water in the video, streams of smoke shoot up from the ramp way area and high above, covering the entrance ramp as the song kicks into full motion, the fans clapping along with the song in full while white and yellow spotlights swirl all across the arena. Is it time to make a change? Are we closer than before? Can we help them break away? Are we profiting from war? IT’S TIME TO MAKE A CHANGE!!!!!!!!Chris Strike emerges from the curtains and steps out into the limelight, drawing a loud reaction from the EXODUS faithful as he stops in front of the entrance ramp and slowly raises his right arm up, hand open - his face covered by the WEAPON mask and his entire body in WEAPON gear, except this time it’s in gold and black colors rather than the green and black he wore during his duration as the Fail-Safe Program of EXODUS Pro. Strike is showered by gold, white and black streamers and smoke appearing from each side of the ramp before he makes his way down, having the occasional fans reaching out towards him from the rail, keeping his eyes solely focused on the ring as the lead singer motions for the fans begin to sing along with the chorus and the EXODUS Pro faithful follow suit. TIME! FOR! CHANGE! FIGHT! THE! FEAR! FIND! THE! TRUTH! TIME! FOR! CHANGE!Chris then makes his way up the ring stairs, using the steel pole for support, putting his right foot over the middle rope and as he is about to get inside, Strike suddenly turns around and finds himself with both elbows locked around the top rope, his entire upper body exposed to the crowd’s sight. Strike just gives the fans a sly smirk and a nod as flashes of light go off, before going under the middle rope and into the ring. He looks around at the crowd and walks up to the nearest corner, leaning against the ropes and removing the WEAPON mask, handing it over to one of the staff members on the outside. David Zinkus: Introducing first…from Denver, Colorado via São Paulo, Brazil…weighing in tonight at two hundred and fifteen pounds…HE IS “THE WAR MACHINE,” HE IS…CHRIIIIIIIIIIISSSSSS…STRRRRIIIIIIIIIIIIIKEEEEEEEEEEEEEEEE!!!!!!!!! The crowd roars at the announcement of the number one contender, as Strike grins before stretching his arms out, pointing out towards the live band of Turks who he played him in, nodding as they get a roar of approval as they finish playing, basking in the reaction and his eyes averting to the ramp where he waits for the EXODUS Pro World Heavyweight champion… Dick Morosi: Strike has been through so much to get to this moment. The machinations of Edward Nair and Christian Kane kept him away from the title shot that was rightfully his for what feels like a year now. But how times change. He's become WEAPON, he's fought his old friend Sally, and he's even come to some kind of peace with Christian Kane. And it all culiminates tonight, as he stands as EXODUS' last chance at stopping the unending reign of Christum Furor. Seth Ericson: We'll see! I'm not convinced yet. He might just choke. Dick Morosi: I think I speak for most everyone in this crowd Seth when I say I think you're full of it. There is not a more deserving man right now who should be number one contender. If anyone can save EXODUS from Furor and prove that All Will Be Well, it's the War Machine. Seth Ericson: We'll see. He has to get through Furor first. The atmosphere in the arena is electric, as some fans cheer tumultuously in anticipation for the arrival of the champion, others hold a quiet eagerness. Strike begins limbering up, pulling on the ropes and stretching his limbs as the arrival of his opponent draws nears. The God of Thunder continues to hold his resolve, an expression of sheer confidence etched on his face looking not one bit intimidated. The lights in the arena suddenly black out entirely, with the exception of EXIT signs and the flashing of phones and cameras held by the patrons in attendance. If not already standing, the crowd rises to their feet in response to the strum of an ominous guitar riff that starts “If Rain Is What You Want” by Slipknot. As the foreboding introducing carries on, the tron flickers to life displaying a montage of the man behind the music. “It’s been years since anyone Could be a friend It’s the fear that kills the feeling In the end Can we face it? Can we shape it? Can we really die? If rain is what you want All you have to do is close your eyes Just close your eyes” The vignette on the tron transitions to the champion’s normal video package, showing high impact and trademark moves, The Butterfly Effect, Mask of Madness, The Hammer of Dawn, all maneuvers he intends to use against the man knocking on his doorstep. Slowly, white smoke begins to shoot up from the ventilators, beginning to consume the entryway and stage area. Meanwhile the velvet curtains begin to part, the crowd immediately exploding into applause as the holder of the wrestling industries biggest prize emerges. The brooding figure casts an eerie silhouette on the curtains whilst his stature beckons the raw emotion of the capacity audience. His head remains still, staring through the holes of his trademark burlap sack, his cold blood eyes gazing at his feet, the glimmer in his pupils slightly faded and deteriorated due to the countless sleepless nights. An ominous cloud hangs over him, two years worth of anger burning deep within culminating in this final moment. The fanfare of the audience finally hits him, quickly carving their mark into the center of his brain. His eyes gradually rise, his vision being pointed toward the ring, inhabited by his most toughest and hated adversary to date. “I have watched your resurrection Start to crawl Is there any in Hell? Any chance at all? Do we need it? Do we see it? Is it really there? If rain is what you want Then take your seats Enjoy the fall Enjoy the fall” The sounds of the arena are blacked out as time slows down for the champion who can only hear the prevailing sound of his heartbeat as it reverberates through his eardrums. The only thing he's focused on is the man staring at him mere feet away, the man that has vowed to end his reign on top of EXODUS and put a stake through his heart. The moment is crystallized in his brainpan, the picturesque moment of two superstars mentally preparing themselves for tremendous combat, and the right to decide the fate of a company they have both come to call home. This long moment of contemplation finally comes to a cease as a shark of sparks suddenly descend from the rafters, raining down on the man they call Christum Furor whilst he raises his head to the heavens, and outstretches his arms in his infamous crucifix pose. “(Enjoy the fall) The only thing deeper than my last breath The only thing darker than my last Is the panic, the static I've come back from the dead For my solace We'll never sleep again.” David Zinkus: And his opponent! Coming to the ring he weighs in tonight at two hundred and forty pounds and fights out of Detroit, Michigan. He is the EXODUS World Champion and the leader of GODS & MONSTERS... CHRISTUM! FUROR! Dick Morosi: This is the moment we’ve all been waiting for. I can’t believe it’s finally here. Chris Strike and Christum Furor are about to literally fight where everything is on the line. Seth Ericson: The World Champion has promised to bury Chris Strike and cement the New Age. I have chills right now, Dick. Literal. F*cking. Chills. The madman dawns a three piece black suit. He is dressed for a funeral - what is yet to be determined is if it is his. Going along with his wardrobe are the white wrist tape concealing his wrists and hands. As his arms descend the Michigander opens his suit jacket, revealing the EXODUS World Champion underneath which lies lies perfectly around his waist. "In these DIAMONDS We’re left with COLORED GLASS As pressure takes its toll We WILL outlast But you can’t break my heart As long as I can be myself I’ll never fall APART And you can’t take me in If I’m not broken, break me down So I will never feel alone again" Christum Furor makes his way to the ring steps and stops, pausing momentarily, mentally telling himself that tonight would be the last time he would ever have to deal with the thorn in his side. With a slow, rhythmic gait the villain slowly marches up the stairs before climbing the turnbuckle. From his perch he surveys the arena, the crowd still going insane, prompting him to remove the EXODUS World title from his waist and hoist it into the sky. "The only thing deeper than my last breath The only thing darker than my last death Is the panic, the static I've come back from the dead For my solace We'll never sleep again
My solace We'll never sleep again" Furor climbs down the turnbuckle, dropping into the ring. His gaze lies is on his foe, staring into his smoldering soul. The music slowly fades out. The challenger hooks his arms back on the ropes and bounces on them a few times, both limbering and psyching himself up. The God of Thunder paces in place as the crowd begins to chant both their namesakes. As the sounds of the EXODUS lifeblood reverberate throughout the arena, the challenger and the champion approach one another, their trashtalk impossible to discern due to the bedlam of noise surrounding them. Chris Strike motions around his waist, promising a title change, while the champion merely poses in the crucifix again in defiance, almost as if to say 'over my dead body'. From this point afterward the referee separates them, and holds up the EXODUS World Championship for all the world to see before handing it to David Zinkus an calling for the bell. David Zinkus: And here... we... go... *DING! DING! DING!*The bell rings and the crowd falls silent as they wait to see the beginning of this fated contest. Slowly, the two begin to approach each other, coming to stand face to face with one another in the center of the ring. On one side, the God of Thunder, the last stand of EXODUS against the forces of Gods & Monsters. On the other side stood the burlap sacked madman that has held EXODUS in his grasp for what feels like an eternity, hand clasped around the company's throat so it can't breathe without his permission. They stare into one another's eyes, these warriors, and know that this battle will decide everything. And then they start punching each other. These mighty warriors begin to repeatedly drive their fists into the face of the other. Strike takes advantage of the tuxedo Furor has chosen to wear, grabbing a handhold on the lapel with one hand so he can better drive his fist into Furor's face. Furor does not seem to be bothered by Strike using his clothing against him, instead choosing to use both of his fists to batter his hated enemy's face. Strike's right eye begins to turn purple, as blood begins to trickle from the mouth hole of Furor's sack from a split lip. The two force each other into the corner, Strike finding his back pressing against the turnbuckles though he doesn't let this stop him from continuing to drive his fist into Furor's face. Seth Ericson: Oh my God did we accidentally turn into an MMA place and no one told me?! I coulda put another bet on this fight! Dick Morosi: Furor and Strike clearly had no intentions of having this play out as a wrestling match, they just wanted to beat each other down! Seth Ericson: Well someone should have told Strike to expect Furor to change that idea! Dick Morosi: You're right, as Furor suddenly drops his arms to around Strike's waist, belly to belly suplex throws Strike out of the corner and to the mat! Furor doesn't give Strike a chance to get his head around what's happened, running up and dropping a knee onto Strike's left arm before turning and grabbing the arm, twisting it back as far as he can. Strike's face contorts into pain, but he begins to try to grab the rope, but it's too far away. Realizing this, he instead begins to push up onto his legs, trying to sift Furor's weight off of him. Finally, he manages to roll to his right, sending Furor falling off of him and relinquishing the hold he had on his arm. However, Furor still manages to get to his feet before Strike can, and grabs him before he can make it up, DDT'ing Strike back down to the mat. He then stomps on the left elbow of Strike. Dick Morosi: We can see Furor's game plan at work here. He's working the arm of Strike, getting him ready for his Mask of Madness. Seth Ericson: And see that's brilliant Dick, because Furor wants to dominate EXODUS and what better way to show your dominance than to make the last hero they can send against you submit to you? Dick Morosi: It's disgusting Seth, but it's also unfortunately true. Seth Ericson: I should hope so, I put money on Furor! Dick Morosi: What. Seth Ericson: ….Hey look! Furor's got Strike back up! Dick Morosi: ...indeed he does, and he's trying to get a double underhook on Strike, not sure what he's going for here but it cannot be good for Chris Strike. Seth Ericson: But good for my betting odds which'll get Daddy a new boa-OH NO! Dick Morosi: Strike managing to get himself to his feet, forcing Furor off of his, down Strike's back, and onto the mat! Seth Ericson: Oh bother. Dick Morosi: You've got that right, Strike is back in! Strike has finally gotten his chance and he takes it, quickly grabbing Furor and forcing him to his feet to force him to eat a few punches before giving him a belly to belly to pay back the one he took earlier. And then Strike falls onto Furor and begins to pull at Furor's burlap sack, Furor trying to keep Strike from removing it, only to have his grip weaken when Strike throws more blows at his head. Strike finally yanks the burlap sack off of Furor's head and holds it up for the crowd to see, the crowd cheering hard. Seth Ericson: This is just disrespectful! Dick Morosi: After every single thing Furor has done, he deserves far worst than that! Seth Ericson: ...I guess Strike heard you, Dick. Dick Morosi: It...it certainly seems so, Seth. Fans, I think Chris Strike is trying to force the burlap sack down Christum Furor's throat! Seth Ericson: No I get it! The sack is a signature of Furor's, so many of his words have come out while he's worn that sack on his head! Now Strike's gonna make him choke on his own words! Dick Morosi: Wow, that is insightful, Seth. Seth Ericson: I know! I also know that I lose my money if Furor chokes to death so someone stop Strike! Dick Morosi: There we go, I knew you'd be back. Strike continues to try and push as much of the sack as he can into Furor's mouth, Furor desperately trying to fight him off. The referee, uncertain of the legality of this, seems ready to try and step in, but Furor renders that mute as a lucky strike upward hits Strike in his Heather-pleasers, causing him to fall off of him and clutch his impained babies. Furor yanks the sack out of his mouth and coughs for a few moments before getting shakily to his feet. Strike is trying to get onto his feet, but Furor grabs him and throws him headfirst into the turnbuckle, Strike slumping to his face on the mat. Furor takes a run up and intends to drop a knee onto Strike's head, only for Strike to roll out of the ring! Furor lands poorly on his knee and is stunned, giving Strike time to reach in and grab Furor's head, smashing his face into the turnbuckle! Furor collapses, allowing Strike to drag him out of the ring. Seth Ericson: And this has officially gone off the rails. Dick Morosi: It was inevitable they'd leave the ring, but now that they have it changes the entire tone of the match! Seth Ericson: I bet some good money, you know. More than I had at the time. Dick Morosi: ...Seth, did you bet money you don't have? Seth Ericson: It's fine, as long as Furor wins I'll be fine. Dick Morosi: Ooh boy.... Strike brings Furor to his feet on the outside and throws a gutpunch to keep him out of it. Strike starts to whip Furor into the ringpost, only for Furor to spin and get a hold on Strike, sending the War Machine facefirst into the ring post! The number one contender falls onto the ringsteps, struggling to recover but Furor doesn't intend to allow him to, as he takes a run at Strike! Dick Morosi: Oh my God Furor trying to curb stomp Strike's face into the ring steps! Seth Ericson: But damn it that Brazilian is too quick, he moved out of the way! Dick Morosi: And leaving Furor stomping onto steel! He's stumbled off the steps in confusion, and Strike is ready! Seth Ericson: Clothesline! They've both gone over the guardrail! Dick Morosi: This has spilled into the crowd, fans, and it can only get madder from here! The two begin to stir, slowly making their ways to their feet, trying to be the first one up. Strike has recovered, but so has Furor who grabs an empty chair off the ground and throws it at Strike's head! Strike, however, sees it coming and ducks, but that turns out to be part of Furor's plan who rushes Strike and delivers a massive big boot to the Brazilian, sending him tumbling over the guardrail! Strike is stumbling to his feet and Furor is ready to again take advantage taking a run to the guardrail and leaping over it intending to shoulderblock Strike down, but Strike smashes him in the face with an elbow, sending Furor slumping down to the ground! Dick Morosi: Strike really came into this match prepared for Furor. He's spent months preparing himself for this match, and it shows! He's got Furor scouted! Seth Ericson: Hey now, Furor's strength is in being unpredictable. Changing the play in the middle of the ball run. Strike has this facet of him scouted out, but at any moment Furor could change things around and leave Strike without a way of dealing with him! Dick Morosi: It's entirely possible, but for now Strike has this in his hands! Strike drags Furor to his feet and chops him across the chest, sending him back against the guardrail. Strike seems ready to run up to him, but seems to reconsider, instead approaching Furor slower, a clear plan in mind. However, it's suddenly turned around when Furor hooks his arms into the guardrail and uses it as a base to support him as he jumps up and drives both his feet into the face of Strike! Strike stumbles backwards, confused, allowing Furor time to reach out and grab him, tossing him over the guardrail back into the fans, and following him. However, by the time he's over the guardrail Strike is back on his feet, and they meet one another with fists among the fans. Dick Morosi: They're outright fighting among the fans now, and I'm surprised to see that most of the fans aren't trying to get out of the way! Seth Ericson: Would you? Dick Morosi: ….yes! Seth Ericson: Okay, silly question, but you can't blame these drunk fans! They wanna see this action up close! Like Furor powerbombing Strike onto the grass! Dick Morosi: Luckily he didn't manage to drop Strike onto one of those chairs, that might've been it for the War Machine. Seth Ericson: If only, man, if only. And Furor going down to grab Strike's hair, classic jerk move. Tear some of that pretty boy hair out. Dick Morosi: He's shouting something into Strike's face, and I don't think my ears could handle knowing what it was. Seth Ericson: And he's not the only one shouting at someone! One of the fans this is happening in front of is getting mouthy at Furor! Dick Morosi: I think that's one of those “SectionB” kids we hear so much about, displaying their usual lack of sense and unending love of EXODUS and-OH MY GOD! Seth Ericson: Furor just punched that kid right in the jaw! They are out cold from it! Dick Morosi: How disgusting! That fan did nothing to deserve that! Seth Ericson: In a way they got in Furor's way, and they should've known better after seeing what Furor's done to everyone else in his way! Dick Morosi: But Furor's gonna regret it in the end, it gave Strike time to recuperate, and he's kicked Furor's leg out from under him! He's fallen face first into an empty chair! Seth Ericson: Damn it, what a dirty trick from that Brazilian! He took advantage of him looking away for one moment! Dick Morosi: Only person Furor can blame for that is himself, and he might be blaming himself big time. Strike's on his feet and he's gotten hold of Furor's tuxedo and he's dragging him along to...the concession stand? Seth Ericson: Oh jeez. They reach the concession stand, a table with a popcorn machine and soda dispenser. Strike seems to think Furor is in the mood for some popcorn, as he drives Furor's face into the popcorn machine! Furor collapses to the ground, as Strike actually grabs the machine and yanks it up, turning it bottoms-up over Furor, covering him in popcorn. The fans cheer this obscenely as Strike goes to grab Furor and pick him up, only for Furor to drive an elbow into Strike's face and get to his feet. He nails the War Machine with a rolling elbow and then grabs the stunned man by the neck, dragging him to the table where he pries the top off of the soda machine and forces Strike's head into the soda! Strike begins to thrash around as Furor drowns him, desperately trying to find something to stop this before he runs out of air. His flailing hand manages to grab hold a salt shaker and he slams it back into Furor's face, splitting it open and depositing salt into the eyes of the world champ! Furor staggers back in agony, allowing Strike to pull his head out of the soda. Both men's eyes are stinging and rendering them essentially blind, but Strike doesn't let him stop that from trying to end Furor, as he grabs the man and goes to hit him with Mjolnir, only for Furor to twist around at the last moment, with the end result being both of them suffering the brunt of going through the concession table! The two lay there near-motionless. Dick Morosi: Oh my God! They might have both been rendered unconscious there! Seth Ericson: No! I don't know what a draw means for my bet! Dick Morosi: The referee is checking on both men, we'll see what he says. Seth Ericson: Please, Furor, please Furor, please Furor.... Dick Morosi: He's signaling...they're both stirring! The match continues! My God, the stamina these men have! The sheer will! Seth Ericson: It's what champions are made of, Dick! They're at the top for a reason. And...uh, I'm wondering something... Dick Morosi: Yes, Seth? Seth Ericson: ...do we have to pay for those machines? Dick Morosi: ...yes, Seth, we do. Seth Ericson: Oh goooood..... Dick Morosi: At least there's not a hot dog machine, I shudder to think what they'd have done there. Blowjob: There was one, but I ate them all. Seth Ericson: ...thanks, dick. Thanks. He touched me again. Dick Morosi: Sigh.... Slowly, miraculously, both men slowly get to their feet. The referee has found bottles of water, which he gives to the two blinded men, who begin to dump it over their heads to rid them of what ails them. Except Furor only dumps half of the bottle onto his head, as he throws the half-empty bottle at Strike's head, where it rebounds off onto the referee's head as Furor charges Strike once again, who meets him with fists flying, the two quickly beginning to degrade into a brawl across the crowd. Their fistfight finally makes it's way close to the stage, getting ever closer to the burial site that calls to them. Unfortunately in the way to that is a hearse, and they cannot resist it's call either. They brawl up to the hood of the hearse, where Furor suddenly reaches out and grabs Strike by the head, slamming his face into the hood. Strike is stunned, allowing Furor to roll him up onto the hood. Furor takes a few steps back and take a running start at the car, jumping onto the hood for a move we'll never know, as Strike rolls down the hood, taking Furor out at the knees, who falls onto his knees but continues to slide forward into the windshield, smashing through it! Seth Ericson: SHIET! Dick Morosi: Oh, I hope we didn't rent that hearse. Strike goes to the driver's door and opens it, grabbing the splayed out Furor and dragging him out of the hearse, beginning to drag him over to the stage and the burial site beyond it. They reach the stage itself and Strike slams Furor's head into the metal before rolling him onto it and climbing up after him. Strike then kicks Furor in the side, causing him to roll off the opposite side of the stage and jumping off after him, the both of them officially entering the burial site. Dick Morosi: This is it, fans, the moment we've been waiting for. They've reached the place where, by the end of this, one of them will be buried six feet deep. Seth Ericson: And hopefully without me following soon after. Dick Morosi: This has been an otherworldy brawl the entire time, both men are battered, bloodied, and bruised. It's a wonder either of them can stand! Seth Ericson: They're champions, Dick, it's what they do! They've got hidden reserves of manliness you don't have! Dick Morosi: You mean we don't have. Seth Ericson: No, no, I mean you don't. Dick Morosi: Sigh. Of course. Strike now begins to lay into Furor with a righteous fury, raining blow after blow on the prone leader of G&M, and when that ceases to amuse him he begins to rip at Furor's tux, ripping one arm off and then the other before forcing the tux off of him and throwing it into the crowd. He looks at the empty grave and, more specifically, the shovel embedded into the dirt next to it, and he smiles. He begins to make his way to it, grabbing it and beginning to pull it from the dirt, but as he does Furor gets to his feet and rushes him, grabbing him from behind and nailing a stiff German suplex onto the dirt. Dick Morosi: Anytime Strike seems to have an advantage, Furor is right there to switch it around back to his favor! Seth Ericson: That's what a champion does, Dick, he's been the man on top of this company for so long for a reason! Dick Morosi: Besides being a megalomaniac controlling a band of psychos? Seth Ericson: ...I mean he's a pretty great wrestler too.... Dick Morosi: He is, and he's certainly showing that here tonight. Seth Ericson: He needs to show it more so I don't get kneecapped. Furor goes to Strike and pulls him up, grabbing his left arm and once again locking it behind him. He then unravels Strike and jerks him back towards him, intending to lariat him, only for Strike to duck under. Furor turns in time for Strike to catch him with a dropkick right to the face that sends Furor down to the dirt. Strike goes to the laying Furor, trying to get a hold of his head, only for Furor to lash out with his fist, catching Strike on the side of the head, sending him to a kneeling position. Furor twists around and nails a kick right to Strike's gut, sending him down. Furor scrambles to his feet and rushes Strike, grabbing him and turning before hip tossing him. Strike hits the ground and rolls, almost falling into the hole! He scrambles to his feet only for Furor to nail him with a boot to the jaw that shakes him. Furor spins him and grabs him, nailing a backdrop suplex. Dick Morosi: It is just back and forth here, and at the most crucial of times. This is sudden death right here, fans, any wrong move could send one of these men into the grave, and that will be all she wrote. Seth Ericson: I can't imagine being buried alive, Dick, it's honestly one of the worst experiences I could imagine. Being crushed down by all that dirt, the worms crawling all over you, waiting for the moment you expire so they can feast.... Dick Morosi: Do you...think about this a lot, Seth? Seth Ericson: I think about death often, Dick, especially when I'm betting on money I don't have. Dick Morosi: ...yes, I imagine you would. Seth Ericson: Furor going to take advantage of the position Strike is in, it's almost over baby! Dick Morosi: It seems it might be going that way indeed, Seth, Furor has things well in hand right no-WAIT! Seth Ericson: Oh not again! Dick Morosi: Strike playing possum, tripping Furor up! Furor's down on his face, Strike's up! He's got Furor's legs, he's getting his hand around Furor's face...Luminaire Clutch locked in! This will be debilitating for Furor! If he can't get out of it, Strike can keep him in it as long as he likes and take all the fight out of Furor! Seth Ericson: If Furor can't get out of this, we might as well consider this match over, he won't be able to fight off Strike burying him alive! And then I'm going to have to pay a bet I can't pay! Dick Morosi: That seems to be the fate you're left to, Seth, I don't think Furor's got a way out of this on-OH MY GOD! Seth Ericson: YES! Furor is too clever for Strike! He got a handful of dirt and threw it into the bastard's eyes! He can't see a thing! Strike is blinded, and is forced to let go of Furor as he tries to get the dirt from his eyes. As he stumbles around, Furor sweeps his legs out from under him, sending Strike onto his back. Strike desperately rubs at his eyes, clearing them...just in time to see the sight of Christum Furor standing above him, holding the shovel up, readying to plunge it down into Strike's chest, point-first. He stabs down but fortunately for so many, Strike rolls out of the way at the same time, leaving Furor with a shovel stuck in the ground. He immediately abandons it, intending to take the fight back to Strike, only to receive a boot to the face from Strike immediately for his idea. He grabs the shovel and stands over Furor raising it above his head, ready to smash it into his face. He swings down, but Furor raises his arms and grabs it with both hands as it comes down. There is a brief struggle, but Furor manages to come out on top as he yanks it to the side at the same time he kicks Strike in the ribs, sending Strike stumbling down to the ground. Furor is quick to his feet and ready the shovel and, with the skill of a Major League slugger, swings it right into the mouth of Chris Strike. The crowd goes silent as Strike falls to the dirt, the camera zooming in to capture the vacant, starry look of his eye, as blood begins to run from his mouth. He coughs once, blood splattering onto the camera and a tooth ejecting itself from his mouth onto the dirt. Furor starts to cackle as he delivers a sharp kick to Strike's side that sends him rolling into the hole. The crowd begins to grow furious, screaming at Furor as he begins to shovel dirt onto the prone body of Chris Strike, beginning the process of burying him alive and keeping the World Title for himself. But he pauses in his burying as As Furor continues to posture, it’s a strange surprise, but Chuck Matthews comes out along with his Matthews Enterprises security! Matthews starts having his security almost guarantee the protection of Furor. Dick Morosi: Furor seems like he’s got to be excited over the victory. Seth Ericson: But I don’t think people are going to take this laying down! Indeed, this isn’t happening tonight. Fiona Collins runs out to take on the security! There’s Fiona! Wulf Erikssen! Steve Lenton! DRAGONS UNLEASHED! Angela Jameson! Even RW students like Black Jones and Sydney Christensen have come down to align with the Sekigun tonight as the group one by one goes after Matthews Enterprises security! The Sekigun has vowed tonight that they will not go quietly into the good night, and even more have shown up! Simon Raines! Caleb Storm! Black Jones! Jackie the Lad! Christian Kane! Lexy Chapel! Tonight, everyone has come to save EXODUS Pro! Even Tom Higashikata has sent down all remaining Based Empire members! AND THERE IS THE MASKED SALARYMAN! The Salaryman is taking on several security members at the same time! Dick Morosi: WE WILL NOT BOW, MATTHEWS! FUROR! LET US SEE EXODUS FIGHT!! Furor looks around amongst the chaos, seeing it all. Chuck motions very calmly to the back,and more and more security flood out from the back, flanking the Sekigun and attacking them with clubs. The Sekigun fight back valiantly, but are overwhelmed. Chuck motions for some of the security, four in total, to protect him if worst comes to worst. Dick Morosi: There’s more and more of them. I don’t know if the Sekigun can handle this! Seth Ericson: There is just too many, but they’re still fighting! It is at this point that we see a figure roll out in his wheelchair. Andreas Lasiewicz himself begins to wheel his way through all of the anarchy. They seem to part in his presence. Chuck points him out in the crowd, yet Furor motions to let him through. Dick Morosi: Dammit, Lasiewicz is here to just watch all of this. He said the Sekigun was going to die and now he wants to witness it first hand. Damn him. Damn Chuck. Damn Furor! Seth Ericson: J-just… DAMN! He wheels his way up, in his hands a funeral wreath. He parks his chair next to Matthews, staring out emotionlessly at the carnage before him. Some of the security start tearing down parts of the set, using them as weapons against the outnumbered Sekigun. On this night, none of the Sekigun will be denied, and instead of just folding, they continue on! Suddenly, even more reinforcements continue to help! Former wrestlers turned EXODUS staff like Tom Matheny and senior official Brian Lowery coming to help the Sekigun and wrestlers prevent this mayhem. Tonight, nothing will stop them, and finally, it looks like there may be some hope yet for the Sekigun as it seems the security is starting to fall down one by one! Chucks looks around and orders his private force to join the fray, yet they do not budge. Dick Morosi: Is there mutiny in the ranks here? Seth Ericson: Bitch, there might be! Those four are not moving a muscle. Chuck points at them, ordering them to attack, but the masked force still don’t move. Then one finally steps forward, pulling off his mask as the others follow suit one by one. Dick Morosi: IT’S JONATHAN COLLINS! OH MY GOD! Seth Ericson: AND ADRIEN COCHRANE! AND DARRIN STEARNS! Dick Morosi: AND CHANDLER SCOTT! Chuck takes a step back, cool as anything, confused as to why this has happened. He then begins to laugh, laugh uncontrollably at what he is witnessing. He strokes his hands through his hair as his defeated laughter continues on. He turns to walk away, but Lasiewicz is in his wheelchair blocking the way. And then he stands. Dick Morosi: WHAT THE…? Seth Ericson: THE AUDIENCE HAS COME UNGLUED! ANDREAS LASIEWICZ JUST STOOD UP! Chuck goes pale, looking upon the figure of Andreas Lasiewicz stood before him. The Morning Star throws down the wreath, revealing the symbol of The Turks, the very same baton that Jonathan Collins used earlier on in the night to beat down Daisuke. Chuck lets out one last bout of laughter before Lasiewicz knocks him clean out with the baton! Dick Morosi: AND CHUCK IS OUT! WHAT HAS HAPPENED HERE? Seth Ericson: Was this all a ruse? Was this the plan all along? Did Lasiewicz and Collins pull the wool over everyone’s eyes? Collins and Lasiewicz nod at each other, before embracing. Looking at Andreas, he then turns to Chandler and Adrien, letting them know it’s time to finish the mission, the four of them going out into the chaos to stop the security from ruining the ending of the match. Meanwhile, Furor starts to cackle maniacally, the camera capturing the bug-eyed look of madness he gives to everyone as he begins to scream at them, the camera luckily close enough to capture his words. Christum Furor: YOU THINK THIS MATTERS?! YOU TRICKED ME BUT IT'S NOT ENOUGH COLLINS, LASIEWICZ! I AM STILL BURYING YOUR LAST HOPE! I, CHRISTUM FUROR! I AM ETERNAL! I AM A GOD! I WILL REIGN OVER THIS PLACE FOR AN ETERNITY, EVEN IF IT'S ALONE! AND THERE IS NO ONE WHO CAN STOP ME! And, as Furor and the crowd watches, Furor's words are stopped dead in their tracks as a hand bursts out of the dirt in the grave. The crowd goes silent along with Furor as the War Machine begins to pull himself out of the dirt, out of the grave, still alive. He climbs over the edge of the grave, and stands tall, staring down Furor. His WEAPON costume is torn. He is black-eyed, he bleeds from his nose and his mouth. But still he stands, facing the madman. And Furor, for the first time anyone can remember, is slack-jawed, unable to find a word as he stares at the man who rose from the dead. With a roar, Strike charges Furor, who remains motionless, unable to act as Strike leaps, legs going around Furor's head as he hits the Ultima WEAPON, throwing Furor into the grave! Dick Morosi: My God! My God! Strike rose from the grave to face down Christum Furor, and he's left Furor in the grave! Seth Ericson: I...I can't believe what I saw.... Dick Morosi: Neither can this crowd, they're just staring silently...no, no, that's not true, they're starting to come alive as Strike falls to his knees, forgoing the shovel and pushing the dirt onto Furor with his body weight! Seth Ericson: Before our very eyes, Christum Furor is disappearing. Dick Morosi: The man who has held EXODUS in his grasp for a year is being buried alive, and wait! The referee is pushing Strike away from the grave! Seth Ericson: What for?! Dick Morosi: Because....because he's done it! THE REFEREE IS ANNOUNCING THAT CHRISTUM FUROR HAS BEEN BURIED ALIVE! David Zinkus: Ladies and gentlemen, I am so proud to say these words....YOUR WINNER! AND YOUR NEW EXODUS PRO WORLD HEAVYWEIGHT CHAMPION! CHRIS! STRIIIIIIIIIIIIIIIIIIIIIKE! The referee brings the world title that Strike has fought through so much to obtain, and he takes it, hugging it close to himself as if to insure that it's truly real, and begins to openly cry. He clutches it tight as he falls to the ground, the crowd coming alive and showering the new champion with perhaps the heaviest cheers ever heard at an EXODUS event. He brings the title to his face, kissing it deeply, leaving it stained with his blood and tears, both of which he shed to earn it. He shakily comes to his feet and holds the title above his head, the cheers managing to somehow grow as Strike's friends and family join in on this moment so long in coming. WINNER (and NEW EXODUS Pro World Champion): Chris StrikeDick Morosi: THE NEW AGE IS DEAD! HAIL THE WAR MACHINE! Seth Ericson: Oh. My. God. Dick Morosi: EXODUS lives to see the future both Strike and Jonathan Collins envisioned together! Chris Strike is your new World Champion! Indeed he is, and as members of the Sekigun place The War Machine on their shoulders, a fireworks display caps off the evening, and the resounding crowd chanting "ALL WILL BE WELL!" can be heard throughout the arena, friends and loved ones embracing this major victory, we fade to copyright. Goodnight, everyone!
|
|
|
Post by EXODUS Office on Nov 17, 2014 16:13:36 GMT -6
We continue to look around backstage, and after a moment of just panning around to see what’s going on, it’s clear that two people are enjoying one last moment of some goddamn peace and quiet. Jonathan Collins sits in the trainer’s room, finally getting clean after getting stitched up, Looking up when he realizes who’s in the room, he sighs. Jonathan Collins: You have a match. Fiona Collins: So? You're more important. Fiona walks into the room after closing the door behind her. She notices the exhaustion written on her husband's face as she walks closer to where Jon sits. She sits at his side, her hand rubbing at his back before she leans her cheek against his shoulder as she hugs him. Fiona Collins: How are you holding up, Captain? Jonathan chuckles and looks at her, sighing contently. Jonathan Collins: I’m retired now. I’m gonna go home and make cookies and basically stay out of trouble from now on, isn’t that what we were waiting for? Jonathan sighs contently and looks at her, facepalming as soon as he looks toward the door and realizing just who walked in. Jonathan Collins: ...god dammit. A rendition of “Love Walked In” by Thunder plays in the background, sung by The Chipmunks, as The Artist Formerly Known As Prince Kamijo waltzes into the room in an over the top velvet suit in purple. Several geisha girls throw cherry blossom in the air as he basks in the falling petals. He then opens his eyes, sniffing the air. Prince Kamijo: Silicone senses tingling. Moi smells something… unreal slash fake slash surgically enhanced. Fiona frowns deeply as she lifts her head and looks over to find Kamijo standing there. She glares as she stands up, folding her arms across her chest. Fiona Collins: What the hell do you want? I'm really not in the mood for your crap tonight. Jonathan Collins: Kamijo, this probably isn’t the best time. Prince Kamijo: Don’t you mean breast? Kamijo gets a giggle out of this, as the two Collins’ shake their heads at the comment. Prince Kamijo: Moi doesn’t mean to be an absolute tit, nor make a boob on proceedings. Moi knows you are trying to juggle everything tonight, but let’s make the breast of this tituation. Just don’t aim those bazookas at Moi, and Moi will say tatas! Fiona rolls her eyes at the various breast puns Kamijo makes, so tired of him and others believing that she had enhancement surgery. With a heavy sigh, she drops her arms at her sides. Fiona Collins: Oh, for Christ's sake. I'm so done with this shit. Without waiting a second, Fiona raises up her shirt and sports bra to flash said breasts at Kamijo with an unimpressed expression on her features. Fiona Collins: See? Real. FOR THE LAST DAMN TIME, THEY ARE REAL! Kamijo pauses, staring at Fiona’s chest. The camera can’t pick much, as Mrs. Collins back is to the lens. The Prince then pulls out a large sparkly pair of Elton John styled star glasses and peers/leers at Fiona’s exposed breasts. He then extends an index finger and pokes her. Prince Kamijo: Boing! Kamijo then looks at his finger, then to Fiona, then back to his finger, then to Jonathan, then to Fiona, then to a Camel wrapped in a bow with a sign reading ‘With Love From Nicholas Gray’, then to Fiona, then to his finger, then to Matt Le Blanc, then to Fiona once more. Prince Kamijo: It seems… Moi has been mistaken… Jonathan Collins: I...I just can’t goddamn even. Jonathan turns around and shakes his head and he looks at his wife, raising an eyebrow. Jonathan Collins: Have we solved this? Fiona smirks, adjusting her bra and shirt back into place before she nods her head while looking back at Jon in satisfaction. Fiona Collins: I think we have. Haven't we, Kamijo? Kamijo makes a vast bow. Prince Kamijo: It would seem that Moi is forced to concede on this one. They are very, very real. And they are… The camera closes in on his face. Prince Kamijo: BEAUUUTIFUL!!! Kamijo then sprints away in a puff of smoke, a comic book sign popping up reading ’FAP. After seeing this, the two sigh, shaking their heads before they keep an arm around one another, while we cut back to Dick and Seth. Dick Morosi: There's a couple that looks at peace right now, especially considering the strife they've been through. Seth Ericson: They've survived a metric ton of crap, but there's one more war to wage and it's Fiona's next. Dick Morosi: Fiona's got one last shot at ending this for herself, as she meets Sally Talfourd...NEXT! David Zinkus: The following contest is scheduled for one fall... The lights die down, the crowd of fans enveloped in a darkness pierced just by a spotlight shining onto the stage. Unlike normal, it is not 'Normal People' by Arcade Fire kicking in across the PA, but an entirely different song, ominous chorus and instrumentals following it. Careless, careless Shoot anonymous, anonymous Heartless, mindless, no one who care about me...As EXO-K’s “MAMA” blasts over the PA system and despite their hatred for the wrestler that's about to come down, they still hang over the railings and stretch themselves just to get a better look. A pair of officials, trying to hide themselves in the darkness, rush up to the curtain to the back and hold it aside for the coming of 'The Last Clairvoyant'. Irheobeorin chae, Oemyeonhaneun geot gata... Chameul subakke eobseo, Nuneul gamjimaaaaaaaaaannnnnn!Then as the beat grows and goes into its solo, on cue, into the spotlight steps the beautiful Sally Talfourd, much to the chagrin of the EXODUS Pro fans. The boos drown out the music for the moment, looking out to the fans with a tilted head and wide eyes. She runs her hand down the side of her face then points to the ring before she walks down, mumbling a few words to herself as she goes, as she’s dressed in all black on her side of things. David Zinkus: Introducing first…from Boryeong, South Chungcheong Province, South Korea…weighing in at one hundred and forty-five pounds, she is a member of Gods & Monsters…“The Last Clairvoyant,” SALLYYYYYYYY…TAAAAALFOOOOURRDDDDDDD!!!!!!! MAMA ijen naege daedaphaejwo, Wae saramdeuri dallajyeonneunji... Areumdaun sijeoriraneunge jonjaehagin haenneunji! Ije deoneun saranghaneun beopdo ijeotgo, Baeryeohaneun mamdo irheotgo... Deungeul dollin chaero saragagi bappeungeol!At the edge of the ring, 'The Last Clairvoyant' rolls under the ropes then, on her knees, slowly lifts her head to stare out into the dark that still surrounds the crowd. She slowly reaches up for the rope, then pulls herself up slowly, this time the lights fading back in with her. Looking out at the crowd, this time with a pained look on her face, she climbs up the turnbuckle and lets out an ear-piercing yell. Ingmyeongui gamyeone gamchwotdeon sarui gadeukhan jilsi Kkeuteul bwado baegopeun deutan Ijen manjokhae
Urin deo isang nuneul maju haji anheulkka Sotonghaji anheulkka Saranghaji anheulkka Apeun hyeonsire dasi nunmuri heulleo Bakkul su itdago bakkumyeon doendago malhaeyo MAMA, MAMAAAAAAA!!!!!With a stoic expression with just the tiniest hint of a smile, and as her music fades out, Sally, slowly turns on the top rope and seats herself on the turnbuckle, waiting for her opponent as she occasionally mutters to herself, the occasional laugh and smile making it all the more disturbing. Dick Morosi: The laugh and disturbed smile may be there, but you have got to believe that a lot has to be weighing in the mind of that woman right there. Seth Ericson: She got played like a fiddle by Furor and while the leader of “Gods and Monsters” promised her answers after the show tonight...is there even a possibility for answers, depending on whether the faction survives the night? Dick Morosi: Regardless of allegiances, fans, we know too well that Sally Talfourd and Fiona Collins have not liked one another for a very long time and that has escalated considerably over the past few months. Seth Ericson: She still believes Furor, to boot. She still thinks that Fiona Collins was the one who put her out of commission for months and she seems intent on wrestling like it... The lights around the arena begin to swirl around in white, and the crowd begins to stir as a guitar riff begins to play over the PA system, the lights beginning to swirl around faster across ringside! As the song and the lyrics continue to play, smoke begins to surround the entrance area from each side, as the fans in attendance are in awe, anxious at the impending arrival. Touched... You say that I am too, So much of what you say is true...Suddenly, a person’s shadow is seen through the smoke, gradually walking on towards it, right hand holding on to the hilt of something behind her back, the shadow getting closer and closer before finally stepping out through the smoke, white wrestling boots being the only “wrestling” esque thing out of an attire that consists of a black kimono and hakama held together by a white obi belt, the hilt of sword seen held by the right hand as the person behind the smoke brings it in a swinging manner to cut through the smoke. I'll never find someone quite like you...again. I'll never find someone quite like you, like you...David Zinkus: And her opponent...from Portlandia, weighing in at one hundred and thirty five pounds...SHE IS THE “STARDUST SERAPH,” SHE IS…FIONAAAAAAAAAAA...COLLIIIIIIIIIINSSSSSSSSSS!!!! The crowd outside of the RIMAC roars in approval as Fiona Collins is now seen in full, clad entirely in the same Shinigami gear worn in Bleach while “Touched” by VAST plays over the PA. The “Stardust Seraph” nods in approval of the roar, flashing a small grin as she points the large sword right at the center of the ring, before assuming a fighting stance with it as streamers of red, black, white and orange variety begin flying from the crowd onto her general direction before she begins to walk down as the chorus hits. The razors and the dying roses, Plead I don't leave you alone. The demi-gods and hungry ghosts, God, god knows I'm not at home…
I'll never find someone quite like you again! I'll never find someone quite like you again!The fans roar in approval and following suit as Fiona starts to make her way to the ring, they begin to sing the chorus while the “Stardust Seraph” stares a hole through “The Last Clairvoyant” – who does not look amused by the EXODUS Pro crowd, screaming at them to shut up as Fiona places the sword back on the hilt around the back of the kimono and hops up onto the apron. Once she looks out and surveys the crowd, she turns to face the ring before spring boarding over the top rope, flipping over it and landing down on her knee, hand touching the mat as if she landed like a superhero! Quickly heading to a corner, she climbs up and once again holds up one finger to the air to get the crowd into everything. Looking back at the people in the ring, Fiona hops down from the corner, giving the worbla-made sword to one of the staff members on the outside and gradually undoing all of the Shinigami gear and tossing it aside to reveal her regular black and purple wrestling gear. Dick Morosi: What an entrance for the Seraph here tonight, truly showing her “Soul Reaper” abilities, if you will and along with it, coming out to a song that she told me means a lot to her and Jonathan. Seth Ericson: She went all out with the pleasantries here tonight and no doubt she’s going all out against her opponent across the ring. Including that theme song itself. Dick Morosi: Fans, this is a match that has been in the making ever since Sally Talfourd entered EXODUS Pro under the guise of Elena and I, for one, cannot wait to see it. Seth Ericson: We’ve waited long enough! Let’s get this show on the road! The bell rings and there is a roar from the crowd outside of the RIMAC, as Fiona Collins and Sally Talfourd are perched on their corners, staring down one another intently, screaming a few words back and forth. The crowd begins buzzing again as they simultaneously dart forward and the two of them meet in the center of the ring, each left hand finding the back of the other’s neck as the two begin swinging forearms against each other’s skulls in rapid fashion, the EXODUS faithful outside the RIMAC roaring in their approval as each shot connects, neither woman relenting! Dick Morosi: AND THEY’RE NOT WASTING ANY TIME, SETH!!!! Seth Ericson: JESUS H. CHRIST I THINK I SEE BLOOD ALREADY!!!!! The camera does pan to the women, Sally Talfourd who has a busted lip with a trickle of blood running down and Fiona Collins with the same on the opposite end of her lip, as the two continue to clock one another with forearms before a simultaneous shot from both parties to the jaw cause them to break away and stumble back, panting. Fiona wipes the blood trickle from her mouth, eyes narrowing as Sally Talfourd licks the blood away, an empty expression on her face as she steps forward with Fiona following suit. The two return to hammering one another but this time around, it’s close handed punches, a teeter-totter between the two women as they hammer one another, the blood starting to run a little more from their open wounds, neither woman giving an inch at the center of the ring...that is, until Sally Talfourd swings her leg up and catches Fiona Collins with a knee to the midsection, doubling the Strong Style Seraph over as the crowd boos while Sally then takes Fiona around by the neck and brings her down with a neckbreaker. She spits out some blood from her lips right onto Fiona’s face, the crowd booing as she grabs on to Fiona’s right leg and begins to stomp on it, screaming on whether Fiona actually has what it takes to finish this once and for all. She finishes out with the stomps before dragging Collins back to her feet, holding her right leg up. Fiona bounces on her left foot a few times before swinging it up in the air, going for an enziguri, but Talfourd has it scouted as she ducks under it while still holding on to right ankle. Fiona goes back down to the mat stomach-first and before the Seraph can react, the Last Clairvoyant lifts her up right by the right leg and slams her back down to the mat, making sure the right knee and ankle hit the mat firmly in the process. Dick Morosi: This match started as a brawl between the two but the “Last Clairvoyant,” as she has been called, has decided to take things to the mat and she may have found her target with that right leg. Seth Ericson: We may question her personality as of late, but Sally Talfourd is still deadly inside of that ring...and she’s picked the leg that has dished out the Shinigami, a leg that has won Fiona Collins countless matches over her EXODUS Pro career. As Fiona clutches on to her right ankle, Sally begins to stomp away at her stomach to keep her at bay before returning to the right ankle, pulling firmly on it to apply pressure before standing Fiona up again, this time around being able to twist the leg into a dragon screw, flooring the Seraph again and adding on to the pressure on the right leg. Talfourd attempts to go for a figure four leg lock, but as she steps over the right leg, Collins’ left leg swings up, catching Talfourd in the buttocks and pushing her right onto the top turnbuckle, which she smashes into chest first. As she bounces back, Fiona manages to get back up and while she’s hopping on the right leg, she clocks Sally with an elbow to the back of her head before placing her hands around the Last Clairvoyant’s waist and lifting her up, connecting with a German suplex to create some separation between the two of them. The impact is felt by Talfourd as she makes her way back up while near the opposite corner. Glancing down at her right leg, Fiona Collins gives it a pair of smacks through the kickpads before backing up against her own corner and then takes off from it, executing a somersault once reaching the middle of the ring and then leaping off from the somersault backwards, catching Sally Talfourd with an elbow to the face before following suit by grabbing on to her head and running forward, connecting with a bulldog. Dick Morosi: And the Seraph’s right back in on this, with an excellent combination of that somersault elbow with the bulldog after that German suplex. Seth Ericson: She’s got herself back on her feet, but I think that dragon screw with the added stomps did something. She’s still moving a little sluggish right now… As noticed by the commentators, Fiona’s moving a little more carefully around the ring with her right leg as she brings Sally back to her feet, measuring her up before connecting with a knife-edged chop to the chest, reeling the Last Clairvoyant back to the ropes. Fiona irish whips Sally to the opposite ropes and as she comes back, Fiona lowers her body and lifts Sally’s team up in the air...but Talfourd lands on her feet right behind her and before Collins can turn around, the Last Clairvoyant lands with a swift dropkick to the back of her right leg, flooring the Seraph to the mat as she yells out in pain. Sally immediately goes back to attacking the leg again with stomps before deciding on something else entirely by dragging Fiona near one of the corners before sliding outside the ring. Talfourd grabs on to Collins’ right leg and drags it further forward before slamming it right onto the ring post, a cry of pain escaping the Seraph before Sally does it again, referee Katie Hanneman yelling at Talfourd to get back in the ring only to be met by a wicked smile from the Last Clairvoyant as she brings Collins’ legs around the post and immediately places her in a figure-four leglock around the ringpost, keeping it locked while Hanneman begins to count, forcing Sally to break the hold before she could reach “five.” Satisfied with her work, Sally hops back on the apron and goes through the middle rope, grabbing on to Fiona Collins by the hair and dragging her to the center of the ring before running towards the ropes and delivering a leg drop right to the legs of Fiona Collins before covering her up, placing a forearm across the Seraph’s face for good measure. ONE!!!! TWOOOOO!!!!! TH- Fiona kicks out. Dick Morosi: And the Last Clairvoyant taking full advantage of the window she created earlier and Fiona’s ankle might be near its limit at this point. Seth Ericson: Those kick pads are probably the only thing that have kept her ankle from being shattered right now, because between that steel post and the figure-four...man, Sally’s trying to make sure that Shinigami doesn’t happen at all. Talfourd shrugs her shoulders as she sits up, while Fiona grimaces, attempting to get herself back to some semblance of a vertical position while holding to the right ankle with her hand before that hand gets swatted away by Sally, who immediately locks her up and places her in a cross kneelock. Fiona screams in pain, the crowd starting to grow concerned around the outside of the RIMAC as Sally has the hold in, some “STRONG STYLE SERAPH” chants starting from Section B. However, Fiona is close enough to the ropes where she’s able to use her upper body strength and then reach out, grabbing on to the bottom rope and forcing Sally Talfourd to break the hold...which she does...y’know, after referee Katie Hanneman gets to a “four” count. As she lets go of the hold, Sally brings up Fiona back to her feet slowly, holding on to her and talking on her end of things about Collins actually meaning any of the things she’s been saying for months, yelling about how badly she is failing Jonathan right now...and in return, getting punched right in the face for it by the Seraph. That seems to take away from any composure from the Last Clairvoyant, as she attempts a wild punch that the Strong Style Seraph ducks under and allows Fiona to slip behind the back of Sally, before placing her hands around Talfourd’s shoulders and bringing her down with the Oz-O-Matic, the crowd at the RIMAC reviving in their approval as the two women are now down on the mat. Seth Ericson: Desperation move from Fiona, but finally, she created some separation here. Dick Morosi: You’re right, Seth. The attack on her right leg by Sally Talfourd has been vicious, but the Oz-O-Matic is a good first step for Fiona Collins to get herself back in on this. The crowd begins to clap along with Fiona as she starts smacking the mat with her right hand while sitting up, using the ropes to pull herself close to them and to help her get back onto her feet - although she does stumble to the turnbuckle in the process, keeping the weight off of her right leg as much as she can. On the other hand, Sally Talfourd gets back to her feet, grabbing her back and rubbing it before seeing Fiona on the corner. She charges forward at the Strong Style Seraph but ends up getting a left boot from Collins. As Sally stumbled back again, Fiona immediately pats her right leg firmly three times before coming forward and meeting Talfourd with a set of forearms before connecting with a rolling elbow, flooring the Last Clairvoyant before bringing her back to her feet quickly and irish whipping her to the turnbuckle fiercely and as Talfourd bounces back, Fiona brings her in and connects with a picture-perfect Northern Lights suplex and she bridges it… ONE!!!!! TWOOOOOOO!!!!!!!! THRE- Nope, Talfourd manages to kick out, as Fiona falls back to the mat afterward, clutching on to her right leg again. Dick Morosi: Close call for Fiona there, but not quite. Seth Ericson: She’s mounting her comeback here, but that right leg is still giving her trouble. I don’t think the bridge was the best idea, Dick. As the Strong Style Seraph sits up again, the camera watches as she tries to stretch her right leg out, holding on to it and wincing, as she is still testing things out. However, Talfourd is back on her feet quicker than expected, grabbing on to Fiona Collins by the hair and dragging her back to her feet, using a forearm to her head to keep her at bay and from fighting back. She puts on an arm wrench on Fiona and then proceeds to nail her with a short arm clothesline. Sally is not done there, as she brings Fiona back up with the arm wrench still in and hits her with another short arm clothesline. But as Sally attempts to pull her in for a third short arm clothesline, Fiona ducks under the clothesline attempt and breaks free of the grip before pulling back on Sally’s arms and attempting to lift her up into a tiger suplex but before Sally goes fully up, she places her legs around Fiona’s waist and breaks free of the grip, using her own momentum to roll up Fiona into a victory roll! ONE!!!!!!!!! TWOOOOOOOOOOO!!!!! TH- BUT FIONA REVERSES IT INTO A ROLL-UP OF HER OWN… ONE!!!!!!!!! TWOOOOOOOOOOO!!!!! THRE- SALLY KICKS OUT AT THE NICK OF TIME!!!!!!!!! Seth Ericson: WHOA! Too close on both counts here! Dick Morosi: Fiona tried for the tiger suplex, but instead, a close of near falls with the roll-ups by both women here! As both women get back to their feet, Fiona goes for a kesagiri chop from her angle but Sally ducks under it, catching Fiona by the waist and tucking in her right leg before nailing Collins with a shinbreaker to keep the pressure on the leg. As Fiona clutches on to her leg, Sally keeps her from falling down by holding on to her gear before irish whipping Fiona to the ropes again. Fiona gingerly does run the ropes and bounces back. As she does, Talfourd showcases her own strength by pressing Collins up and tossing her a few feet in the air but before Sally can attempt anything else, there is a MASSIVE showcase of agility from Fiona Collins as she does a flip in mid-air, landing on Sally Talfourd’s shoulders and immediately turning the Last Clairvoyant into a hurricanrana that sends the crowd outside of the RIMAC into a goddamned frenzy! Seth Ericson: HOLY CRAP!!!!!!!! Dick Morosi: FIONA COLLINS WITH THE DAMNDEST COUNTER TO A PRESS SLAM I HAVE EVER SEEN IN MY LIFE!!!!!! A FLIP INTO A HURRICANRANA AND I CANNOT BELIEVE WHAT I’VE JUST SEEN!!! The hurricanrana seems to bring the Seraph back to full swing, as she gets to one knee, pats her right ankle a few times to send blood flowing to it and watches as Talfourd struggles back to her feet near the turnbuckle and as the Last Clairvoyant stands to her feet and her back is against the turnbuckle, Collins charges the damn thing and connects with a totally legitimate business man kick to Sally Talfourd’s jaw, flooring the Gods & Monsters member to the mat. Fiona hops on her left leg a few times, yelling out in pain while holding to her right leg before eventually falling into the cover! ONEEEEEE!!!!!!!!!!!!!!!!!!!!!!! TWOOOOOOOOOOOOOOOOOOO!!!!!!!!!!!!!!!!!!!!!!!! THREE- NOOOOOOOOOOOO, SALLY GETS HER SHOULDER UP JUST IN TIME! Fiona looks up at Katie Hanneman, who holds up two fingers to the Seraph and apologizes to her friend in advance for not being a three count. Sighing, Fiona gradually returns to her feet, beginning to stalk Sally Talfourd as the Last Clairvoyant uses the ropes to get herself back in full, still feeling the effects of that legitimate businessman kick. As Talfourd turns around, she is met with an elbow smash right to the face, the crowd erupting and screaming it, as they know this move by heart... Dick Morosi: CLEAR EYES… Fiona follows suit with a palm strike to the chest to Sally Talfourd, the crowd following suit in screaming the name. Seth Ericson: FULL HEARTS… The dropsault is the next thing to follow, the Last Clairvoyant getting the fullest of Fiona Collins’ boots as she falls to the mat while Fiona flips over in the air, landing down on her chest from the dropsault. Dick Morosi: CAN’T LOSE!!!! SHE HITS IT!!!! Seth Ericson: And we know Fiona’s looking to end this one...but can she use her main weapon?! Breathing in and out, the Strong Style Seraph beckons the Gods & Monsters member to her feet, chants of “SHINIGAMI” emerging from the various sections of the RIMAC and growing as the Last Clairvoyant returns to her feet...and then grabs on to referee Katie Hanneman’s shirt, SCREAMING at her and placing herself in an angle where the referee becomes her shield from Fiona Collins. As Fiona tries to maneuver around, Sally Talfourd pushes the referee forward and while the referee doesn’t go too far, it forces the Seraph to move over to her right where she is eventually caught...BY HER OWN SHINIGAMI MANEUVER!!!! Dick Morosi: SHINIGAMI!!!! SALLY TALFOURD JUST BLATANTLY STOLE THE SHINIGAMI AFTER USING THE REFEREE AS A SHIELD!!! Seth Ericson: A meaty shield at that, good lord...what? Katie is a big girl, she can handle it! The crowd boos the Last Clairvoyant as she extends her arms out in a Furor like fashion and screams “YOU THINK IT’S GOING TO BE THAT EASY?!?!” before falling down on the cover, SCREAMING at Katie Hanneman’s “fat, lardy ass” to count the fall. Katie stares a hole through Sally Talfourd for a moment before professionalism over any personal desire to dismantle the woman and kneels down to count the fall: ONEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEE!!!!!!!!! TWOOOOOOOOOOOOOOOOOOOOOOOOOOOOOO!!!!!!!!!!! THREEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEE- FIONA GETS THE SHOULDER UP!!!!!!!!!!!!! At this point, Sally Talfourd’s eyes widen in surprise as she glances down at Fiona Collins while the crowd roars in approval that this match is not over. There is the look of a woman who does not understand and is completely angry circumstances all at once while she glares over at Katie Hanneman, who holds up two fingers...which Sally returns with three...which Katie still holds two up in response. Gritting her teeth, Talfourd gets back to her feet and glances at the fallen Fiona before taking off to the ropes and springboarding onto the second one… Dick Morosi: SALLY’S UP, GOING FOR BROKEN HOPES… As she flips over and into the springboard moonsault...she tastes nothing but the mat as Fiona rolled away at the nick of time. The impact brings Talfourd up to her knees, clutching on to her chest while the Strong Style Seraph pulls herself back to her feet near the corner with the help of the ropes. Noticing as Sally is still on one knee, checking her chest, Fiona lets out a scream as she puts weight on the right leg, screams in pain but still takes off on a run towards Talfourd, stepping up onto her thigh with the right leg and smashing a boot across Sally’s face with her left! Seth Ericson: ALL THE SHINE!!!!! THAT’S JIMMY RILEY’S MOVE! The crowd roars in approval as Sally drops to the mat again as Fiona is now on both knees, staring down a hole at the Last Clairvoyant before screaming “OH NO WE AIN’T DONE HERE YET!” Section B is in full swing, leading another “STARDUST SERAPH” chant as Fiona picks up Sally by the head and slowly returns to her feet with Talfourd in tow. Fiona stares down Sally before taking off on another run, still showing her right leg being favored but as she comes back, Talfourd meets her with a swift kick to the skull. A dazed Collins stumbles back as Sally attempts to go for the Facebreaker DDT... Dick Morosi: TALFOURD GOING FOR THE LASSO HERE! AND LOOK AT FIONA!!! Collins begins to fight back with a few punches to Talfourd’s sternum, before managing to squirm out from the hold and turns Talfourd around, blasting her with a spinning back fist to the back of the skull!!! Dick Morosi: ZERO HOUR!!!!! A MODIFIED VERSION OF THE ZERO HOUR BY THE SERAPH!!!!! Fiona immediately goes for the cover: ONEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEE!!!!!!!!! TWOOOOOOOOOOOOOOOOOOOOOOOOOOOOOO!!!!!!!!!!! THREEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEE- AND NOW IT’S SALLY WHO GETS THE SHOULDER UP!!!!!!!!!!!!! Seth Ericson: SHE’S NOT DONE YET, DICK!!!!! Fiona sits up, gritting her teeth at how close that was while Katie holds the two fingers. Fiona nods, getting herself back to her feet as she watches while Talfourd stumbles right onto the ropes from the impact of the back fist, eventually turning out as her eyes then meet Fiona Collins, the two women staring down one another, out of breath, blood stains at their lips and jaws. Fiona’s glance doesn’t change while Talfourd’s drops slightly, heavy breath as she brings her right hand up, motioning for Fiona to come forward, a slight laugh escaping her as the camera captures her saying the words “finish it” while bouncing off the ropes and charging at the Seraph. Fiona nods, catching the oncoming Talfourd with a shotei palm strike, stunning her in her tracks before letting out a yell that seems to go something along the lines of “DEUCES, BITCH.” The Stardust Seraph runs to the ropes, JUMPING ON THE THIRD ONE AND LEANING BACK, LEFT LEG CONNECTING WITH THE SHINIGAMI RIGHT TO SALLY TALFOURD’S SKULL!!!!! Dick Morosi: SOUTHPAW!!!! SHE WENT SOUTHPAW!!!!!!! SPRINGBOARD SHINIGAMIIIIIIIIIIII!!!!!!!!!!!!!!! The roar of the RIMAC is deafening as Fiona Collins crawls her way over to Sally Talfourd and covers her, Katie Hanneman counting it! ONEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEE!!!!!!!!! TWOOOOOOOOOOOOOOOOOOOOOOOOOOOOOO!!!!!!!!!!! THREEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEE!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! The bell rings as “Touched” by VAST begins to play over the PA as the crowd outside of the RIMAC roars in their approval, signs waving, flashlights off cell phones emerging and streamers being thrown in the ring in celebration as Fiona Collins sits up, a massive grin on her face even as she gingerly stands back to her feet with the help of the ropes and referee Katie Hanneman, who raises her right hand in the air. David Zinkus: Ladies and gentlemen, your winner by pinfall...SHE IS THE “STARDUST SERAPH,” SHE IS…FIONAAAAAAAAAAA...COLLIIIIIIIIIINSSSSSSSSSSSSSSS!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! WINNER: Fiona CollinsThe grin grows wider at the announcement as Fiona seems to exhale in relief. Dick Morosi: What a match...WHAT A MATCH!!!! Seth Ericson: A year in the making...and it did not disappoint. Sally Talfourd did everything she could to stop the haymaker from Fiona Collins. But not in a million years was she expecting the southpaw version of it! Dick Morosi: In multiple occasions, this match could have gone the way of the “Last Clairvoyant,” but tonight, it’s the “Stardust Seraph” who triumphs and with it, so does the Sekigun. A big congratulations to Fiona Collins here tonight!!! The cameras now show Fiona standing in the second turnbuckle, arms raised and taking in the roar of the crowd before Fiona celebrates, slapping hands with the fans as she starts to make her way toward the back. As Fiona continues to celebrate and cheer, the EXOScreen comes to life as the lights in the arena darken. All that's there is a barren field with dead trees. Voice Over: Do you feel free, Seraph?
Do you feel safe?
More importantly, do you feel you've done it all?The lights come back on, and as Fiona looks at the top of the stage, Sally is gone. Nothing is there. Nothing except a pedestal with a black lantern on it, the light shining brightly. Cut to backstage.
|
|
|
Post by EXODUS Office on Nov 17, 2014 15:55:06 GMT -6
The feed cuts backstage to a shot of Sally Talfourd sitting before a long glamour mirror. There's a gloomy, ominous aura encompassing her as if a black cloud looms over-head. Her eyes look dark, completely void of spirit as if the light had been drained from them. Her facial features are vacant of any expression, any emotion. Her hair, normally straight and combed is wild and disheveled. Though she wears the same flesh and bones for all intents and purposes Sally is just not there. She continues to stare into the mirror as the sound of a door being opened is heard in the background. Next come long, plodding footsteps that grow louder and louder as the figure they belong to grows closer. Suddenly, the once unidentified entity becomes visible to all, and more importantly, Sally as his visage is captured in the mirror. The likeness that is reflected is that of EXODUS World Champion, Christum Furor. Christum Furor: Sally... Christum's solemn words travel into the atmosphere but seem to vanish into space. Sally doesn't even acknowledge his presence, it's almost as if she doesn't know he's even there. She herself exhibits no discernible signs of humanity. Talfourd remains motionless, simply staring into the looking glass. Christum Furor: Sally I - The madman is at a complete loss for words. The expression on his countenance is one of remorse, a feeling he had never displayed before. Furor awkwardly extends his hand toward her shoulder; however, just as the protruding limb comes close enough to her shoulder-blade Talfourd suddenly speaks. Sally Talfourd: You lied to me... Her voice startles Christum, causing him to retract his hand in slight dread. Her tone is devoid of anger, or hatred, feelings the World Champion expected to be greeted with. Her voice is merely somber. She remains motionless, continuing to look into the void, her eyes completely unblinking. Sally Talfourd: I trusted you. I believed in you. I accepted you as my savior and followed you because you said you would show me the way. Furor's stance deteriorates, as he is almost crippled by what he hears. Sally Talfourd: But you were not who I thought you were. Who you said you were. You were supposed to be different. You said that you would never hurt me but you did. You hurt me, Christum. You hurt me with your lies. With your deceit. With your hands. Christum brings his hands to his face. They tremble as he stares at them with fear and disdain. Sally Talfourd: You were supposed to be my shepherd. My beacon of hope. My light. Why Christum... why did you hurt me? Why did you abandon me? Why did you do this to me? Christum's apologetic look intensifies. His mouth moves to speak, but his words tremble. Christum Furor: I didn't want to hurt you Sally, but I had to. I did what I did because it was the only way to show you the truth. Jonathan never cared for you... not the way you wanted him to... not the way I did. Fiona wasn't your friend... she was jealous and envious of you... They did not love you, Sally. Not the way I did. I had to hurt you... I had to bring pain and misery into your soul so that you could understand- Furor stopped, frozen in time and space as he looks over his disciple. He grabs a damaged strand of her hair, almost saddened by what has become of her. Christum Furor: So that you could understand how special you are. We as humans all have the capability to become more than what we are. We can evolve to transcend our homosapien brothers and sisters to become Homo-Superior. There's a hidden power locked deep within the recesses of our subconscious mind and to help you unlock your potential I had to destroy you... so that you could be born again. He takes a deep breath, trying his best to make her understand his actions. Sally Talfourd: Liar. She says sharply yet almost in a hushed whisper, startling him once again. Christum Furor: I tore you down Sally in order to recreate you. I gave you the gift of pain and taught you to harness it... I taught you to study and accept it... to learn from it... for pain is the key that unlocks the door to madness... and I liberated your madness... giving you the tools to free your mind and use it to its full capabilities. I helped you to ascend turning you into a deity... into a GODDESS. Furor's hand finds its way onto Talfourd's face. Her visage is cold to him, as if she were lifeless like an automaton. Finally, Talfourd becomes animate as she gingerly holds his hand while he caresses her cheek with it. Sally Talfourd: I... can't... you...you... you're a LIAR... you... you USED me... you... YOU betrayed me... I... I am dead inside... because of YOU. Furor quakes apprehensively, and frantically spins Sally around to face him. With both hands placed around her face he stares into her eyes. Christum Furor: No... NO! I did this to help you... to help me break the cycle and change this cruel world. I needed you, Sally. I needed you to feel my pain... to understand my pain... I needed you to so that you could become MORE than what you are... MORE than Sally Talfourd... MORE than The Last Magician... I NEEDED YOU TO BECOME MY CLAIRVOYANT. There's a crazed look in Furor's eyes as he desperately tries to reach through to Sally, but to no avail. She doesn't respond; she merely remains stiff like a carcass. Christum Furor: I NEEDED YOUR THIRD EYE SO THAT I COULD SEE THE FUTURE AND SHAPE IT! Christum suddenly and violently begins to shake Talfourd, trying his best to snap her from her trance but his efforts are fruitless. She remains lost. Gone. Christum Furor: FOR YOU SALLY. FOR US... SO THAT WE COULD CREATE THE NEW AGE... TOGETHER... A PERFECT DREAM WHERE WE WOULD NEVER FEEL THE PAIN OF ABANDONMENT... OF LONELINESS... OF DESOLATION EVER AGAIN! He shakes her again and again, refusing to let his hold on her fade away. Christum Furor: AND WE CAN DO IT... TONIGHT WE CAN ACHIEVE TRUE PEACE... BUT I NEED YOU SALLY... I NEED YOU TO TRUST ME... TO BELIEVE IN ME... TO TELL ME WHAT YOU SEE!!! Furor eyes shine with bright madness as he stares into the windows to Sally's soul. Her body suddenly comes to life as she begins to rapidly convulse, her eyes simultaneously closing in response as her head hangs back awkwardly. Sally Talfourd: I... Furor tries to hold her steady, but struggles mightily as Talfourd appears to be going into shock, or at the worst, a seizure. Sally Talfourd: I... Panicking, Christum pulls her head forward, bringing her face toward his own. His fingers pinch the skin around her eyelids, and he stretches said skin in an effort to open her eyes. As her windows are reopened Sally's body becomes stable. Tears form in her dilated pupils as she stares into those of the frantic World Champion. Sally Talfourd: I see darkness... Furor releases her, his mouth agape in consternation and confusion, his eyes widened in disblief. He slowly and cautiously backs away as Talfourd's body remains upright now. She stares forward, eyes still locked on her savior, continuing to murmur the three words that have rocked the Michigander to his core. Sally Talfourd: I see darkness... Christum shakes his head again and again, visibly lost in translation, terrified by the uncertain future his beloved clairvoyant just predicted. Almost like a broken record, Sally repeats herself. Sally Talfourd: I see darkness... The madman, helpless and worried, backs out of the room. Sally Talfourd remains, staring into nothingness... murmuring deleriously. Sally Talfourd: I see darkness... Dick Morosi: Furor seems to have lost Sally Talfourd, and she her touch of reality, Seth. Seth Ericson: However you interpreted her vision, it didn't sound good, Dick. But I know what does, our next contest. Dick Morosi: This may be the most important match tonight. It's a battle for control of EXODUS' television rights and possibly the first step toward losing our way! Zack Lifer meets Chuck Matthews next! Seth Ericson: Don't forget Jimmy Riley is the guest referee for this match...and that may not bode well for Lifer. Dick Morosi: We'll find out, but let's hit the ring. A brief flash of silence passes through the arena as the stage is beamed on by gold and white lights, the bulbs dimming slightly. Heroic hues floated over the entryway, the ramp and of course the audience, audible cheers as they hear the words of "Alive in the Lights" by Memphis May Fire boom through the speakers signifying one man and one man only. From the beginning, I knew I was different. I embraced it, but you didn't. Your normal life, 9-5, it's just not for me. I need to feel alive!As the lights of gold and white beam down against the crowd, searching up the stairs and to the cheap seats, they notice a familiar silhouette. A pop from the fans resurfacing, signs of various positive remarks stretching across the ocean of 'Lifer Addicts' as well as a few anomaly signs that don't fit in with the others. Adorn in a white sweatshirt with his signature demented smiley face logo on the back, he makes his way down the stairs, high fiving a couple people on his way down. Don't you see the minds that have changed? Do you see the lives that have been saved? Don't you care to see the difference I've made? Listen closely, the highways call my name. Don't you see this is my everything?Lifer's slow, methodical walking gives way to sprinting, his legs moving him towards the ring down the nearly endless row of stairs before Lifer hops the leather barricade, a running jump that could only be considered impressive, a hint of confidence in the way he moved at a slowed down pace once more towards the steel steps. His eyes dart to the entrance way as he trudges up the few stairs, not looking away as he watches the curtain for just a couple seconds. As he gets to the top of the steps, his eyes dart across the arena, stunned by the crowd reaction. The audience gets louder as he climbs the turnbuckle, a triumphant fist rising as high as he could, a laugh exiting his lips as a single golden colored firework shot diagonally on the stage, the location of its starting point mirroring the top turnbuckle he resided on as it screeched loudly as it cut across the arena air, another pop from the crowd. Don't you care to see the difference I've made?The camera zoomed out from the scene of Zack's arm raised with the firework shooting by swiftly in the background and watches as he gets on the outside apron again. He quickly hops the top rope effortlessly in one movement, his eyes searching the excited crowd as a smirk crosses his face. The sounds fade mid-lyric as he rests in his corner, looking anxiously at the crowd and back at the entrance ramp for the match to finally make some progress. Dick Morosi: Nicholas Gray selected Zack Lifer as his representative for this match, and put everything on the line. EXODUS, Lifer’s status in “detention” from Cleon Gray, everything is on the shoulders of Zack Lifer… Seth Ericson: You think Jonathan Collins is okay with this? Dick Morosi: Honestly Seth? I think he’s been more focused on his own affairs, but he certainly wouldn’t be. The heavy bridge of "Brains" erupts through the speakers as spotlights race across the crowd. Chuck Matthews steps out onto the stage, looking around at the people in attendance. He smiles, taking in the reaction of the fans. Casually, Chuck begins his walk towards the ring. He moves calmly, but quickly, making no effort to interact with fans until he reaches the apron. At this point, he climbs up, leaning with his back against the ropes, looking out at the crowd. He winks, and steps between the ropes before climbing one of the corners. He raises his arms in his signature horns before hopping down. He rolls his wrists and neck, waiting for the match to begin. Dick Morosi: For “The Smartest Man in Wrestling,” what’s at stake is his job here in EXODUS. He’s put that up, clearly confident that he would win here tonight, and essentially gain control of the company wholesale. Seth Ericson: Why wouldn’t he be? He’s beaten Zack Lifer before, he’s got an incredibly high IQ, and oh yeah...he picked the referee! The horns break into the static noise of the crowd, and more than a fair share of the audience rises to their feet, boos beginning to sprinkle down in the arena. The lights have dimmed, but haven't gone completely out, as a single spotlight rests on the curtain. After mere seconds, Jay-Z's voice can be heard, heralding the Death of Auto-Tune; Only rapper to re-write history without a pen No ID on the track let the story begin, begin...
Begin Jimmy Riley bursts through the curtain, arms raised as his torso is clad in the black and white referee’s stripes. He feigns surprise at the boos from the crowd, before continuing to the ring. This is anti autotune, death of the ringtone, This ain't for iTunes, this ain't for sing alongs This is Sinatra at the opera, bring a blonde Preferably with a fat ass who can sing a song Wrong, this ain't politically correct This might offend my political connects Reaching ringside, Jimmy walks around to the far side of the ring, hoisting himself up to the apron. After looking out at the crowd, Riley nods at David Zinkus, then climbs up to the second rope, still on the outside of the ring. David Zinkus: Now entering the ring, from Cleveland, Ohio...now residing in San Diego, California! He is tonight’s special guest referee...JIMMY...RILEY! This ain't a number one record This is practically assault with a deadly weapon I made it just for Flex and... ... Mister Cee, I want ni**as to feel threatened Stop your bloodclot crying The kid, the dog, everybody dying, no lying Jimmy hops down into the ring, walking right over to Chuck Matthews as the two share a smile and a handshake. Riley then proceeds across the ring, offering a similar, yet somehow less genuine smile to Zack Lifer, along with the offer of a handshake. Lifer simply looks at Jimmy’s hand, then back at his face, before continuing to prepare for the match. Dick Morosi: Jimmy Riley’s fiancee was saved by Zack Lifer, from the hands of Christum Furor. Jimmy Riley was here the day EXODUS opened its doors, he’s engaged to Fiona Rourke’s cousin for goodness sakes! Seth Ericson: Yet here we are, and you could see it just then; Riley and Matthews are on the same page. Riley and Lifer? Not so much. The bell rings, and while Zack Lifer has his sights set on bull rushing Matthews, it’s Jimmy Riley who steps in his way, seemingly insisting on the two locking up in a traditional collar and elbow tie-up. Zack shoots a glare at Jimmy, but reluctantly stands waiting. The two combatants lock horns, and immediately, Lifer pushes Chuck back into the corner, throwing a series of right hands as soon as he can get them free! But only a few punches in, his arm is caught by Jimmy Riley, who pulls him away, preventing Lifer from connecting with any more! This time Lifer is more vocal, arguing with the “special referee.” Dick Morosi: This is ridiculous! Seth Ericson: No, Dick, this is WRESTLING. Jimmy Riley isn’t here to see these two punch each others lights out, he’s here to referee a WRESTLING match! Dick Morosi: And I think...I think that plays right into Chuck Matthews’ gameplan, Seth. The more Zack Lifer has to wrestle, the more predictable he really has to be. And that’s the name of his game, being that hard to gauge, mercurial brawler. While they’re arguing (both Dick & Seth and Jimmy & Zack), Chuck takes this opportunity to slip around Lifer and hit him with a backdrop suplex! He quickly climbs on top for a cover; One… Two-Kickout! Seth Ericson: See? A fair handed count from Jimmy Riley! Dick Morosi’s only response is a grumble as Chuck Matthews hooks in a side headlock on a rising Lifer, keeping him under control. Lifer pulls his way to his feet, pushing Chuck back into the ropes before sending him off across; on the rebound, Lifer drops down, letting Chuck hop over, then leapfrogs upon his second return. On Chuck’s third trip back, Zack Lifer is waiting with a deep arm drag, which he holds onto with an armbar! Chuck is quick to scramble to the ropes, where Jimmy Riley is almost militant in his count to get Lifer to release the hold! Again, Zack releases to prevent the disqualification, but is quickly in the face of the referee as the two trade words. Dick Morosi: This isn’t fair at all! Seth Ericson: What’s not fair about it? Chuck Matthews was in the ropes, Zack Lifer needed to release the hold! Chuck is back to his feet, and spins Lifer around, hitting a signature hiptoss and following Lifer down to lock in an armbar of his own! This time it’s Lifer’s turn to reach the ropes...and Jimmy Riley does seem a bit more lax in his count to Chuck, giving him ample time to let Lifer go. He even gets a stomp in before he is led away by the referee! Chuck takes a moment to raise his arms, much to the chagrin of the fans, who shower boos upon him. Seth Ericson: ...Alright, that looked a bit suspect. Dick, we might be screwed. Lifer gets to his feet, and Chuck is right back on the attack, grabbing him around the head and beginning a muay thai assault of elbows and knees! Lifer is able to block a couple, but most get through before he can grab one of Chuck’s thrown knees and turn it into a dragon screw leg whip! The crowd cheers as Lifer climbs on top of Chuck again reeling off right hands...but Jimmy Riley actively pulls him off, the fans booing loudly! Matthews is quick to rise, grabbing Zack from behind and hitting a german suplex, bridging with it! One… Two… Th-Kickout! Dick Morosi: That was close! Seth Ericson: Too close for my tastes, Dick. Chuck Matthews doesn’t let up, getting up only to drop an elbow on Zack Lifer, followed by a second. He pulls Lifer up by the hair, barely even getting a look from Jimmy Riley for the hair grab, and pulls him in for a quick Russian legsweep! He again covers. One… Two… Thr-Kickout! Seth Ericson: Damnit that was even closer, come on Lifer! Get it together! Chuck gives Riley a look, almost questioning the count despite its normal speed. He pulls Lifer up, but Zack quickly scoops him down into a small package! One… Jimmy checks Chuck’s shoulders… T-Kickout! Dick Morosi: OH COME ON! This is ridiculous! Lifer, however, doesn’t bother with arguing this time, rising to his feet and catching Chuck with a kick to the midsection. He lifts his foe up, spinning and hitting the Freudian Slip brainbuster! He floats over for a cover… One… Two… T-Kickout! Seth Ericson: What a slow count! Dick Morosi: Seth...I don’t like this one bit. And neither does Zack Lifer! This time Lifer’s up in the face of Jimmy Riley, and the two are loudly shouting back and forth. Lifer turns, catching Chuck getting up, and catches his attempted kick to the midsection! He only holds the advantage for a moment, however, as Chuck hits a signature enzuigiri kick to the head! Rising to his knees, Chuck points to his brain, calling out his “Smartest Man in Wrestling” moniker. He grabs Lifer by the hair, dragging him over to the ropes and draping him over the middle strand, leaning on him to create a choking situation! Riley counts, albeit slowly, for Chuck to break the hold. He finally does, after a long four. Seth Ericson: I don’t...I don’t know what to say, Dick. Dick Morosi: Neither do I, friend. Neither do I. Throwing Lifer back to the middle of the ring, Chuck grabs his legs, looking to lock in the Cryptic Cross! Zack shows there’s still life in him yet, though, pushing Chuck back into the corner, narrowly missing Jimmy Riley as he crashes into the turnbuckles! Lifer kips up onto his feet, and charges in, hitting a running jumping knee smash to Chuck in the corner. He pulls his foe out, whipping Matthews into the ropes, and meeting him with a clothesline that nearly sends Chuck toppling out of the ring! Zack whips Chuck across the ring, and bends over, looking for possibly a back body drop...but is caught when Chuck simply hits a spinning neckbreaker, swinging momentum back his way! Dick Morosi: Zack Lifer telegraphed that one, and his momentum is gone...just like that. Seth Ericson: Bent down too early there, Dick. Chuck Matthews slowly gets to his feet, glancing at Chuck Matthews before heading to the corner, looking to ascend to the top rope. Dick Morosi: Chuck Matthews, looking for a high risk move here, could put Zack Lifer away...God, I hope not… Seth Ericson: He’s got all the time in the world, too, I think Lifer’s just about done. Chuck stands up, perched on the top rope as he aims...leaps...and crashes into his target with a massive flying clothesline! ...Except Zack Lifer wasn’t the guy who got caught. He seems to have pulled Jimmy Riley into the way as Chuck took off, and Riley, now collapsed in a heap, has rolled to the outside of the ring. Dick Morosi: I...I don’t even know if THAT was a smart move, Seth! Zack Lifer could get disqualified for that! Seth Ericson: More than that, with Riley down, Chuck now has even more leeway with the rules -- as in, there aren’t any! Chuck is up, looking outside the ring at Jimmy Riley’s prone form. He shrugs, then hops out of the ring as Lifer tries to pull himself up in the corner. Heading over to David Zinkus, Matthews pushes the ring announcer out of the way, brandishing a steel chair as he turns, looking back at Lifer in the ring. Zack’s eyes go wide as he sees the weapon, and he scrambles even faster to reach his feet. Chuck slides into the ring, reaching his feet just to be met with a series of punches from Lifer as he tries to wrest the chair away from his would be attacker! Dick Morosi: YES! Zack Lifer has the chair, and the tables have turned on the Smartest Man in Wrestling! Seth Ericson: He can’t be too careless with the chair, though! And...Lifer does exactly that, taking a wild swing at Chuck. Matthews ducks under, takes off the opposite set of ropes, and comes back, hitting the HOLLYWOOD IMPACT and laying Lifer out, the chair sliding across the ring from the pair! Chuck rises to his knees, a big smile on his face as he realizes the end is near. Dick Morosi: Oh...oh no. Seth Ericson: And look! Jimmy Riley’s on his feet! Indeed, outside the ring, Jimmy Riley has reached his feet, though he still looks a little woozy. Rolling back into the ring, he stands at the same time as Chuck Matthews. Chuck’s still got a big smile on his face, coming over to Jimmy as he motions to the down and out Lifer. Jimmy nods...and begins playing to the audience. They now rain their boos down on the referee as he mockingly bows to each side of the ring, one arm in front of his body and one behind it. After bowing to each side (which the bow itself drew odd looks from Chuck), Jimmy motions for Chuck to do the same. Dick Morosi: What is this, bowing for their master plan? I’m getting sick over here, Seth. Seth Ericson: I’m seeing the unemployment line in our future, Dick… Chuck Matthews follows the lead he’s given, albeit hesitantly at first. By the third bow, he’s really soaking in the boos of the crowd, the smile on his face even wider…he turns, bowing to the fourth side of the ring… ...And that’s when he’s grabbed by the hand across his midsection, whipped outward, and pulled right back in. Dick Morosi: SUPER! NOVA! LARIAT! Seth Ericson: HOLY FUCK- The pop of the crowd, even outside where sound usually goes up, is so loud it’s heard through the iPPV feed as Chuck Matthews is turned inside out by Jimmy Riley’s Supernova Lariat! Chuck is rolled backwards, coming to his knees, just in time for a recovered Zack Lifer to charge in… Dick Morosi: FORCED SUICIDE! Seth Ericson: HE’S NOT DONE! Indeed, Lifer keeps his momentum going, bouncing off the ropes as Chuck is left seated… Dick Morosi & Seth Ericson: DEAD AIR! He covers, and Jimmy slides into position to count; Dick Morosi: ONE! Seth Ericson: TWO! Dick Morosi & Seth Ericson: THREEEEEEEEEEE! A crowd roar as loud as the previous one fills the air as Lifer throws his hands up in the air and Jimmy calls for the bell. David Zinkus: Ladies and gentlemen, HERE IS YOUR WINNER...ZAAAAAAAAAAACK...LIFERRRRRRRRRRRRRRRRRRRRR! WINNER: Zack LiferDick Morosi: Let’s go back and look at this...hey wait a minute- Indeed, the feed has cut to a replay of the Chuck Matthews flying clothesline...showing that Jimmy Riley actually put himself in the way, taking the move to keep Zack Lifer from taking it! Seth Ericson: He didn’t get pulled in the way! Jimmy Riley did that on his own! Back live, Lifer is to his feet, being met with a handshake offer from Jimmy Riley...which he accepts, to the cheers of the crowd! Riley raises Lifer’s hand, as the two pass the still unconscious Chuck Matthews and leave the ring. Dick Morosi: Matthews is gone! Lifer’s out of detention! Jimmy Riley hasn’t turned his back on EXODUS! Seth Ericson: WE’VE STILL GOT JOBS! Dick Morosi: And that! Let's celebrate while we go backstage! We cut to outside the University campus, out of the emergency exit we see Heather Halliwell with a black bag of weapons tied to her back and a baseball bat in her right hand. She taps her foot impatiently, looking a little nervous as she does so. She then jumps slightly as she sees a shadow move. Heather Halliwell: Come out, come out, wherever you are! She takes a few steps forward towards where she saw the shadow move, cautiously looking around her. She takes another step onto the black tarmac, completely unaware there is a dark shadow lurking behind her. The shadow, clad in a black hoodie that obscures the identity flicks out a lighter and drops it to the floor. Heather is suddenly startled, as a blazing ring of fire circles the area. She spins around, coming face to face with the woman who has been hunting her down. Lady Magdalena: Found you… Heather takes one look at the fire, then back to the woman known as ‘Little Bird’. And almost immediately they come to blows. Lefts and rights straight to the face. Heather wheels back and swings with the bat, Mags barely ducking underneath it. She stretches out, kicking Heather backwards towards the inferno, Halliwell barely avoiding it. She pulls out a light tube from her bag, swinging wildly at the Frenchwoman. Mags ducks and dives, avoiding each blow as if they were coming at her in slow motion. She then aims a fierce kick towards the Pretty Lil’ Texan, but her leg is met with the crashing of the light tube. Mags rears back in pain as Heather leaps forward, cracking Magdalena in the skull with the bat in desperation. The Fair Lady goes down, with Halliwell on top of her throwing wild punches. A few sneak through, but the stronger Mags soon turns the tables by rolling over and nailing the Texan with her own set of punches. Halliwell’s nose is bloodied early, and she defends herself by grabbing The Black Swan by the hair and ripping a chunk out. Magdalena lets out a yelp, rolling off of her but staying clear of the flames. Heather charges once more, her eyes filled with determination. She swings with the bat, but Mags blocks it with her forearms, ripping the bat from her hands. Mags then swings with the bat, Heather arching her back to avoid the blow, but Mags then hurls the bat down upon her stomach, smashing her to the tarmac. Heather rolls around in pain, attempting to avoid the upcoming blows from Magdalena. After the third attempt, the bat itself cracks upon the tarmac. Magdalena howls in frustration, booting Heather square in the face. Lady Magdalena: I WILL KILL YOU! Again Magdalena boots Heather, one boot after another. Lady Magdalena: I WILL KILL YOU! I WILL KILL YOU! Heather rolls away, grabbing Magdalena and pulling her down by the legs. Out of her pocket, she throws white powder in Mags’ face, blinding her for a second. Heather uses the opportunity to clock Mags around the face with a kendo stick, and again, and again. Mags’ lip is visibly bleeding now, and she rocks back towards the flames. Heather suddenly kips up, running right at the Black Swan and pelting her with vicious shots. Mags keeps rocking backwards towards the flames, one step at a time. Heather gets more and more vicious, one shot after another and then finally spears her through the flames! The pair of them roll around, trying to beat the flames down. Heather gets up first, but is met with Our Lady Peace! Heather’s neck snaps back as she hits the floor. Magdalena hovers over the beaten and bloody Heather Halliwell. She glares down upon her, licking the blood from her lips, ready to deliver the final blow. At this point though, she is dragged down, her eyes wide, crazed and confused. She is surrounded by white suits, doctors restraining her to the floor as Heather is able to crawl back, confused. There is a rolling of wheels, and the black suited figure of Andreas Lasiewicz, clad in his Reno suit appears into view. Andreas Lasiewicz: That will be all, Little Bird… Magdalena struggles, screaming at her brother, screaming at medical staff, screaming at the ambulance that is backing towards them. Lady Magdalena: WHY? WHY? WHY HER? WHY HER? WHY BETRAY ME? Andreas Lasiewicz: You betrayed yourself, child… It should never have got this far. You need help. Lady Magdalena: NO! NO! NO! She screams and curses in her native language as she is dragged away towards the ambulance. Andreas turns to Heather, extending his hand and helping her to her feet. She groggily sits on his lap, wrapping her arms around him as he begins to wheel back towards the arena. Andreas Lasiewicz: I told you enough would be enough. You were fantastic… Heather simply sighs, a weak smile upon her face as they turn and roll back to the arena, before we return to ringside.
|
|
|
Post by EXODUS Office on Nov 17, 2014 15:49:46 GMT -6
We go backstage, where a disheveled and clearly ANGRY Cleon Gray slowly walks back toward his office, stopping in front of someone and sneering at them when he sees who it is. Cleon Gray: And just where were you? To the surprise of everyone, Cleon's ire has been pointed in one direction...the direction of his student, Brianna Singer. The blonde places her hand on her hip and glances at the angry man in front of her. She rolls her eyes slightly Brianna Singer: Calm down, will you? I had other business to attend to. Cleon Gray: YOUR UNRULY COUSIN ASSAULTED ME! Brianna Singer: You act as if I have any sort of control over her. Cleon Gray: You knew what to do if someone assaulted your headmaster. Brianna cocks her head to the side as she watches the proverbial steam come from Cleon’s ears. She simply shakes her head as a smile creeps onto her face. Brianna Singer: Oh I know, I know. But you see, I have some….news to share with you. Cleon Gray: What could you possibly share with me? Were you in on Collins' scheme too? Brianna Singer: Oh no no no. I was not in on what happened to you. My news is...well, I happen to serve a new master now. She says with a smirk, waiting to see his reaction. Cleon Gray: ....what. Brianna Singer: You heard me. Cleon Gray: You are to report to my office for detention right now. The blonde can’t help but laugh as she places her hands on her hips, shaking her head. Brianna Singer: No. Cleon Gray: I wasn't asking. I am your headmaster and you listen...TO ME! Brianna Singer: Maybe you didn't hear me correctly. I......said.....no. Cleon Gray: I MADE YOU! HE GAVE ME THE BOOK! YOU ARE MINE! Brianna Singer: You may have been given the book......but I do not belong to you. Not anymore. Cleon Gray: Then who? WHO DO YOU SERVE? The smirk on her face turns slightly more sinister as she shakes her head. Brianna Singer: You will find out soon enough. Just know that my new mistress is someone who has seen what resides beyond life and death. She will truly be far more than Daisuke and some silly little book could ever be. Cleon Gray: You have failed me, Brianna. Cleon sneers as he realizes his office now no longer has his name on it, but now Brianna's. Brianna simply smirks as she looks at HER office door. Turning slightly, she opens the door wide enough for Cleon, and anyone walking past, can see a black lantern sitting on her desk, and we go back to Dick & Seth. Seth Ericson: It's about time Cleon got his. This mess is getting crazy. Dick Morosi: Speaking of crazy, it's time! This is a battle for redemption and respect! Lexy Chapel has been a fine International champion, and she's about to go one on one with Christian Kane! Seth Ericson: The Handsome Drifter has been on a tear since his return to the company, but can anyone derail Lexy Chapel? Let's head to the ring and David Zinkus for this match! David Zinkus: The following is for the Exodus Pro Wrestling INTERNATIONAL CHAMPIONSHIP...introducing first, the challenger... As the crowd anticipate the next match, the erected floodlights suddenly shutter off in the field. The whole outside arena stays engulfed in darkness for a few moments before four spotlights shine down beside the stage, two on each side, illuminating the UCSD orchestra! The crowd cheers loudly for the local group of musicians who compose themselves before playing the opening notes of "Protectors of the Earth" by Two Steps From Hell. As the music begins to build and build into a crescendo another spotlight appears just in front of the curtain, circling for a few moments before a quartet of women appear on the stage. They begin to melodically chant along with the music, becoming louder and louder before abruptly stopping along with the music. There is a short silence, the women parting off into the pairs before...
SHOT THROUGH THE HEART, AND YOU’RE TO BLAME!
DARLING YOU GIVE LOVE, A BAD NAME!
As the heavy drums and guitars kick into the track, red and pink pyro explodes into the San Diego night, the fans in attendance going crazy for timeless Bon Jovi classic. The lighting returns to normal and Christian Kane explodes out of the curtain, a pink fog engulfing the entrance way as he does so. His entrance attire for the night is also vastly different, on his face he has donned his old, solid metal mask, although for tonight it’s been altered. No longer a pearlescent gold, the mask is now matte black, however the most striking feature is that on the side of the mask where his initials were engraved now is home to the Sekigun’s logo. A clear sign of Kane’s allegiance. The Handsome Drifter removes the mask, handing it off to one of the chanting women before making his way through the pink fog down to the ring, slapping as many hands as he can whilst maintaining a locked focus on the ring where he’ll be battling Lexy Chapel for the International Championship. David Zinkus: Making his way to the ring...from Toronto, Ontario, Canada...he is the Handsome Drifter...he is the Canadian Sensation...he is the leader of #STUDLIFE...he is CHRISTIAAAAANNNN KAAAAAAANEEE!!!!! He breaks into a sprint, bypassing the steps entirely by sliding into the ring, slapping the canvas several times. He then pops up to his feet, jumping on each turnbuckle, screaming “REDEMPTION, BABY, REDEMPTION!” over and over against in a bid to not only hype the fans up, but to hype himself up as well. He points at several pro-Christian Kane signs that are in the crowd tonight after scouting for them on each turnbuckle. The 10 year veteran of the sport runs the ropes a few times, eventually coming to a stop, walking around the ring with his usual #STUDLIFE swagger. The number one contender to the International Championship bumps fists with David Zinkus and then the referee before settling into a corner as “You Give Love a Bad Name” slowly begins to fade out, the International Title match a mere moments away now. David Zinkus: ...and now introducing the Champion... As the spotlights flash across the stage and the video screens come to life, “Cynics and Critics” by Icon For Hire hits the PA system. “We’re not cynics; we just don’t believe a word you say We’re not critics, we just hate it all anyway” As the music continues blaring, Nate and Lexy Chapel walk out on to the stage, each carrying with them a camera-phone. They each stage on different sides of the stage at first, looking out over the fans and both filming the fans, before Nate turns and Lexy runs at him, leaping in to his arms and kissing him passionately on the stage. . T H E . C H A P E L . S H O W . They both make their way to the ring as the music continues to play, filming the fans as they walk down to the ring and posing on the entrance ramp together. As the chorus of the song begins, both slide in to the ring and climb up on to opposite corners, filming the fans again with their phones before turning and filming each other. “Oh this is all we know Oh tragic and miserable We’re not cynics; we just don’t believe a word you say We’re not critics, we just hate it all anyway Oh this is all we’ve got Oh we do what we’ve been taught We’re not cynics; we just don’t believe a word you say We’re not critics, we just hate it all anyway” They both jump down from their corners and walk to the middle of the ring where Nate grabs Lexy and spins her around before kissing her again. He takes the phone from her and she removes her ring jacket before sliding over to her corner and jumping up on the turnbuckles, posing there again for a moment before flipping over backwards and readying herself for the match.[/i][/div] The bell sounds, they slowly circle around one another, as they make their move into a collar and elbow tie up. Lexy grabs Christian around his head into a side headlock, she wrenches her arms tight around his head, as Christian tries to break loose. Christian sends Lexy off into the ropes, she runs off the ropes back at Christian, he lands a huge shoulder block which sends Lexy flipping back onto the mat. Christian looks at Lexy, as she rises to her feet running at Christian landing a pair of stiff kicks to his thighs. Lexy moves back quickly onto the second rope, she leaps off connecting with a double ax handle. Christian staggers around the ring, as Lexy runs back into the ropes, she runs off the ropes, Christian catches her up into his arms planting her with a sidewalk slam. Christian rises to his feet, he pulls Lexy up with him grabbing her around her head. Christian lifts Lexy up planting her into the mat with a suplex. Christian floats around covering her. ONE.. TWO.. KICKOUT! Christian pulls Lexy up to her feet, he lifts her up for a bodyslam, but Lexy takes Christian over with a arm drag. They both return to their feet, Lexy nails Christian with a dropkick which staggers him. Lexy runs at Christian nailing him with a leg lariat sending him down to the mat. Lexy steps out to the ring apron making her way up to the top rope, she leaps off landing down onto Christian with a corkscrew splash. Lexy rises up to her feet, as Christian lays on the mat clutching to his feet. Lexy runs back off the ropes, she runs at Christian, he catches her up onto his shoulder sending her back down with a Samoan drop. Christian pulls Lexy back up to her feet, he grabs her around her head lifting Lexy up and down with a suplex. Christian covers her. ONE.. TWO.. KICKOUT. Christian turns taking Lexy into a rear chinlock. He locks his arms tight around her head, as she tries to get free. Lexy moves around trying to get free, but just can’t. Lexy moves around forcing Christian to one knee, as he move around taking Lexy into a side headlock. She hits him in his back with a pair of forearm strikes, which stun him. Lexy sends Christian off into the ropes. Christian runs off the ropes, he runs back at Lexy, she leapfrogs over him, as Christian runs into the ropes. Christian runs back at she nails him with a dropkick sending him down to the mat. Lexy moves back into the corner, she works her way up to the top rope. Christian rises to his feet, as Lexy leaps off the top rope planting him down with a shooting star DDT. Lexy covers him. ONE.. TWO.. KICKOUT!! Dick Morosi:: Christian Kane able to KICKOUT at two! Seth Ericson:: Lexy Chapel needs to stay on the attack and not let up! Lexy steps back, as Christian slowly rises up off the mat. She runs at him, but Christian catches her with a clothesline. Christian turns, as Lexy rises up off the mat, he leans over lifting Lexy up throwing her off the mat with a hard bodyslam. Christian leans Lexy over hooking up her arms, he lifts her up but holds her up for a moment then throws her back with a stalling double underhook suplex. Christian rises to his feet, he pulls Lexy up grabbing her around her head, he lifts her up throwing Lexy’s legs off the top rope sending her back onto the mat with a slingshot suplex. Christian covers her. ONE.. TWO.. .. KICKOUT. Dick Morosi:: That was close! Seth Ericson:: That was very close! Dick Morosi:: Not close enough! Christian pulls Lexy up off the mat, he whips her into the corner running in at her, but Lexy dodges out of the way. She runs across the ring, running a Christian leaping into the air nailing him in the back of his neck with a jumping forearm strike. Lexy pulls Christian around out of the corner, she leans him over sending him down with the CRITICAL REVIEW. Lexy covers him. ONE.. TWO.. ..KICKOUT!! Lexy rises to her feet, as Christian slowly rises off the mat. She runs at him, but Christian nails him with a clothesline, which turns Lexy up and down onto the mat. Christian moves onto the second rope, he leaps of landing down onto Lexy with a diving elbow drop off the second rope. Christian rises to his feet, he runs back off the ropes jumping into the air landing onto Lexy with a #STUDLIFE CURBSTOMP! Christian covers her. ONE.. TWO.. THREE!!! David Zinkus: The winner of this match and NEEEEEW EXODUS PRO INTERNATIONAL Champion...Christian Kane!! WINNER (and NEW International Champion): Christian KaneDick Morosi:: Christian Kane has done it!! Seth Ericson: Redemption is here! Christian Kane has found his redemption, and it is the International Title! Dick Morosi: This crowd is singing along with Bon Jovi, and it's gonna be free plows for everyone tonight in San Diego while we head backstage! We go backstage once again, and it's clear that this has not been the night of Cleon Gray. Continuing to march himself out toward the exit, he stops as he looks someone up and down. Cleon Gray: If you're going to do it, just get it done and over with. I'd rather not regenerate. With that, a quick fist hits Cleon in the face, BOOMing Cleon so that nothing but his shoes are left. The camera pans over and it reveals to be exactly who we thought it was - Meta Johnson. Sneering at the now smoke and dust that remains of the former minority shareholder, he turns his head to scream at the camera. Meta Johnson: YOU'RE WELCOME, WHITE PEOPLE! And with that, we walk back off and move on.
|
|
|
Post by EXODUS Office on Nov 17, 2014 15:33:45 GMT -6
We cut to backstage, one of the many long spiralling hallways. We hear the screech of wheels, till we see a suited figure roll into view in a wheel chair. The man has his head bowed, his suit as dark as midnight. The suit itself is disheveled, tatty and dusty, a thin black tie over a white shirt. It resembles the outfit of old that this man once wore when he was known as Reno. He strokes his short hair back, his eyes sunken and tired. The man known as Andreas Lasiewicz. Andreas Lasiewicz: There is a change to the air… ever so familiar… Those sunken eyes of the legendary Morning Star look up at an approaching figure. Lasiewicz’s body immediately tenses up, his hands balling up into fists, his teeth clenching tightly as those cold-blooded eyes of his become squinted. The one drawing his scorn is none other than the man who arguably put him in the chair to begin with. Christum Furor: It’s been too long, Lasiewicz. There’s something different about you… I don’t know, I can’t quite put my finger on it. What could it be? The madman cackles as he surveys the scene. With a condescending look etched on his facial features the EXODUS World Champion slowly drops down to a knee to look Andreas in the eyes, agitating him even further. Christum Furor: There… that’s better. At least now we’re at the same level for once. Andreas Lasiewicz: Even in this state, trapped in this broken body of mine, I’ll always be on a higher level than you. Andreas lets a small grin appear on his face. Andreas Lasiewicz: Your taunts are pointless, they mean nothing. I have heard them all before from better and worse. And yet you still feel the need to send them forth. Is this how you are focusing yourself for the end, Furor? Is this what is going to put you in the zone? Attempting to taunt a broken, old man? Is that how it works for you? The Michigander registers Andreas’ words, putting a hand underneath his chin as he contemplates his response. Christum Furor: Oh my dearest Lasiewicz, if I wanted to taunt you I would merely do this. With a vindictive grin plastered on his visage, Furor slowly regains a vertical base, raising his hand into the sky as if to tell Lasiewicz to reach for it. Christum Furor: Can you touch me, Lasiewicz? Can you reach the height I have ascended to? It appears you are unable to. It appears the famed Morning Star has become a shell of his former self. Oh how the mighty have fallen. Do you remember the days when you rode into EXODUS on your high horse like the hero you were heralded as. YOU were the ONE, Andreas. You were the lone ranger. The man who took the fight to Gods & Monsters by HIMSELF. At The Downfall of Us All the entire world watched you destroy the New Age with your bare hands. Andreas continues to stare daggers at the World Champion as he continues to reminisce. Christum Furor: Yet here you stand… or sit to be specific. Never to walk in glory again… never to walk that golden path you laid because the ground by which you marched to victory has been painted with the blood of your brothers and sisters… blood spilled by MY hands… a sea of blood predicted by MY clairvoyant… a future I promised YOU. But did you listen, Lasiewicz? Did you listen to my warnings… my heedings when I told you that we were heading for this? You did not. You were blinded by your hubris… trapped in the cognitive reality you created… perceptions of reality that were merely an illusion for I was always in control. You were the Sekigun’s greatest hope… their LAST hope… and now… now you must watch from the sidelines as a casualty of war… a war that I will end tonight just as I DESIGNED. Christum grins devilishly, a look of “I told you so” written on his countenance as he completes his gloating. Andreas Lasiewicz: The world works in mysterious ways, Furor. The scales tipped in your favor, weighed down by your allegiances and choices. You fell by my hands, the whole world saw. Yet the whole world never rallied by my side. And thus the situation I now find myself in. Lasiewicz pauses, staring up at the man on top of EXODUS’ food chain. Andreas Lasiewicz: But doesn’t everything fall eventually? Look at me, I certainly did. And one day so will you. So will Gods and Monsters. So will the Sekigun. And that day is today, Furor… Such a crying shame I will not be able to view that smile of yours wiping from your face. Christum shakes his head in slight frustration and disbelief. Christum Furor: You still don’t understand. Such a shame. I thought your current predicament would enlighten you to everything that is happening. The pain that you feel… or don’t feel, your current state of obscurity… I thought it would bring you clarity. It should. It should have opened your eyes, Lasiewicz. Everything that I said would happen from the moment I took on this divine crusade has come to fruition because my word is everlasting gospel. I guaranteed that you would fall and be forgotten by the people who claimed to love you the most. And where are they? Nowhere to be found to lend you a hand in your darkest moment. You were just a tool… a tool that got old and was discarded accordingly. You were never irreplaceable… you were merely expendable. Furor scoffs to himself, a lighthearted glow coming over his face as he continues to torment his fallen rival. Christum Furor: And yet pass mistakes are being repeated. It’s almost as if they have learned nothing of your demise… of your fate… a fate I sewed for you. Your brother stands in your shoes, Lasiewicz. He stands on the battlefield wearing Jonathan’s flag… and he WILL be buried… because that’s the destiny I’ve created. From day one I’ve orchestrated everything that has happened in EXODUS. From the moment I stepped into this company I sparked the changing of the guard… the change in a way of thinking… a change in culture. And as my followers grew so did my power. My power began to transcend this world as I took the likeness of my creator. You could have stood here with us Lasiewicz… you could have stood here with me as a God among men and the shepherd of New Age but you were too closed minded… and too set in your ways to accept me as your savior. Christum kneels back down now, his eyes narrowing with cold malice as he stares into Andreas’ hate-filled pupils. Christum Furor: And now… now you see what you could’ve had… what you could’ve been. Christopher will fail just as you did because I cannot be slain by a mortal man. Evolution dictates that I can only be defeated by someone like me... and I have NO equal. I am indivisible… I am HOMOSUPERIOR. I am the one who was born to break the cycle of hatred that binds us… that has confined you to this wheelchair… that has forsaken us. Tonight the cycle ends, Lasiewicz. I can see it… I can see it through her eyes. As long as Sally can see the future I can shape it and for that reason and THAT reason alone I will NEVER fall. Christum’s words reverberate in the back of Lasiewicz’s mind. There’s unyielding conviction in the World Champion’s eyes. He wholeheartedly believes in his doctrine, in every word that has escaped his silver tongue. Andreas pauses for a moment, considering this speech thoughtfully. Andreas Lasiewicz: And what if her view is blinded? What if it becomes clouded? What if… she sees what I have seen? The end of all things and the beginning of nothing of all? If out of all this darkness there is no light… None… Nothing at all. What then, Furor? What THEN? What would you do? Where would you go when blinded from your path? What will you do when no one is there to hold your hand and tell you… Lasiewicz laughs mightily. Andreas Lasiewicz: All Will Be Well… He laughs once more, this time more thunder. Andreas Lasiewicz: NONE of it will be well, Furor. None of it. But you just don’t see. It won’t be well. It won’t be hell. It won’t be anything. Just an endless purgatory. The madman comes back to a stand now, visibly angered by Andreas’ spiel. Instead of responding Furor merely smirks, then laughs under his breath before slowly sauntering out of the shot, leaving Lasiewicz to ponder his thoughts. Seth Ericson: Can this stuff be over now? These two are just creeping me out. Dick Morosi: It's entirely possible we're going to see the end of one of those two tonight, especially as we creep closer to our main event. Seth Ericson: Please say it's both, because I feel uneasy after that. Dick Morosi: Well let me give you a reason to feel good again! The house was torn down over the last couple of matches, let's see if it gets blown away in this next match! It's TLC 3! The Generation of Miracles try to defend their titles against Trouble, Dragons Unleashed, and the Fight Kings! It's next! The lights in the arena dim as smoke starts to fill up the entrance way and ramp as a piano begins to play. With the sign of smoke comes fire on the EXO-Screen and then as the music stops, up on the giant video wall... TDK Suddenly, the music kicks back in for the remainder of the intro of "Satellite" by Rise Against! You can't feel the heat until you hold your hand over the flame You have to cross the line just to remember where it lays You won't know your worth now, son, until you take a hit And you won't find the beat until you lose yourself in it As the chorus begins, out from the back, standing amidst the smoke and simulated fire is "The Dropkick King" Adrien Cochrane! David Zinkus: Coming down the aisle, from New Orleans, Louisiana, weighing in at 190 pounds...HE IS THE DROPKICK KING, ADRIENNNNNNNN COCHRANE! That's why we won't back down We won't run and hide Yeah, 'cause these are the things that we can't deny I'm passing over you like a satellite So catch me if I fall Adrien surveys the crowd, nodding and he finally pumps his fist, looking like he's slamming it down toward the ground, eliciting huge sparks of pyro that ignite from the top of the entrance way in time with his gesture! Starting to walk down the ramp, he nods his head in time with the music as he reaches his hands out, starting to slap hands with the fans who are cheering for him. Getting to the ring, he instantly hops up and practically slides across the apron before climbing up to the top turnbuckle to raise his arms to the crowd! That's why we stick to your game plans and party lives But at night we're conspiring by candlelight We are the orphans of the American dream So shine your light on me As the second time through the chorus starts, Adrien steps into the ring and moves across from where he enters, coming over to salute the other side of the audience! Continuing to salute the audience, Adrien finally hops down and starts to remove his shirt, looking intensely at the other side of the ring as he starts to mentally prepare for the match. The arena goes dark for a second, as the video starts up we hear Devour the Day’s “Good Man” crank up. I want to be a good man, I want to see God
I want to be faithful but I know that I’m not
I want to be a good man, I want to do right
I don’t wanna be a criminal for the rest of my lifeJaime Alejandro comes out of the back and we see him looking towards the ring. The crowd looks at him, wondering what he’s going to do next. He gets down on his knees and says a prayer to himself. Everything that I've done before
Has brought me back down to my knees
I’m crying out to you, Lord
It’s getting harder and harder to see
If there’s good left in me?
Is there any good left in..ME!!!He pulls off the Hail Mary gesture and springs up. He punches towards the air as the crowd holds the hands out, trying to touch him. He holds his hands out, going slowly towards the ring. As he does, we see him jump up onto the apron. He then vaults himself in, waiting for the match to begin. The arena lights fade to black. For a few moments, there’s nothing but the noise of the crowd and the occasional flash of a camera. Suddenly, at full volume, Oh No You Didn't kicks in. Oh no, Oh no, Oh no... Oh no you didn't!With that, the entrance lights fade up in Royal Blue, Red and White as Steve Lenton, Wulf Erikssen and Stacey-X enter the arena. Steve moves to the right of the entrance way, Wulf to the left, with Stacey remaining in the middle. Each man raises a solitary arm in salute to the crowd, as Stacey raises both arms to indicate both performers. David Zinkus: “Introducing, weighing in at a combined weight of 481lbs, “Big L” Steve Lenton... “Barroom Hero” Wulf Erikssen... they are TROUBLE!” Both men head down the ramp, Steve with his trademark strut, Wulf giving high fives to the crowd as he passes. As they reach the ring, Stephen stops for a moment, reaching out to the sides to allow the fans to reach in and touch him, whilst Wulf slides into the ring under the bottom rope. Steve quickly climbs onto the apron, and straight up the turnbuckle, whilst Wulf runs up to the diagonally opposite corner, both men lifting their arms in salute to the crowd again. Meanwhile, Stacey walks around the ring to the teams corner. The pair then drop down into the ring, meeting in the centre where they greet each other with a chest bump, before peeling off back to their corner. To be added to TROUBLE page, not replacing existing entrance. Misako Honjoh's voice fills the auditorium: Baby, baby, baay-baaay! But before "Cum On Feel The Noize" can kick in a burst of static hails the arrival of a different song. As the lights drop a brilliant spotlight shines down on the stage, lighting up a white screen crackling with multicoloured fire. Save me one time, won't you? Take this blackened heart and make it whole A single figure emerges, a long white robe billowing around her along with her halo of long black hair. I don't fear for what I am... The lights drop away entirely now, leaving us with nothing but static, more music and the flashes of cameras around the auditorium. ...down to the demonstration, to get my fair share of abuse singing 'we're gonna vent our frustration'...
~long as two, two together, we belong~ ...silence...
A huge cheer goes up as Glass Candy's "Candy Castle" finally hits! As the beat kicks in the lights explode back on, along with a burst of white pyro, to reveal Evangelista standing onstage. She smiles faintly as she surveys the crowd and points up at the Tag Team Championship belts, hanging high above the ring. Let's Take off our masks And be So naturelle There's another cheer as she's joined by her best friend tag team partner of many years, Laurel Anne Hardy. Both women are in new matching ring attire of long tights, long armbands and crop top, sparkling holographically and printed with a psychedelic multicoloured firestorm design, with Seikigun trim. Although both are vibrantly and vividly colourful, Evangelista's outift leans slightly more towards blue and purple while Hardy's has more green and yellow to it. Both women's faces are painted to match, and swirled with glitter. Let's Behold ourselves And break This evil spell After a stage bow Laurel turns to the white screen behind them and punches through it, tearing a wide hole in it while Evangelista begins her slow walk to the ring, tagging fans' outstretched hands along the way. Laurel reaches through the hole and pulls through a wooden trolley, upon which rests a huge, colourful (and of course sparkly) birthday present. Hardy begins dragging it to ringside while Evangelista, already there, crosses herself and says a silent prayer as she stares up at the dangling titles. I think that I'm good just because I behave But I've reached stalemate, I'm a self-made cage They poked me with a stick because they wanted to see If I was alive or just pretending to
But my bones are in my body, not in my grave Turns out I am free and I pretend to be a slave Yes, the window still opens if the door is closed Afraid to die free Afraid to die alone Laurel slips the bow from the giant box and flips the lid off to reveal that it's filled with weapons - almost all of them prettied up with paint and glitter. Then the pair slide into the ring and run up opposite turnbuckles to pose. David Zinkus: Representing The Asylum and hailing from the United Kingdom, at a combined weight of two hundred and eighty-one pounds... they are former EXODUS PRO Tag Team Champions... The Prodigal Daughter, Evangelista, and The Installation Event of the Millennium, Laurel Anne Hardy... DRAGONS! UNLEASHED! Laurel tosses her trademark feather boa into the crowd, prompting a scrum to catch it as the two young women moonsault down to the ring and take bows. The lights dim inside of the arena, the Tron beginning to display black and white frames of two very different women beating opponents senseless with various amount of strikes, as a fierce beat alongside a low whistle is heard over the PA system, an inflatable NFL-like tunnel on the center of the ramp as the lights begin to flash white, red and gold all over the arena, the spotlight shining on the tunnel as “Bring Da Ruckus” by the Wu-Tang Clan starts through the PA system and the RZA’s voice blasts through the system. BRING DA MOTHERFUCKIN RUCKUS! BRING DA MOTHERFUCKIN RUCKUS! BRING DA MOTHER, BRING DA MOTHERFUCKIN RUCKUS! BRING DA MOTHERFUCKIN RUCKUS!Bursting out from the inflatable tunnel to the roar of the crowd are Leander Apollo and Vanessa Cade. Both are geared up in their respective attires made of gold and black colors with red trim in Leander’s and white in Vanessa’s. As Cade executes a 360 spin with her right elbow leading, Leander raises his fist and hooks his arm around Vanessa’s as streamers of gold, black, white and red fire off behind and over them. With that both competitors make their way to the ring, staring down the ramp with every intent of making things happen. David Zinkus: (Introducing first/And their opponents)...weighing in at a combined weight of three hundred and seventy-five pounds, they are Vanessa Cade and Leander Apollo and they are…the Generation of Miracles!!!!!!!!!! The Generation of Miracles get inside the squared circle, the crowd showing their support accordingly as Vanessa and Leander ascend to the top rope on each side, Vanessa bringing her arms high up and gloves together to form her own logo within it while Apollo extends his arms to the side, basking in the crowd support. The two hop out of the top rope and begin their preparations for the contest ahead. Dick Morosi: And here we go, TLC 3! Can it top last year’s official Match of the Year? Seth Ericson: We sure are going to find out! We may be minus one team on the night, but we have one more than last year. This is going to be epic! The referee calls for the bell and the match is officially underway, though each team are still stood in their respected corners. Their eyes dance between the tag titles high above, and each other. The teams now begin talking trash, but not yet fighting. Laurel starts smiling as she spits out more talk while Vanessa cockily does the same. Jaime and Adrien stay silent. Leander is focused on the prize, whilst Trouble merely give each other a nod. The teams start to circle each other in the middle of the ring, slowly going round and around, glancing at each other, then the belts. Dick Morosi: No one wants to make the first move. Seth Ericson: The Dragons seem more eager, to be honest. Generation of Miracles seem a more focused. Dick Morosi: The Fight Kings look ready, and Trouble seem right at home! Seth Ericson: They are TLC veterans within EXODUS, being part of the big match last year. Laurel stops and runs towards Vanessa, who meets her in the middle of the ring. The two tie up in the collar and elbow. Vanessa breaks free and connects with DDT. Trouble have gone after the Fight Kings, brawling away with them as Leander and Evangelista exit the ring and push in the ladder. Hardy is holding her head as Vanessa brings her to her feet before whipping her into the ropes. She ducks a clothesline attempt by Laurel, and on the way back, Vanessa hits a drop toe hold, right onto a chair pushed in by Leander! Dick Morosi: And face meets steel! Amazing team work there. [Seth Ericson: This match is going to be simply brutal! Leander starts to feed a ladder in, lengthwise, but Wulf dodges out of the way of Cochrane, then jumps on the end of the ladder. The other end rises up and cracks Apollo in the face. He falls to the mat holding his face as Wulf pulls the ladder into the ring. Wulf picks up the ladder, but as he turns around with it, Cochrane runs up and drop kicks the ladder right into Wulf's face, busting him open as well! Wulf is down in the ring, with the ladder on top of him. Evangelista hops up on the top turnbuckle and looks down at Wulf, who is about 5 feet from her. Evangelista jumps off and delivers a diving knee drop. She rolls off the ladder, holding onto her knee as she rolls around the ring. As she gets up though, she is met by a ferocious BLITZ from Lenton! Seth Ericson: BLITZ!!! BLITZ!!! BLITZ!!! Lenton lets out a roar, but is then quickly felled by Jaime’s Sancti! The Fight Kings are the only ones left standing, and they immediately set up the ladder to attempt to claim victory. Jaime begins to climb up, Adrien holding the ladder in place. Dick Morosi: Cochrane guarding that ladder and keeping it in place, this could be over real quick. Seth Ericson: Jaime is looking a little slow out of the blocks though! Jaime is getting closer and closer. Vanessa is the first to charge Adrien, but is met with an Adrien Cutter! Lenton follows suit, and is met with a Cutter! Wulf. Cutter! Evangelista. Cutter! Leander, Cutter! Dick Morosi: Cochrane is going wild! [Seth Ericson: And an Adrien Cutter for you! And an Adrien Cutter for you! And an Adrien Cutter for everyone! But he can’t quite get to Laurel, who springboards off the top rope and dropkicks the ladder, sending it crashing down and Jaime flies right out of the ring and crashes through the Japanese commentary table! Dick Morosi: OH MY GOD! [Seth Ericson: … Adrien’s face turns to one of horror, matching the entire front row of the audience. He sprints of the ring, ignoring the match and checking on his tag partner, flashing the ‘X’ sign as he does so. Dick Morosi: Jaime is hurt, and hurt badly, he may be out of this match. [Seth Ericson: Looks that way. The medical team are on their way out now. Laurel slides out of the ring herself, but the artist is looking through her box of tricks. She slides a sparkly, pink chair into the ring, but then is cornered by Vanessa. Laurel then throws what seems to be a custard pie right into Cade’s face. This brings a laugh from the crowd, until it is drowned out by Vanessa’s screams. Dick Morosi: That’s no ordinary custard pie! [Seth Ericson: It’s loaded! And the secret ingredient is thumbtacks! Cade rolls around on the floor, trying to pull the tacks out of her bloody face. Hardy then picks up the ringsteps, measuring Cade up to drop them on her head. Dick Morosi: Don’t do it, Laurel! Please! [Seth Ericson: She’s hesitating, Dick. I don’t think she’s going to go that far! As Laurel struggles within herself about what to do, Wulf has begun brawling with Apollo. They are going back and forth, back and forth, until Leander charges and is dumped over the top rope right on top of Laurel, crashing the ring steps right on top of her! Dick Morosi: And the Welsh Wonder has been squashed! Seth Ericson: Ouch! Evangelista sprints to Lenton, who simply flapjacks her high in the air. Wulf charges right under her and delivers a vile headbutt that busts her wide open! Dick Morosi: We’ve not seen that since last year! Seth Ericson: A VILE headbutt from the hardest skull in the business. She is bleeding like a pig! Trouble set up the second ladder under the belts, but don't ascend, instead Wulf waits for Leander to get back in the ring. Wulf runs towards Apollo and performs a Falcon Punch, but Apollo catches Erikssen's right arm and Leoplexs him over the ropes, since he was only about two feet from them. Wulf grabs a hold of one of the ropes as he tumbles over, but he still falls to the mat. Cade, slowly recovering on the outside is there to greet him with some stomps on the back as Wulf is trying to get up. Lenton charges Apollo with the BLITZ, but leaps right over him, sending Lenton out of the ring and he crashes right into Cade! Leander looks shocked, and that loss of concentration allows Evangelista to hit him with the Headbreaker. She is now starting to climb the ladder, which Trouble so conveniently placed under the contract. She steps up one step and starts her climb towards the top. Wulf, holding his back, has managed to roll away. Laurel starts to get up, but Wulf grabs a pink chair with ‘All You Need Is Love’ spray painted on it. He shrugs then blasts her with it, sending her right down to the mat. Inside the ring, Evangelista is only four rungs above the ring and only about one or two more away from the belts. Wulf slides into the ring, with the chair. He approaches the ladder and swings the chair onto The Prodigal Daughter's back. Eva freezes in her place as Wulf drives another one into the back again. Wulf drops the chair and starts to push the ladder over and Evangelista, having nowhere else to go, holds on tight as the ladder falls. It strikes the ropes and she is forced to let go. She bounces off the ropes and lands inside the ring with a thud. Dick Morosi: This match is getting out of hand! Seth Ericson: There’s bodies laying everywhere! The medical team is checking on Jaime, Adrien screaming for help. Lenton looks over, looking quite concerned as well. Back in the ring, Wulf picks Evangelista off the mat and whips her over the ropes and out. Apollo has just gotten back up and ducks a clothesline attempt by Wulf and when he comes back around, and hits his own Superman Punch on the unsuspecting Erikksen. With Wulf on the mat, Apollo picks up Wulf and hits a Zaku II on him. He picks up Wulf again, though a little sluggish, and brings him to the ladder. Leander sets up and connects on a Leoplex that sends Wulf onto the ladder, back first. He holds his back as he rolls onto his stomach. On the outside, Cade has floored Lenton with the Golden Goal! With a sudden burst of energy, she climbs up to the top, then jumps off and hits The Golden Experience on Wulf's head! Dick Morosi: What a move! GoM take control! Seth Ericson: The champs look set to retain! Just when it looks like GoM have it, a revitalised, bloody and fired up Laurel charges into the ring with her pink chair. She clocks Leander out with it, then swings it down onto Vanessa's head, following it up by cracking Wulf’s back several times, each time worse than the first. She puts the chair down after three swings on each of them, then and rolls Wulf's limp body off the ladder. She pulls the ladder out and sets it up under the belts. She makes sure it's aligned perfectly and starts her ascension. Dick Morosi: Laurel has seen her own blood and has a second wind! Seth Ericson: It’s really fired her up, Dick! She climbs to the very top, the belts within her reach as the fans cheer her on. Evangelista roars her on, but Laurel suddenly stops, looking down at the fallen bodies of GoM and Trouble all laid out next to each other. Something clicks in her mind… and she leaps as flashbulbs go off! Dick Morosi: WOW!!! The crowd are going insane! Seth Ericson: You rarely see that! A corkscrew double rotation shooting star press, she calls Tsunami Wildfire. Ever the artist, she might have had the match won, but instead she lands on almost the entire field with that amazing move. Everyone is out for the count after that phenomenal move, Evangelista with her head in her hands. She looks up to the belts as a ‘Holy Shit’ chant starts. She picks up the ladder, sets it up and begins to climb. Lenton is the first to move, and he heads towards the ladder, very slowly. Eva is one rung of the ladder away from being in reach of the belts. Lenton reels the chair behind him and swings forwards, cracking her right in the back. She slips off the ladder, but grabs hold of one of the rungs and has only fallen two. Lenton now has a better swing and cracks Evangelista in the head with the chair. She falls off the ladder and Lenton drops the chair on her face. Lenton starts his climb up the ladder. After three rungs, he stops and turns around. He looks down at Evangelista lying on the mat with the chair on top of her. He hops off the ladder and hits an elbow drop on Evangelista's chair covered body. Lenton rolls off and hugs his arm as Evangelista flops around the ring from the pain of the impact. Dick Morosi: Are any of these great competitors going to be the same after this match? [Seth Ericson: We’re going to have an injured list a mile long at this rate! Wulf is the first to get up and he eyes up the ladder. He starts to climb the ladder, one rung at a time, very slowly. He gets within arms reach of the belts, so he climbs up two more rungs. He grabs the belt! He reaches up with the other hand to pull the belts off, but Cade is up and starts to tip the ladder back and forth. Erikksen lets go and grabs on to the ladder so he won't fall. Vanessa tips the ladder one last time and it goes falling over. Wulf jumps off at the last minute, but his left leg gets caught in the top and middle ropes and he's hung upside down. Dick Morosi:And Wulf is trapped! This could be Cade’s chance! As Cade tries to climb the ladder, Leander walks up to Wulf starts to stomp on his chest and face. He picks up the another ladder and rams it into Wulf's chest. The first time we hear Wulf scream out in pain. The second time hits him in the face and we hear another scream of pain. The third time he hits him in the knee, but Wulf holds in his pain, then starts getting very angry and barks off at Leander Apollo, but he doesn't care what he has to say. Leander hits Wulf in the face one more time to shut him up. Erikssen now isn't moving and appears to be unconscious. Apollo undoes his leg and lets him lie unconscious on the side of the ring. Apollo holds onto the ladder to aid Vanessa climb up. She is now at the top and is starting to fiddle with the belt, trying to get it off. Then, all of a sudden, the ladder comes out from under her and she falls right to the mat. Lenton stands next to Apollo, breathing heavily with a pissed off look in his eye. He picks up Apollo and hits a devastating Game Changer, then picks up Apollo and nails the 3:00! Lenton then sets up the ladder again and slowly begins to climb, but he is met on the other side by Evangelista. They begin to trade blows at the top, one after the other. The Big L seems to be getting the advantage, but Evangelista manages to duck one, pulling Lenton through the rungs as he tries to stay balanced before locking in the Lime Street Loop! Dick Morosi: She has it locked in through the ladder, there is no escaping this one! [Seth Ericson: But there are no submissions in this match! Lenton is in agony, his partner unable to help him. Evangelista keeps the hold locked in on the big man. Cade is getting up below, and she picks up the prone Wulf. She picks up Wulf's body and locks in the Golden Triangle! At this moment, Apollo locks in the Constellation Clutch on Laurel! Dick Morosi: More holds locked in! Seth Ericson: HERE COMES COCHRANE! Cochrane returns out of nowhere! He nails the combo of Apollo and Hardy with the Flight 182! He sprints back to the top rope once more and lands the Ace-Inator on Cade and Wulf. Then he springboards off of the top rope with the Crescent City Connection to break up Lenton and Evangelista! Lenton is still trapped on the ladder, but is yanked down hard with an Inverted Adrien Cutter off the ladder! Dick Morosi: And Adrien has cleaned house once more! [Seth Ericson: But he isn’t going for the victory, he’s looking to do more damage! The fans roar Adrien on, as he sets up a table in the corner of the ring. He places Lenton on top of it, then sets up another table, placing Apollo on that one. In the next corner he sets up a third, placing on Evangelista on top of that one. He then begins to make his climb. Dick Morosi:He has a choice of three targets right now! Seth Ericson: But Laurel may have something to do with his choice! Laurel has indeed climbed up the other side and begins to brawl with Adrien, harsh knife edge chops being exchanged. Right beneath Adrien comes Vanessa Cade, who starts clubbing Adrien in the back. The double team assault from the two warrior women is too much for him, then Cade hits a vicious German suplex that sends him crashing down on top of Lenton and through the table. Dick Morosi: Oh My Good God in Heaven! Seth Ericson: Right through the table! Cade kept her legs hooked on the ladder, but as she rises Laurel hooks her up and gives her a release vertical suplex right onto Leander Apollo! Dick Morosi: And another table is smashed. Laurel has no time to marvel at her work, however, as Wulf has grabbed her by the legs, following it up with a powerbomb right on top of Evangelista! Seth Ericson: And another! Wulf resets up the ladder in the middle of the ring and starts to climb it. Adrien is the first to get up and climbs it as well. He gets to the top and Adrien and Wulf start to battle for the top position. Punch for punch these two are matching it to get the advantage to grab the belts. Adrien lands a punch on Erikksen right in the face, but it doesn't fade Wulf. Erikksen hits Cochrane in the face with a hard headbutt, and Cochrane starts to slide down the ladder and he lands on his backside on the ring and just sits there and then he falls onto his back. Wulf starts to grab the belts, but the ladder gets tipped over, Wulf crashing down to the canvas. Dick Morosi: I thought he had it… Seth Ericson: Wait a minute… JAIME!! Jaime is laid out, the paramedics trying to get the injured man out of the match. Lenton now has the ladder set up in the middle of the ring and he starts to climb up the ladder. Evangelista finds that The Big L is almost up to the titles. She climbs the ladder quickly and beats Lenton to the punch, literally. She lays another right hand on Lenton's face, but Steve stays on it. Laurel comes into the ring and tosses up a chair covered in sparkles to Evangelista, and she hits him in the head with the chair and he goes somewhat limp on the top of the ladder. She grabs a hold of The Big L and starts to set up for a possible superplex off the top of the ladder. She lifts, but Lenton holds on to the ladder. Laurel climbs up to help her, and they both lift again, but the same thing happens. The Generation of Miracles each grab a hold the Dragons Unleashed in powerbomb positions. Dick Morosi: AND DOWN THEY COME! Seth Ericson: ALL OF THEM CRASHING DOWN TO THE MAT! They all come crashing down to the canvas as the fans go absolutely mental, even more so when Cochrane and Wulf begin to climb the ladder slowly. The fans are willing them on as they race to the top. One rung, two rungs, three rungs, four. As they make it to them top they begin to trade blows. Left. Right. Left. Right. Left. Right. Left. Right. Adrien. Wulf. Adrien. Wulf. Adrien. Wulf. Wulf starts to punch at Adrien's stomach, and eventually, Cochrane’s legs go. But in one last gasp, Adrien spins around and nails the Adrien Cutter off of the ladder! Dick Morosi: And a huge Cutter… WAIT! Seth Ericson: WULF GRABBED THE BELTS AS HE CAME DOWN!!! The audience go absolutely mental as Trouble are declared the winners, Wulf laying there surrounded by bodies as he holds onto the two belts. He then crawls over to Lenton, placing a belt on top of him. WINNERS (and NEW EXODUS Pro Tag Team Champions): TroubleDick Morosi: My God, what an amazing match that was! It certainly surpassed even the original TLC from the Autumn Effect 1. Seth Ericson: Of course it did! This is EXODUS, we always one up ourselves and god damn did we do that tonight! Dick Morosi: I couldn't agree more, Seth. Every single one of the wrestlers in that ring right now deserves every bit of cheer they're getting, but especially TROUBLE, our new tag team champions. Right now, is a big moment of celebration for them. Seth Ericson: Uh...I dunno about that. Dick Morosi: Oh no...fans, we need you to notice this. From the crowd a few figures have appeared, hopping the guardrail. I can see Shozo Arino....Aries Reed... Seth Ericson: Devan Whitmore and....and GRENDEL. The four of them hop onto the ring ropes, and for a moment nothing happens. Then, slowly, Shozo raises his hand. With a gesture he indicates it over his three fellows...then points into the ring. And they all flow in. A few of the competitors have managed to get onto their feet by now, and are met with a fury by the Revo students. Adrien has only started to get to his feet when Devan Whitmore delivers a brutal Kessel Run to the former World Champ, taking him down. Vanessa Cade tries to get the attention of Aries Reed, only to hear something behind her and turn only to meet a Crash Love from Shozo. Aries locks his hands around the arms of the prone Laurel, lifting her up and nailing a Dragon Suplex. And Wulf...Wulf meets GRENDEL. Or, rather, his boot, as the teacher is smashed in the mouth with the former student's boot before he can truly get to his feet, and grabbed by the throat in the next moment and lifted up high, only to be brought down straight away with a massive clothesline. Just like that, everyone lies still in the ring, besides the four insurgents. Aries walks over to the Big L, picking the tag title Wulf had laid across him up and looking at it with a grin. He looks to his friend GRENDEL and holds the belt up. The camera captures in that moment something truly shocking, as the hate-filled face of GRENDEL briefly breaks into the briefest, sickest of smiles, as he gives a small nod to his friend, reaching down to pick up the tag belt Wulf lost in the fight. Shozo looks at them proudly, before looking up at the ladder, still standing despite all the fighting. He slowly begins to ascend it, coming to rest sitting on top of the ladder, pulling a microphone from his trunks, and beginning to speak. Shozo Arino: What happened Saturday, was a demonstration. Tonight, however, is a declaration of intent. The crowd continues to boo him, which he does not seem fazed by. Shozo Arino: I want you all to use your imagination. Take this journey with me, use your minds. Imagine what wrestling would be like if it never evolved. What would it be like? It'd still be stuck in carnivals, as sideshow attractions, hooking unknowing "marks" to trick out of a couple of dollars. There would be no grand stages, no epic pyro, no barn-busting classics. You would not be sitting here tonight, watching this event. Imagine that. The crowd's booing seems to die a tad, as the crowd seems to start to imagine what he's said. He nods along. Shozo Arino: More than that, imagine if it only evolved once, and then stayed the way it was. We'd have these big grand stages, but we'd be locked into one type of wrestler who can succeed. Unless you're a big, muscle man, you will never reach the top no matter how hard you try. Your favorite wrestlers of today, you'd never see. There'd be no Christian Kanes, no Jon Collins, no Adrien Cochranes....certainly no women, like Lexy Chapel or Sally Talfourd. Imagine that. The crowd is mostly silent now, letting the words soak in. Shozo smiles from atop the ladder. Shozo Arino: You're starting to see now, right? Evolution is crucial to wrestling! Change must happen, or all things will stagnate! When the generation that enacted a great change gets too old, they must be removed. It is true of all things, they will inevitably become that which they fought in their youth. They will become the ones trying to stop change. And that is what is happening now, this very moment. We have reached that moment in time where it is time for that change, where wrestling must have it occur or all things will decay! The generation before us, the one that changed this business for the better, they must now be removed, so that the next great change can occur. He sits silent for a moment, looking straight up at the night sky, contemplating some unknown thought. When he speaks again, his next sentence is full of an unspeakable bitterness. Shozo Arino: The mistakes this generation has made, are innumerable...and unforgiveable. To make sure those mistakes cannot be repeated again, as they have been so many times over this generation, change must occur now. It cannot be change that occurs gradually, over time. It must be swift. It must be vicious. It must be unrelenting. This is a fight that must be fought, or we will all lose. For the future, we must destroy what currently stands. We must evolve, past the limitations of this generation, for the good of all. Those who can adapt, will continue on. Those who cannot, will find themselves in need of a new means of living. It's up to them. He pauses again, letting his words sink into the crowd before he continues again. Shozo Arino: You know, I paid attention to what was being said on Twitter, the day after our demonstration. Some of them spoke of battle lines being drawn, a war beginning. I sit here today, to tell you that what we are doing is no war. In fact let me state it emphatically...directly. This is not a war... He stands on top of the ladder, to look down on the crowd and the broken bodies around his comrades, who face the crowd proudly. Shozo Arino: ...this is a REVOLUTION. He drops his microphone and remains standing on the ladder, as the REVOLUTION members below continue to look into the cameras with looks of new found focus & determination, and in the case of GRENDEL, hatred. Dick Morosi: I...I don't know what to say about this. Seth Ericson: It certainly gives new meaning to the term Youth Movement. Dick Morosi: It does indeed. This...REVOLUTION making it's ideals clear, at the expense of the TLC competitors, especially the new champions. Seth Ericson: With what happened with GRENDEL and Wulf, I think that was intentional. Dick Morosi: It very well might be, Seth. For now, let's go backstage.
|
|
|
Post by EXODUS Office on Nov 17, 2014 14:57:56 GMT -6
The scene shifts to another part of the backstage area. Standing among the slight sea of chaos is ace reporter Tom Matheny. With his microphone in hand, he stands always on guard for the latest breaking news or to get the first exclusive interview with one of the EXODUS stars. He looks to the left and then looks to the right when something captures his attention. He straightens his tie and heads off down the hall in search of what grabbed his attention. Walking down the hall is the now former San Diego Bay champion Savannah Taylor. Her match had ended not long ago, and the former champion walks down the hall towards her locker room, clutching a white terrycloth towel. Wiping a slight sheen of sweat from her forehead, she wraps the towel around her neck as she continues on down the hall, only to be stopped by Matheny. Tom Matheny: Savannah, could I just have a minute of your time? The blonde sighs as she nods her head. Savannah Taylor: I really don’t have much of a choice, do I? Tom Matheny: I was just hoping to get a few words with you regarding the match you were just in. The match that saw your six month reign as San Diego Bay champion come to an end. How are you feeling about that? She looks at Tom with a slightly cocked eyebrow as she shrugs her shoulders. Savannah Taylor: I guess this is the part of the interview where you expect me to throw a tantrum because I lost. You probably expect me to cry foul and to demand an instant rematch. Is that it? Tom Matheny: Well…. Savannah Taylor: Think again, Tom. You see, I kind of knew in the back of my mind that I wasn’t going to win. I’ve held that belt for the past six months. I’ve done everything there is to do as San Diego Bay champion. Am I mad that I lost to Chandler? Not at all. In a weird sort of way, I’m actually glad I dropped the belt to him. Do you want to know why? Tom Matheny: Sure. Savannah Taylor: Because for the first time, EXODUS has a champion that they can be proud of. They have a champion that people can look at and go “I want to be like that guy.” I’m more than willing to admit I was not that person. To steal a line from a Christopher Nolan movie, Chandler is the champion this company wanted and is the champion this company needs. I’ll even go one step further. He is the champion this company deserves. Tom Matheny: That is rather…. Savannah Taylor: Unexpected? Tom Matheny: That’s the word I was looking for. I guess my next question is, what’s next? As soon as Tom utters his question, he looks off to his right and immediately back off. Savannah looks at him quizzically as she turns to watch him scurry off. Shaking her head, she turns back around and is immediately blasted upside the head with a metal baseball bat. The force of the hit causes her to drop right to the floor as the man wielding it steps forward. Standing over the fallen Siren is one of the henchmen of Brianna Singer, Takeshi Matsumoto. Standing next to him is the new hired gun, Masahiko Sato. Dressed in identical black suits, black shoes and black button down shirts, the two stare at the fallen Savannah before continuing on with their assault. Takeshi takes the baseball bat and brings it down across her skull twice more, each time with a little extra motivation behind the hit. Masahiko takes out a pair of brass knuckles from his blazer pocket and slips them on. His fist makes an immediate connection with her nose, a slight crunch signaling a very likely broken nose. Takeshi nods to Masahiko as the taller of the two hoists a nearly unconscious Savannah to her feet. Takeshi then takes the baseball bat and swings it at her exposed torso. Once the metal connects with bare skin, Masahiko throws her to the ground once more, Savannah landing on her stomach. Before the two Japanese henchmen can continue their assault, a familiar female voice calls out from behind them. Voice: Enough! Takeshi and Masahiko turn around to find Brianna Singer walking into view. Her black heels click on the floor as she walks up to the trio. Brianna Singer: Let me have a word with our friend here. Her voice dripped with callousness as the two backed off as she stooped down beside Savannah’s head. Brianna takes a handful of her hair and yanks her head up. Blood was pouring from Savannah’s nose as Brianna mockingly shakes her head. Brianna Singer: You see Savannah? I told you that you would regret putting your hands on me last week. Consider this to be a warning to you. If you try anything again, my friends here won’t be as nice as they were. She says as she takes Savannah’s head and rams it hard onto the floor. Standing up, she brushes her skirt off and glances down at Savannah once more. She rears her right foot back and kicks her hard in the face. Brianna Singer: Let’s go, gentlemen. Our business here is done. She says as the trio steps over the fallen body of the former San Diego Bay champion and walk off. Savannah remains motionless as pair of trainers start running towards her. The scene then switches elsewhere backstage, and pacing slowly around his dressing room trailer is the Director of EXODUS Pro, the Saint of Violence himself, Jonathan Collins. Having now changed into his gear, yet still not showing it off for the surprise, he's taken by surprise himself when another knock on the door comes after something earlier. Coming over to let someone in, he's even more surprised to see who stands there on the other side. Heather Halliwell. Jonathan Collins: I have to admit, as close as we are, I never expected this. Heather walks in, dressed in blue jeans, a belly baring tank top and sneakers. Her blonde hair is braided down her back. She's got a baseball bat slung casually over her shoulder. Heather Halliwell: No? At the end of the day, you're still one of my best friends. And on the night of your retirement... Well, seeing you was a high priority. Jonathan Collins: It's going to be a hell of a night, Cowgirl. We either end this tonight, or this war may never end. A dark expression crosses the face of the Pretty Lil Texan as she nods in agreement. Heather Halliwell: So much blood that's already been spilled... And yet only now, we come to our Battle of Gettysburg... All of us. Jonathan Collins: Some of us are making our last stand. Heather reaches out and grabs Jon's hand, squeezing in tightly. Heather Halliwell: There's so much I've left unsaid, and I still can't find the words to say it. You brought me back, you gave me new purpose. I know what you are capable of and still, I find myself scared for you. Jonathan Collins: Hey, the last time I predicted my own death, it almost actually happened. You remember that night, or at least you should. Heather narrows her eyes at Jon. Heather Halliwell: Of course I remember. And I was scared for you then, too. Jonathan Collins: But I came back. Not saying I'm Christ or something, but hey...I keep telling people they have no idea how to kill me. Heather Halliwell: You do. And I'm fairly positive Daisuke doesn't have the answer either. Jonathan Collins: He doesn't. And for the record, don't think for a second I'm too pleased with this favor you've asked of me tonight. You see the boundaries and tape. Outside of that, I can't stop you. Heather looks down for a moment. Heather Halliwell: You aren't the only one. He hasn't said much on it, but I know Andreas isn't pleased... And Chris outright asked me not to seek her out... Jonathan Collins: Well if that's the only thing that puts us all in agreement... Heather Halliwell: I won't go looking... But we both know I can't avoid her forever. She won't stop until her hands are around my neck. Jonathan Collins: Then face your destiny head on. Heather caresses the bat lovingly. Heather Halliwell: Don't see how I have much of a choice. Just... Remember me as you see me now. That's all I ask. Jonathan chuckles and nods, wrapping an arm around his friend. Jonathan Collins: I'd ask you the same thing. Heather smiles up at Jon and hugs him tightly. Heather Halliwell: Then let's knock em' dead, shall we? Jonathan looks down at his fist and nods, all before he looks back at her. Jonathan Collins: Sounds like a damn fine plan. Speaking of which, have you ever heard of the Kansas City Shuffle? Heather Halliwell: Huh? Jonathan Collins: Good. He chuckles as he sends Heather on her way before he stops to think again, and we go back to Dick & Seth. Dick Morosi: Heather Halliwell looks like she's ready to say goodbye to her friend here...and maybe for good this time. Seth Ericson: That's not the only thing, Dick. Did you see those behemoths with Brianna Singer? This is not ending well for Savannah Taylor...but we'll have to check on her after this. Dick Morosi: Folks, this is a huge one. Tonight, all bets are off as we have ourselves the first ever Funeral Procession match! Seth Ericson: Do we have the rules told yet? Dick Morosi: It’s real simple, actually. To win the match, you have to throw your opponent into the casket that’s located at ringside, wheel it up the aisle, and into the hearse that’s right by the stage. Seth Ericson: ...this sounds morbid. Dick Morosi: It’s a funeral procession. Seth Ericson: Straight from the mind of our Director himself. Dick Morosi: Indeed. Let’s go to the ring and David Zinkus. David Zinkus: The following match is scheduled for one fall, and is a Funeral Procession match! Suddenly, the lights go out, save for a few strobes and smoke at the entrance way, the opening bass riff and electronic beats of “System” by Chester Bennington starting while things continue to play. You fell away, What more can I say? The feelings evolved, I won't let it out, I can't replace... Your screaming face, Feeling the sickness inside
Why won't you die?! And there it is. As the song kicks into a heavy part, a march of men in black robes wheel out the casket to be used in the match. Right behind them in a long robe that’s even more elaborate than normal is The Perfect Evil himself, along with Audrey Lloris, who is in a short black skirt, looking more like a widow at a funeral, complete with veil. The two continue to walk to the ring, the men in robes dropping off the casket and walking away as Daisuke steps into the ring and drops to his knees, posing as Audrey looks to the heavens before bowing before her master, the two of them focused on the match. David Zinkus: Introducing first, from Ellum, Texas by way of Japan...he is...THE PERFECT EVIL, DAISUKE IWAKUMMMMMMAAAAA! Dick Morosi: Seth, that man looks absolutely ready to destroy Jonathan Collins. Seth Ericson: And believe me when I say that I’m not ready to watch the death of a man we’ve long called a friend. Daisuke continues to wait around the ring, pacing slowly until...every single light goes out in the arena area! Nothing but darkness until the famous Section B slowly starts holding up blue lights, a sea of blue now starting to sweep over the crowd before a blue light shines on a small girl (clearly seen as being Madison Collins) at the center of the stage as she holds her hand to the sky, almost as if she has a Blue Lantern ring of her own. Finally, her voice as she looks up to recite the famous oath. In fearful day, in raging night, With strong hearts full, our souls ignite, When all seems lost in the War of Light, Look to the stars-- For hope burns bright! And with that, the intro of “Numb/Encore” by Jay-Z and Linkin Park! With that, the camera begins to follow a hooded figure leaving a dressing room trailer on his way to the stage from the backstage area, cameras following him. Thank you, thank you, thank you, you're far too kind!
Now can I get an encore, do you want more? Cookin’ raw with the Brooklyn boy So for one last time I need y'all to roar... Slowly, he starts to climb the steps to the entrance at the back of the stage, fellow wrestlers and staff watching carefully and with respect. Now what the hell are you waitin’ for? After me, there shall be no more So for one last time, nigga make some noise!
And there’s Tom Matheny at the curtain, holding it for him, taking the next line of the song for one night only. Tom Matheny: Get ‘em Jon. And as the first verse begins, the crowd erupts when they see Jonathan Collins burst out! Not in his traditional gear, Collins is in traditional short tights, along with a blue track jacket with the Lantern symbol on the back, “The Last Scion of Hope” on it! Collins wears a regular half mask this time, looking out as the crowd continues to cheer! Jonathan nods as he looks out toward the ring, taking a deep breath as he starts to make his way down the aisle, slapping hands with the fans while he takes the last walk to the ring he’ll ever make. David Zinkus: And his opponent! He is from Anaheim, California, and he weighs in tonight at 212 pounds! He is THE SAINT OF VIOLENCE! THE LAST SCION OF HOPE! LADIES AND GENTLEMEN, THIS IS JONATHAAAAAAAAAAANNNN COLLINNNNNNNSSSSSSS!!! Jonathan takes a moment to soak it in, looking out at the crowd and then to the ring again as he nods, slowly hopping up to the apron before stepping in and dropping to a knee, ripping off the mask and spitting blue mist into the air as blue pyrotechnics go off around the stage, and it’s clear that several of the UCSD buildings are lit in blue tonight! As the pyro goes off, the fans across the seats and bleachers throw blue streamers into the ring, and Jonathan looks out to the crowd in appreciation...ONLY TO BE ATTACKED BY DAISUKE! Jonathan continues to go on the defensive and cover up as Jonathan struggles to get his new jacket off. Daisuke rips the jacket off of Jonathan, picking him up and whipping him to the ropes, but Collins comes back on the rebound and drops Daisuke with a hurricanrana! Daisuke gets up and goes after Collins, but Jon ducks under and quickly catches him with a handspring elbow! Daisuke continues to stagg--JON WITH THE PARALLAX SHOCK! He sends Daisuke out of the ring, and the crowd has erupted as he slams his hands on the mat, daring The Perfect Evil to enter the ring! Dick Morosi: Jonathan is all fired up, and this crowd is right there with him! Seth Ericson: Tonight, he simply refuses to go down without a fight! Collins waits for Daisuke to get up and as soon as he does, Jonathan runs towards the ropes and steps up to hit the middle rope before flying over, hitting a huge tornillo onto Daisuke! Jonathan lays there for a moment with a downed Perfect Evil, the crowd erupting at an offense they haven’t seen from The Saint of Violence in years. Collins starts to get up, slowly getting to his feet as he grabs Daisuke, ramming him into a ring post! Quickly, he grabs him and whips him to the guardrail, all before he stops at the casket, flinging the top of it open before he looks over and starts to pull him over to throw him into the casket! Collins tries to throw Iwakuma into the casket before Audrey Lloris looks under the ring and finds a kendo stick, rushing over to The Last Scion of Hope himself, slamming it across his back! He winces for a moment, turning his head towards Audrey as he glares at her, starting to approach her. The crowd erupts as Collins stalks his opponent, looking right at he--DAISUKE ATTACKS HIM FROM BEHIND WITH A CHAIN! It's not one of those light chains to wrap around the neck, but a heavy duty industrial chain, and he starts whipping Collins with it, sending him to the ground! Daisuke quickly wraps a portion of the chain around his fist, starting to turn around Collins and pound him in the face repeatedly with the deadly weapon. Collins is visibly busted open as Daisuke quickly starts to wrap the chain around Collins' neck, choking the life out of him. Dick Morosi: SOMEONE STOP HIM! Seth Ericson: All bets are off, Dick! Daisuke starts to drag Jonathan around the ringside area, choking him, shouting to people to take a look at their hero now. Collins starts to struggle and kick, finally catching his legs on a ring post and wrapping his legs around it to stop Daisuke. The Perfect Evil comes over to try to pull him off, and Collins kicks up at him, giving him enough time to get air and try to get to his feet before Daisuke gives him a Resident Evil, leaving Jon once again reeling. He quickly throws him into the ring and climbs up to the top turnbuckle, leaping off with a huge elbow drop, crushing it into the heart of Jonathan Collins! He quickly hoists up Jonathan, looking to hit the Dead Space....but Collins floats over and pushes him to the corner, sending him crashing in and bouncing back out as Jon picks him up...END OF SILENCE! Collins hits a knee as he tries to balance and steady himself before he runs to the ropes and leaps up, coming back with a huge lionsault! Collins rolls back and sits on his ass while he looks up at the sky, already exhausted from having a lot of life and air drained from him already! Collins quickly gets out of the ring and starts pushing the casket closer to the ring apron before he goes back in and grabs Daisuke, starting to whip him towards the ropes, Collins backing up and waiting for Daisuke to charge toward him before he ducks and back body drops Iwakuma over the ropes and into the casket! Dick Morosi: Jonathan Collins has finally managed to get Iwakuma into the casket! He can finish him off now! Collins slowly gets out to the ring and slowly starts to slam the casket shut, starting to roll the casket up the aisle as the crowd cheers for him. He continues to slowly push the casket until the top flips open and Daisuke starts sitting up, hammering Collins with punches until he can no longer keep moving forward. Collins hits the ground and Daisuke crawls out of the casket, coming over to reach for Jon, quickly hoisting him up and in one fluid motion hits the Dead Space! He quickly picks up Jon and tosses him into the casket, continuing the push up the aisle---AND THEN HE FLIPS THE CASKET OVER! He drops it upside down on the mat, dropping Jon while stuck in that casket! The crowd is in shock, and Daisuke smirks as he gets up and starts to roll it over, seeing Jonathan trying to crawl out, only to lift the lid and slam it up and down repeatedly over the head and back of The Saint of Violence. Finally, Collins weakly gets out of the casket, two referees quickly hoisting it back up onto the cart that wheeled it out as Daisuke eagerly pursues Collins to hunt him down. Quickly lifting up Jonathan Collins, Daisuke rams him into a ring post, Collins slumping down before Daisuke backs up again and hits him with a huge kick to the face, slamming his head against the post! Collins looks like he's lifeless on the ground as Audrey and Daisuke reach under the ring to pull out a table! Seth Ericson: Jonathan can't even stand, Dick... Dick Morosi: I don't know what's going to happen here, and this worries me... After the table is set up, Daisuke and Audrey drape a fallen Collins over it perpendicular to the table before she reaches under the ring again to grab a steel chair that she hands to her Lord. Slowly, Daisuke ascends to the top turnbuckle again, Collins still outside. Without hesitation, The Perfect Evil leaps off the turnbuckle, dropping down with a massive guillotine leg drop that also forces the chair to crash upon the ribs of The Saint of Violence! Collins makes no motion after that, just lays there, a pool of blood seemingly starting to form near the area his mouth is. Collins remains lifeless as the crowd is stunned silent. Dick Morosi: Seth... Seth Ericson: Please. Please don't say it. Daisuke slowly gets to his feet, all before he drops to his knees and raises his hands to the air, almost thanking the heavens for this gift. Collins still remains motionless as he and Audrey slowly load Collins back into the casket, Audrey going back for the chain from earlier. The crowd jeers as Audrey continues her praise of her master as he slowly starts to push the casket back towards the hearse by the stage, everyone jeering...UNTIL CHEERS COME IN THE FORM OF DARRIN STEARNS! Darrin hobbles out, still assisted by his cane, and he looks at Daisuke in anger! The crowd sees Darrin move as fast as he can to come approach Daisuke, lifting his cane and smashing it against Daisuke, only to be shoved down by The Perfect Evil. Darrin looks angrily at Daisuke. Daisuke Iwakuma: HE'S DEAD! YOUR HOPE IS DEAD! YOUR HERO IS DEAD! I! WIN! Daisuke indeed starts to make the turn toward the hearse, Audrey going to open the back of it for him as he starts to smirk, seeing the light at the end of the tunnel. Without hesitation, Daisuke looks to practically fling it in there, drawing back as he starts to charge forward...AND THE CASKET IS IN THE HEARSE! Dick Morosi: All he needs to do now is shut that door and it's game over! Daisuke smirks and poses for the crowd posturing to them as he starts mocking them, going back over to Stearns who is trying to get up and glare at Daisuke! He points at Stearns, telling him the dream is dead as he goes to close the do---NO! THE HEARSE MOVES! THE HEARSE DRIVES AWAY FROM IWAKUMA! THE CROWD ERUPTS AND THERE'S STILL LIFE! Dick Morosi: THERE MAY STILL BE HOPE! Daisuke angrily goes toward the hearse to try to finish it off now that it's moved, and before he can go to the door, JONATHAN COLLINS HAS BURST OUT AND STARTED HAMMERING IWAKUMA....WITH A BATON?! Seth Ericson: YOU CANNOT BE SERIOUS! Collins starts whacking Iwakuma down with the baton, getting up as his face is the proverbial crimson mask, The Saint of Violence feeding off the energy of the crowd. Darrin grins and nods as Jon motions for his friend to get up as he offers his hand, Darrin and Jon standing tall together. Jon nods as he grabs Daisuke and looks to his friend, each of them locking in an inverted facelock. Dick Morosi: WE HAVEN'T SEEN THIS MOVE IN TWELVE YEARS! The two friends lift up Iwakuma, dropping him with an implant inverted DDT, hitting their old finisher, The Hybrid! Collins gets up and helps up Stearns, hugging him as Darrin pats him on the back, screaming to his friend. Darrin Stearns: FINISH IT! Jon nods as he glares at Daisuke, pulling the casket out of the hearse as he looks down at Iwakuma, the crowd watching as Jonathan starts winding up his left arm, the crowd knowing what's coming! He takes a deep breath and stops, shaking his head. Taking a moment to size up Daisuke, he looks at Audrey, once again trying to interfere. This time, Stearns stops her, Audrey frozen in fear as Collins takes the chain from her before he wraps a portion of it around his fist! He looks at Daisuke, now on his knees before he gets up...and the fans know what's coming. Dick Morosi: ZERO HOUR! JONATHAN COLLINS HITS THE ZERO HOUR, AND DAISUKE IWAKUMA IS DONE! Iwakuma hits the ground lifeless, all before Collins lifts him, tosses him in the casket, throws it into the hearse, AND SHUTS THE DOOR! "Last Man Standing" by People In Planes and not "Jungle" plays, and the crowd erupts, everyone watching the hearse drive off as he goes back to the ring, celebrating with Darrin Stearns. The entire time, the two laugh and slap hands with the fans as Jon gets back into the ring, bloody, sweaty, half dead as he drops to a knee again, once more spitting out blue mist to the sky, eliciting blue pyro from up above the ring! Jonathan listens to the crowd as they cheer and once more chant his phrase! "ALL WILL BE WELL!" CLAP-CLAP-CLAPCLAPCLAP "ALL WILL BE WELL!" CLAP-CLAP-CLAPCLAPCLAPCollins looks out at the crowd, and he's now been joined by his wife and daughter in the ring, several of the RW students and EXODUS Sekigun on the stage to applaud him as he looks out at them, at the crowd, tears welling in his eyes as he nods, bending down so his face hits the mat, kissing the canvas as he finally looks back up and calls for a microphone. Wiping tears from his eyes, he looks out to the crowd, trying to muster up a smile. Jonathan Collins: I won't be long. Just get that damn hearse back out here, we got another demon to send home to hell at the end of the night. He drops the microphone and goes back to his family, the crowd erupting as "Last Man Standing" plays once more as he walks with them. Halfway up the aisle, he stops and looks back toward the ring, nodding before he returns to the crowd waiting to cheer for him on the stage and around. Getting back to the stage, he turns back to the crowd and smiles, taking a bow and saluting them one last time before he walks off to the back. WINNER: Jonathan CollinsDick Morosi: It's the end of an era! There's Fiona Collins and his daughter, and on this night, Jonathan Collins indeed proved that all WILL be well! Seth Ericson: I...I don't even have words. Dick Morosi: Take your moment, Jon, you've earned it. Let's head backstage. We cut to the entranceway of the RIMAC, where we find sitting in front of the doors to be the one deemed the ImPerfect Evil, Eve, who sits on the steps in front of the building, staring off. She is dressed for her match, but doesn't seem to be making any move to make her way to the ring for the TLC match. From off-camera appears Marty Connor, her partner for the TLC match, who looks quite agitated. Marty Connor: Hey, where've you been? I've been looking all over for you. The hell are you doing? Eve: Waiting. Marty Connor: ...for what? The TLC is about to start! Eve: Doesn't matter. Marty Connor: Doesn't matter?! Look, I don't know what the hell is wrong with you, but just because Daisuke's gone doesn't mean we should stop! Eve: Daisuke is gone? Marty Connor: ....yeah. He just got taken away in the hearse. He's gone. Eve doesn't react to this news very much beyond a small shrug of her shoulders. Eve: Uninteresting. His winning or losing didn't matter. Marty Connor: Uh, yeah, I agree. We can still win this for HATE. In his name, y'know? Eve: Incredibly uninteresting. I have no need to kill time anymore. My time is finally up. Marty Connor: ...look, I don't know who the hell died and made you curl up, but we have a match to win! Those words seem to cause some reaction in her, as she turns to look at Marty with no small amount of anger in her eyes, before lashing out with one hand, jabbing it into his throat. His hands go to his neck as he loses his breath, but Eve just grabs him and tosses him through the open door of the RIMAC, shutting it behind him. She then picks up a broom and slots it through the doors before returning to where she had been sitting. After a moment, a pounding starts to come from the other side of the door, but Eve ignores it. She ignores all things as she simply stares out. At nothing. We cut backstage from this scene to find the dwarf companion of Prince Kamijo, BJ Mandeep the Third sat behind the sound desk, chatting away to his team of much larger sound engineers. He looks in the midst of conversation. Blowjob: …AND THAT IS WHY I THINK THAT THE SEKIGUN WILL WIN AT THE END OF THE DAY! THAT IS WHY I THINKS THEY WILL WIN, BUT THAT IS ALL UP TO THEM. THEY JUST NEED FAITH. ALL THEY NEED TO DO IS… The camera focuses in on his face, an effortlessly cheesy grin spreading across his features. Blowjob: BLOW-LIEVE!!!
Blowjob then explodes in a puff of smoke, his turban falls down to the floor. Meta Johnson appears from the smoke. Meta Johnson: Oh no! Fourth Wall, Motherf(BLEEP)ker! We return to ringside.
|
|
|
Post by EXODUS Office on Nov 17, 2014 14:50:30 GMT -6
We continue our journey backstage, and sitting quietly in a dressing room trailer is Jonathan Collins, wearing some training gear for the night. Suddenly, a knock on the door is heard and as he stands up, he's suddenly surprised as he sees some familiar faces. (R)Evolution Wrestling students Sydney Christensen, Black Jones, Caleb Storm, Carey Dean, along with his best friend Darrin Stearns visit him, leaving him to smile softly. Jonathan Collins: You guys are something else. He laughs as Darrin comes forward to hug his best friend. Darrin Stearns: Are you ready? Jonathan Collins: As ready as I'll be. Darrin Stearns: Good. This isn't my thing though, I'm gonna let Sydney say what she needs. Sydney approaches the front of the group, holding a box in her hands as she smiles at a man that has taken the time to mentor her. Sydney Christensen: This was Shinji's idea, but he needed to step away for a few. Listen, the bunch of us...we can't thank you enough for what you've done to pave the way for us. I know that it's hard for you to feel like you've succeeded at this when everyone is coming around to attack you. That's why a bunch of us pooled a few dollars together to give you this. Carey Dean: Look, I ain't gonna get gushy, but you did something for all of us. You gave us a future...this is our thanks. Jonathan takes the box from Sydney, slowly starting to open it, smiling as it's a track jacket, bearing a famous symbol and a new name that he's adopted over the past several months. Jonathan Collins: Guys, I don't even know what to say. Black Jones: Don't say anythin', boss! Just know that you gave us a future, we're gonna give you what we can. Jonathan smiles and nods, the kids stepping back as Jon and Darrin look at each other. Darrin Stearns: This is it, right? Jonathan Collins: Time to meet Trey, Sterling, Bisc, the rest of them. Darrin Stearns: You'll come back. You always do. Jonathan Collins: I'll do what I have to do. I always do. The two men nod and share a hug like brothers before we go back to Dick and Seth. Dick Morosi: People often wonder if it's true, and I can confirm it. Darrin Stearns and Jonathan Collins are like brothers, and it's never been more obvious until tonight. Seth Ericson: Dick, Darrin's staring down the possible end of his friend's life, and this has to be eating him alive. Here's hoping the suspense doesn't kill him before the match. Dick Morosi: In the meantime, we've got a huge I Quit Match coming up next! The winner will be the new number one contender to the EXODUS Pro World Title after tonight! Seth Ericson: This feud has been building practically since our first iPPV and it's taken twists and turns over the past two years, but tonight it ends! Dick Morosi: They've been partners, they've been rivals, and now they're just plain enemies! It's Johnny Cannon and Abby Park in an I Quit match...NEXT! Suddenly, the entrance tunnel is fixed with a bright purple spotlight, while the arena lights dim down to a purple tone as Cinderella Man by Eminem begins to play, starting off as a low ebb of drums before rising into a vast, vociferous crescendo of noise. The fans now lay claim to their hatred, bombarding the arena with unified chants of "Johnny Sucks!" while the entrance tunnel itself becomes surrounded by a shower of sparks. The Brit's silhouette emerges behind the sparks, only backed by another daintier image. David Zinkus: Making his way to the ring... On demand, bursting through the shower of sparks, emerges none other than Johnny Cannon. As per usual, the cocksure, megalomaniacal grin is obvious on the face of the Englishman as he pauses on the entrance ramp, head raised high and proudfully to the sky as he peers out at the incredibly one-sided EXODUS audience. Appearing just behind him is none other than his manager, Quinn Goodrich, who edges on the crowd. Wearing purple and black wrestling trunks, with matching boots and a knee brace (on his surgically repaired left knee), the Brit appears ready for action, not because of his attire, but due to the vindictive look in his eyes, which is revealed as he removes his Versace sunglasses. They are the eyes of a cold, calculating machine. Johnny places his expensive shades in his black track jacket with numerous insignias sewn on it in purple, and begins his haughty strut to the ring as David Zinkus reads off his introduction. "Who can catch lightning in a bottle? Set fire to water? Comin' out the nozzle on the fire hose, flier than swatters?"
"Cinderella man, Cinderella man, Cinderella man, Cinderella man."
David Zinkus: Accompanied by Quinn Goodrich, he weighs in tonight at two hundred and forty-five pounds and hails from London, England; He is the self proclaimed ‘Greatest Man That Ever Lived’, 'Cinderella Man' and the ‘British Mamba'; Ladies and gentlemen... this is #MrEXODUS.... Johnny! CANNON! Cannon struts to the ring, marching with an undeniable swagger, vanity, and pretentious charm, while Goodrich continuously edges on the audience, swinging his arms up and pointing out at the sea of fans. Johnny, ignores the onslaught of hatred from the fans on either side of them, no longer caring about their opinions or beliefs. He spurts forward toward the ring, and slides in under the bottom rope, before launching himself to his feet and suddenly spinning to the center of the ring in a very Shawn Michaels-esque fashion, before positioning himself carefully in the middle. He unzips his track jacket, lowering it down his hands and to the canvas below him like a male stripper, before throwing up the offensive, British, two finger salute, eliciting tremendous heat from the crowd. From there, Johnny slowly backs into the ropes, hooking his arms back on them before bouncing several times, beginning his mental preparations and prerequisites as Quinn looks on from ringside; his face drops to a more solemn expression, and his eyes flicker with hundreds of ideas playing in his mind for the match. Dick Morosi: Johnny Cannon has been bragging that he deserves this...and sometimes, I'm convinced he may be right. Seth Ericson: He gives it his all for this company, just like everyone else! Now it's up to him to prove that he's the only one that gives 110% against a person he's angered incredibly! The lights in the arena dim to just below total black as a soft, lilting tune from a traditional zither gently plays throughout the sound system. The figure of Abby Park stands in front of the entryway, her back facing the crowd. A light shines on the symbol emblazoned on the back of her attire. The zither fades as a roaring drum kicks in. MAW MAW MA MA MA MA MAW "Maw Maw Song" by The Joy Formidable blasts through the arena as the lights come up. Abby turns around and thrusts both fists into the air, her mouth open in a shout that is all but drowned out by the music. I'm big Like a warrior I've grown sure So draw, draw, let me right you Abby brings her fists down but looks at her right arm for a mere moment. After looking at the arm, she lightly slaps her cheeks three times and proceeds to walk down the ramp, her eyes focused intently on the ring. Though her eyes remain forward, she averts them as she slaps a few hands with the fans, grinning ear to ear. You want it all You want it all I know you do I know you do Using the steps to get to the apron, Abby steps into the ring and stands in the center. Abby lifts her left palm in front of her chest. Quickly she hits her palm with her right fist. Once. Twice. Three times. After the third time she raises her right fist skyward, again her mouth letting out a yell. David Zinkus: AND HIS OPPONENT! SHE IS FROM MUSIC CITY, NASHVILLE, TENNESSEE! SHE IS "THE SEOULLLLLLLL TRAAAAAAAAAIN" ABBY PAAAAAAAAAAAAAAAAAAARK! Here now, the wind it blows high Just cover your mouth for a colorful lie Your hand, put it right here I'm taking you somewhere Somewhere to live Before dropping her fist, she points towards a random section of the crowd and gives a thumbs up, listening for the reaction. She drops her fist and walks towards a corner and waits, eyes towards her opponent, as the music dies down until the zither plays briefly before coming to an end. Referee D'Artis Johnson calls for the bell as both men eye each other from opposite corners. Park is first to move from hers and circle the ring as Cannon reluctantly moves out of his own, warily watching Park’ every step. He continues to circle around the edge of the ring as Park steps into the middle of the ring and demand a lock up, but Cannon stays near the ropes. Dick Morosi: Park wants Cannon to meet her in the middle of the ring. Seth Ericson: That isn’t Cannon’s style and she should know it by now. Dick Morosi: Maybe it’s her last offer for Cannon to show he at least has some decency? Seth Ericson: Again; she should know him by now. Park watches Cannon continue around the ring and shakes her hands as she steps around to keep him in her view. Cannon smirks as he steps around the ring, much to the annoyance of his opponent who suddenly launches forward at him and grab two handfuls of his head. Cannon wraps his foot around the middle rope but the hold can’t be broken by the referee’s count. Park drags Cannon from the ropes but is raked across the eyes by her villainous foe, who quickly wraps Park up in a headlock and squeezes the hold in tight. Park pushes Cannon back into the ropes and tries to throw him off but he keeps the hold locked in and drops to a knee to stop running. He leads Park over to the ropes and maintains the headlock as he drags Park’ eyes along the middle rope. He lets go and Park stumbles back into a corner, clutching at her eyes and blinking to try and get her vision back to normal. Cannon lands a stiff knife edge chop across the chest, stunning Park and he follows with a second that echoes throughout the arena, making the sell-out crowd grimace. Dick Morosi: Brutal chops from Cannon! Seth Ericson: This is how you teach someone not to mess with Johnny Cannon! He lands a third, thumping chop across the chest and Park looks worse for wear with her chest lit up bright red. Cannon grabs a handful of his opponent’s hair and lands a stiff European uppercut that rocks Park. He steps back to enjoy his handiwork and prepares for another knife edge chop, but Park ducks under the arm and Cannon spins around and back into the corner. Park begins kicking away repeatedly as the crowd’s cheers grow louder. Dick Morosi: This is what we’ve all been waiting for! Park’s kicks turn into stomps as Cannon slips down to the canvas and finally lies in a heap. Park pushes him with his foot to the arena floor and he lands with a thud and she quickly follows him out of the ring. Cannon frantically crawls away as Park pursues him until he’s cornered by the ring steps. Cannon pleads with Park but she still closes in on his opponent… until Cannon kicks Park’s leg from underneath him and she falls face first onto the ring steps. Seth Ericson: You don’t give a man like Cannon an opening like that! Cannon grins and pulls himself to his feet, drags Park away from the steps and lands a sickening gutwrench suplex on the concrete floor. Dick Morosi: Listen to that impact! Park’ body contorts in pain and she grips her back and neck. Seth Ericson: And there’s Cannon’s chance. He’s going to be like a shark smelling blood! Cannon’s eyes light up and he starts to stomp away at Park’ neck. He pulls her to her feet and goes to roll her into the ring, but Park grips onto the apron and slips under Cannon’s arm and lands a desperation saito suplex onto the concrete. Dick Morosi: A huge counter from Abby Park! Seth Ericson: That was brutal… Both competitors lie motionless, staring at the rafters, as the crowd cheer wildly around them. The referee jumps to the outside to check on them and Cannon mutters to him to ask Park… Dick Morosi: Wait… what?! Seth Ericson: He’s giving him a chance to quit while he’s ahead, Dick. A true gentleman! D'Artis Johnson: Do you quit, Park? Abby Park: NO! She sits up while Cannon still struggles on the floor. She slowly gets back to her feet and drags Cannon up to his, then rolls him into the ring and slides in. She sets Cannon up in the middle of the ring for a suplex, but Cannon wraps his leg around Park to stop the move. He tries again and Cannon does the same and stomps on Park’ foot to stop her trying again. He then counters into a swinging neckbreaker and Park clutches her neck again. Cannon slinks over to the corner and slowly walks over and lands a perfectly executed, measured knee drop to the face. Park sits up clutching at her face and neck but Cannon pushes her back to the canvas and rests his knee across the face of his opponent and demands the referee to ask her again. D'Artis Johnson: Do you quit, Park? Abby Park: No… Dick Morosi: Park won’t quit that easily. She’s waited far too long for this! Cannon stands up and drops another knee across the side of Park’s head, then holds it in place. He demands the referee asks again. D'Artis Johnson: What do you say, Park? Abby Park: No! Cannon stands up and drops another knee, this time hitting the canvas as Park rolls out of the way. He holds onto his knee and slowly gets to his feet as Park props herself up against the middle rope. Cannon walks over and kicks Park’ gut, then pulls her to her feet and whips her across the ring. He bounces off the ropes herself and charges at Park to connect with a Running Boot. The cogs start to spin in Cannon’s mind as he looks around the ring and pulls Park to her feet with two handfuls of hair, but Park pushes the hands away and chops him hard across the chest. Cannon backs up and Park fires away with a second chop. She backs into the corner and Park climbs onto the middle rope, throwing her clenched fist in the air to the delight of the crowd. Dick Morosi: Let him have it, Park! Seth Ericson: That’s unprofessional, Dick! Dick Morosi: And Cannon has put this woman through so much! How can you not want him to exact some revenge?! Park begins throwing punches as the crowd counts along to every blow. 1! 2! 3! 4! 5! 6! 7! 8- Dick Morosi: LOW BLOW! Seth Ericson: RIGHT IN PUS- Dick Morosi:: SETH! You can't say that! Park slowly drops from the middle ropes and Cannon grins, weary and dazed. He drops to his knees and uses the opportunity to readjust his senses after being pummelled. He shakes his head and stands up, then saunters over to Park who still lies on the canvas in agony. He continues to grin at the suffering of his foe and throws a couple of stomps at her neck for good measure. He then looks over to the knee and stomps on it. Park clutches at it and he continues to stomp away, then grabs the foot, stomps the back of the knee a few more times and then steps over and locks her up in the figure four leglock. Dick Morosi: The hold is locked in! Seth Ericson: That hold is cinched in tight! And Park can’t use the ropes to break it! Park writhes in pain and slaps the mat as Cannon leverages the pressure of the hold onto Park’ bad knee. He looks behind him at the ropes and then grips onto them to lift himself higher and increase the pressure on his opponent. Dick Morosi: Blatant cheating! Seth Ericson: Anything goes in an I Quit match! Dick Morosi: So much for being a gentleman… Cannon tells the referee once again to ask Park if he quits… D'Artis Johnson: Do you quit, Park? Abby Park: NO! She continues to fight through the pain and tries to turn the hold over, but Cannon manages to stop it because of his grip on the ropes. Park tries again to turn it over and Cannon responds by increasing the pressure to stop her. He asks the referee to ask her again. D'Artis Johnson: Do you quit?! Abby Park: NO! This time Park pushes herself backwards and Cannon’s grip on the ropes starts to loosen. His arms are at full reach as Park inches them away from the ropes… and Cannon finally loses his grip! He drops to the canvas and frantically tries to reach for the ropes as Park slowly turns the hold over and succeeds! Cannon quickly breaks the hold though and crawls over to the ropes. He stands up and walks over to Park and picks up the foot and steps over for another figure four leglock attempt, but is kicked away and hands face first on the middle turnbuckle. Dick Morosi: A great opening for Park! Park crawls over to the opposite corner and pulls herself up. He notices Cannon slowly standing up and about to turn around in the corner and charges across, fighting through the pain of his knee, to deliver the GOURD-HEAD but Cannon sidesteps with the turnbuckle padding in hand. Seth Ericson: Looks like Cannon got the better of Park with the same trick again! Dick Morosi: Or not… Park managed to stop herself short of hitting the exposed turnbuckle and watches over her shoulder as Cannon stops taunting the fans, bragging of his intellect and turns around… into the GOURD-HEAD! Dick Morosi: That caught him out! Park rolls away and stands up as the crowd cheer her loudly. Her focus remains on Cannon, but he rolls out to the apron and sits up, looking to slow down Park’s momentum. She grins at his trick, but Park reaches over the top rope and lifts him up in the top rope hung sleeper hold and Cannon’s legs kick violently as he’s lifted far off the canvas in the hold. Park tells the referee to ask him if he quits. Dick Morosi: He’s got him now! D'Artis Johnson: Do you quit, Cannon? Cannon’s voice is muffled by Park’ arms, but he somehow manages to reach up and gouge Park’ eyes, eventually forcing her to break the hold. Cannon drops out to the outside, landing hard on the floor as Park holds onto her eyes. Seth Ericson: That move should be illegal! Dick Morosi: Anything goes in an I Quit match! Park rubs her eyelids and follows him out of the ring, her vision still not right. She takes a moment and sets her eyes on Cannon and walks over to her, but he takes hold of Park’ tights and throws her into the announcers’ table. Park lies sprawled across the table, still dazed. Dick Morosi: I think we might need to move! The commentators move to the side as Cannon gets back to his feet, winded but still going strong, and picks up some camera cables. He drags the cameraman along with him as he wraps it around Park’ neck and begins to wrench on the wires. Dick Morosi: Somebody stop him! This is going too far! Seth Ericson: All Park needs to do is say ‘I quit’ and it’s all over! Parks face turns blue and she looks to be fading fast as Cannon tells the referee to ask her. D'Artis Johnson: Do you quit? No answer from Park as he continues to fade… but she throws a last desperation kick that catches Cannon across the temple and he lets go of the wires. Park takes them from around her neck but isn’t able to capitalise as Cannon charges in and starts delivering clubbing blows to the chest that keep his opponent winded. He walks away as Park rolls off the table, coughing and spluttering as colour slowly returns to her face but still feeling the effects of the choking. Cannon picks up a steel chair and slides it into the ring, then pulls Park to her feet and rolls her into the ring and slowly follows her… Dick Morosi: What does Cannon have in mind here? Seth Ericson: You rarely see him with a weapon… so you know this will be serious! Cannon eyes up Park as he wearily sits up on her knees… and tries for THE BIRMINGHAM SCREWDRIVER but Park ducks under and stands up behind Cannon and connects with a German suplex. The crowd cheer as Park slowly rolls over and Cannon tries to quickly get back to her feet and spins around, throwing a wild clothesline that Park ducks under and runs to the ropes, returning to deliver a thunderous leg lariat that turns Cannon inside out. Dick Morosi: The momentum is shifting in this match! She pulls Cannon up and quickly puts him back down with a belly-to-back suplex and looks down at her prone opponent, her eyes lit up with determination and anger. She watches as Cannon rolls over to his side, then unloads with a kick that echoes throughout the arena. She follows with a second… a third… and then stomps on him as he lies motionless on the canvas. Seth Ericson: Park has lost it! Dick Morosi: We’ve never seen her like this before! She stops and looks around at the crowd who are cheering more and more for him. Her focus returns to Cannon and clutches his arms in a double chickenwing, then flips over to lock it in and wrenches the hold as Cannon barely makes a sound, still feeling the assault of kicks and stomps. Park keeps the pressure on the hold and Cannon finally starts to cry out in pain. D'Artis Johnson holds the microphone out for Cannon… Dick Morosi: Is this it?! Park suddenly stops the hold and sits up, clutching his neck. Seth Ericson: I thought she had it won! Dick Morosi: So did I… but that move requires a lot of neck strength and Park doesn’t have that right now. Park slaps the mat in frustration and rubs her neck, looking more annoyed than ever. She stands up and pulls Cannon to his feet, then steps back and launches forward with a discus punch, only for Cannon to duck under it and kick the back of Park’ knee, forcing her to kneel on the canvas... Seth Ericson: Look out! Grabbing the chair, Cannon swings but Abby ducks at the last minute and quickly springs to her feet and dropkicks Cannon right at the knees, sending him crumbling to the mat. Taking the chair in her own hands, she looks at Cannon for only a second…into a thunderous chair shot across the back that knocks him straight to the canvas. Park pulls the chair up and continues to land shot after shot, mercilessly beating Cannon with the chair across the back, ribs, legs, arms, anything that gets in the way of her swinging it. Dick Morosi: This… this is brutal… Seth Ericson: It’s sickening! Cannon’s reactions become more and more muffled and he slowly begins to just stop reacting to the chair shots. Dick Morosi: The referee needs to stop this! Cannon is in serious danger! Seth Ericson: Stop that man! He’s lost his sanity! Park continues to land chairshot after chairshot, until the referee finally steps in and tell him to stop so he can check on Cannon. He checks on him and Cannon manages to utter the words… Johnny Cannon: I… quit… The referee calls for the bell as Park continues to stare down at Cannon, still motionless and covered in bruises and welts from head to toe, sprawled on the canvas. David Zinkus: Here is your winner… ABBBBBBY PAAAAARK!!!! Park looks at the steel chair in her hand and drops it, then slowly backs out of the ring and drops to the ringside. WINNER (and Number One Contender): Abby ParkDick Morosi: SHE DID IT! CAN YOU BELIEVE SHE DID IT?! Seth Ericson: Abby Park has return to the main event! She slayed the dragon that's haunted her for the past two years! Abby Park has defeated Johnny Cannon, and she is the new number one contender! Dick Morosi: Abby, she's got a microphone! I think she wants to say something. It was hard for Abby to start talking for two very specific reasons. The first, most obviously, was the deafening noise of both the crowd in their raucous applause combined with the continued sounds of her now synonymous entrance music. The latter died down easily enough; the crowd was a different beast altogether. But the second reason Abby was finding it difficult to talk was simple. She didn’t quite know what to say, how to start. Given the match she had just been through, few could blame her. Still, Abby held the microphone tightly and stood in the center of the ring, looking out at the fans with a wide smile. Abby Park: You know…I’m still kind of in shock. Some people back there…they might feel like this when they win a title…that feeling where you’re not sure if you’re in a head trauma based dream or…reality. It’s…it’s euphoria. Tonight…tonight was the closing in a very long chapter that is the story of Abby Park. Tonight…I’ve conquered the man who has been the thorn in my side for some time now. Abby pauses, letting the reactions, negative or otherwise, from the mention of Johnny Cannon pass. Abby Park: If I’ve learned anything from this…it’s that there’s something to be said for confidence. Cannon’s been running his mouth for months now, that’s arrogance. And tonight I responded to his claims, I showed him that everything I said wasn’t just hot air. That…that’s confidence. Sorry, the last thing you students in attendance want is another lesson, am I right? Abby takes a step away from the center, slowly walking towards the ropes. Abby Park: That confidence is what got me here. The belief in myself that…honestly…I thought I had lacked. It hasn’t been an easy road getting to this place…but after tonight I’ve regained the confidence I once had. The confidence that once put me in competition for the World Championship. I suppose I have Johnny Cannon to thank for that, in a weird way. Abby pauses, searching for her next words, all the while the crowd continues its approval of her impromptu speech. Abby Park: That confidence is what’s going to keep me on this road. I say that it was rough getting here…but it’s not going to get easier. If anything, tonight was child’s play. The appetizer. But…I’m not going to stop. I didn’t say those two words tonight…I’m not EVER going to say them! Abby raises a fist in the air. Her triumphant moment. Abby Park: But…that’s for a different day. That’s not for tonight. That’s for tomorrow. Because tonight…tonight I’ve got a six pack of Hite promised. Tonight, I’m going to do something I never had the chance to do, not going to college and all. I’m talking, of course, of celebrating. Partying. That’s the college experience, right? I think I’ve earned a little bit of fun after tonight. You guys and girls…if you think what just happened was awesome…you’ve got no idea what else awaits you. But…come find me after the show, we’ll celebrate together, because I couldn’t have done it without the support of each and every one of you! Your support...helped make this possible in ways I can't even express! Abby looks as if she’s about to drop the mic to the applause, but as she begins to step out of the ring, she pauses, smiles, and stands upright again. Abby Park: You know…with Thanksgiving coming next week and Christmas not far after…is it too early to think about New Year’s Resolutions? Because I think I’ve found mine. Do you want to hear it? The Tennessean Tomboy takes the applause as an approval. Abby Park: Well, as you probably know, me winning this match makes me the number one contender to the World Title. I was thinking…how does an Abby Park singles title reign in 2015 sound? Because to me…that sounds like a pretty damn good goal. The Seoul Train is picking up speed, and there’s no derailing it this time! With final applause, Abby extends her hand and gives a thumbs up to the crowd. With them still applauding, Abby steps out of the ring and walks, backwards, towards the backstage area, making sure to give as many high fives to the fans as she can. Seth Ericson: Well, you’ve heard it here first, ladies and gentlemen. Abby’s certainly looking ahead to her future, and after what we witnessed tonight I’m inclined to think she just might be able to live up to her words. Dick Morosi: Who can say what the future holds for Abby Park. She is the number one contender, we’ll have to see how, when, and if she can take advantage of that. But as Abby Park leaves a winner, there’s still so much ahead tonight at Autumn Effect, let’s toss it backstage now and see what’s happening. The camera cuts backstage, where Tom Matheny wanders through the halls, enoying the atmosphere backstage at this big show. He suddenly freezes, staring down the hallway, towards the backstage doors. The camera swivels around to show a flank of armed security, decked in black riot gear, many armed with police batons, a few with tasers dangling at their belts. They wear the same gear: Black clothes, with heavy black vests over it, emblazoned with a familiar silver sun. Most of them wear black masks that conceal their faces, with a select few donning hard helmets with visors that hide the men beneath. Tom recognizes the force at once: Only a couple months ago, these very men assaulted fans and talent in (R)Evoluton. Instinctively, Tom takes a few steps back, but finds a gloved hand wrapped around his wrist, preventing him from leaving. A few members of the private force surround him, cornering him and brandishing their batons until a cold voice calls from behind the line. ?: Leave him. He's harmless. The force parts, allowing the speaker to walk through...Chuck Matthews. Chuck looks over Tom, smiling. Chuck Matthews: How is it that you're always the guy I run into back here? You're....not stalking me, are you? He chuckles at his own joke. Tom shakes his head. Tom Matheny: These men... Chuck Matthews: Enterprise Security. Couldn't risk anyone getting some cheap shots in before my big match, could I? Tom slowly pieces it together, looking from the guards, to Chuck, to the familiar silver sun...the Matthews Enterprises corporate logo. Tom Matheny: They were at (R)Evo. They- Chuck Matthews: They are loyal to the man that signs their paychecks. Come on, Tommy. You didn't think these guys just came out of nowhere, did you? Miss Singer needed help, and I had the resources she needed. Tom Matheny: You let this happen? Chuck Matthews: I made a business transaction. Just like I did with Gods & Monsters...just like I did with HATE. Tom Matheny: They attacked FANS, Chuck. This was more than you simply spreading chaos. This was violence on a new level. This was- Chuck Matthews: This was proving a point. Everybody talks about loyalty. Everybody talks about respect...like those words have any meaning. Like they're not dime a dozen words tossed around to instill some sense of...pride, or whatever. Everybody wants to be the hero, Tom. Everybody wants to save the world. Everybody wants to be respected, revered, hailed as the champion of the people. You think Jon Collins and Christum Furor are so different? You think Zack Lifer and I are so different? Everybody has a hook, Tom. Everybody is motivated by something different...but our loyalties are always the same. Tom Matheny: What? Money? Chuck Matthews: Themselves. People like Lifer? They demand respect, they demand recognition....he wants to beat me so badly here tonight, but do you really think he's doing it for the company? No...he does it for himself. These boys and girls following Furor? Following Collins? You think they're doing it because they believe in the cause? They do it because each and every one of them believes they're on the winning side, and each and every one of them wants to make sure their own ass is saved whenever this pissing contest is over. Money? Power? You know why people want it? Because it makes their own lives better. My life...my career...it's not about money. It's not about power. That's not what I stand for. What makes me the villain is that I've learned, and I've accepted what everybody else in this business continues to deny: We go through life only to make our own situation better. We fight these wars, not for king and country, not for family and friends, not for God....but for ourselves. At our core, we are all heartless, selfish beings, Tom. We are creatures that should not exist. Chuck pauses. Chuck Matthews: So tonight? Tonight, one more hero wanders off into extinction. Tonight...win or lose...I promise you: This night will mark the end of your "chosen hero" Zack Lifer. There are no good guys in the world, Tom. And your precious "White Knight?" He's just as malleable...just as corruptible...just as rotten as anyone else.... Chuck's face falls, and he stares into Tom's eyes, no emotion on his face. Chuck Matthews: "....even me." Slowly, the Security falls in line, surrounding Chuck and escorting him down the hall, leaving Tom alone, staring at the floor.
|
|
|
Post by EXODUS Office on Nov 17, 2014 14:04:37 GMT -6
The cameras open from ringside to the backstage area on Heather Halliwell wandering around, a pink baseball bat over her shoulder. She's dressed for a fight, that much is clear. She turns a corner and her eyes fall on the sight of her beloved ex, Chris Strike, warming up for his World Title match against Christum Furor. Her eyes widen slightly, but she finds herself unable to walk away from him. Heather Halliwell: Hey, you. Strike stops with wrapping up his right hand in the golden yellow colored tape, glancing over at Heather Halliwell, eyes widening while realizing the attire at hand and the baseball bat over her shoulder. Chris Strike: ...if things weren’t entirely serious, I’d say you’re about one hockey mask away from looking like Casey Jones while wearing all of that. Strike stands up to his feet, biting away at the tape and breaking it loose before finishing placing it around his forearm while stepping over to meet with his ex. Chris Strike: But we’ve discussed this...and I know, I know you’re not looking for a fight but Heather...if that vile woman is in the building or anywhere around the campus, security’s on the lookout...there’s no reason why you should be doing this… Heather lowers her eyes, unable to meet Chris's for a moment. She speaks softly, forcing Chris to come closer in order to hear her. Heather Halliwell: We both know security can only do so much against that kind of crazy. And with what I've seen recently... Well, it just seemed prudent to come prepared. She sets the bat down and holds out her shaking hands. Heather Halliwell: See this? This isn't from fear or nerves of Magdalena. This is from something that scares me much more than she does. Something I can't face head on and defeat with a simple beatdown or three count. Yes, security is around, but how long can they hold her off? How long can I avoid this until she finally gets to me? The Pretty Lil Texan looks back up at Chris again, her eyes soft and sad. Heather Halliwell: If you only knew how much I wanted to bury her when she started with you... Heather cuts herself off by biting her lip and simply gazing up into his face. Strike exhaled, glancing over at the shaking right hand. Chris Strike: That’s why I’m concerned...not just because of your emotions, not just because of whatever security can or can’t do but, dammit, the last thing I want is to see her try and do anything to you. Especially with your condition. And yet… Strike clenches his fists, but as he opens his eyes in full again after blinking, he realizes the dilemma. Chris Strike: I’m not in control of what that vile woman can do...nor on what you decide to do, should you two cross paths. However… He holds up his right index finger, turning away and moving back inside of the locker room next to where he was taping up his hands. A few moments later, Chris Strike returns into the shot with a golf bag open at the top...that just so happened to have a pair of kendo sticks, a light tube, a mini-shovel and other trinkets. Chris Strike: ...I was saving this as a contingency for the main event in case Gods & Monsters decide to butt in...but it looks like you’re going to need these a hell of a lot more than I do. So… He places the bag forward by its strap, holding it just in front of Heather, motioning for her to take it. Heather takes it from him, her eyes shining at the gesture. She looks in the bag for a moment before pulling out one of the kendo sticks. A smirk crosses her face and reaching to the back of her head, produces a sharpie from her braid. She scribbles on it for a moment before kissing it, leaving her lip prints. The camera catches what she'd written, which was simply she and Chris's names. Heather Halliwell: Here's to the past, and more importantly, a better, brighter future. Thank you, meu querido. He nodded, smiling back at her. Chris Strike: Be careful out there. And if that woman shows up… His eyes narrowed, although the smile never left him. Chris Strike: ...You give her something to remember you by for the rest of her life. The pair grin at each other as Heather nods. The camera switches back to ringside. Dick Morosi: Coming up next is the second of our big title bouts tonight! For the past several months, Savannah Taylor has provided stability to the San Diego Bay Title and has elevated that belt to new levels with each performance. Tonight, she makes what may be her most difficult defense yet! Seth Ericson: There's so much at stake, Dick. It's Sekigun vs. Gods & Monsters! It's lovers colliding! It's the Las Vegas Siren meeting the Harvard Hammer! Dick Morosi: Chandler Scott faces Savannah Taylor for her San Diego Bay Title...NEXT! David Zinkus: The following contest is scheduled for one fall and is for the San Diego Bay Championship! The sound of an organ plays throughout the arena. The lighting in the arena slowly switches to an orange hue, causing the fans to quickly shift their attention to the entrance way. As "Perfect Strangers" by Deep Purple kicks in, the crowd leaps to their feet to cheer the man that's about to walk out. At around the 30 second mark, Chandler Scott bursts through the curtain as the crowd really shows their support with cheers, applause and various shrieks of excitement David Zinkus: Introducing first, the challenger. From Hayannis Port, Massachusetts weighing in tonight at two hundred and forty pounds… he is the Harvard Hammer… CHANDLER! SCOTT! As Chandler makes his way to the ring, he looks at both sides of the aisle and points both of his thumbs back at himself. He then throws up both index fingers in the air as he swaggers his way to the ring. After climbing up onto the apron, Chandler steps through the ropes, springboards up onto the second ropes and poses once more, basking in his glory. Dick Morosi: Chandler is all game tonight, Seth. He’s been one of the most dominating forces in EXODUS since he’s returned and now he has a chance to finally win gold. Seth Ericson: But it’ll have to come at the expense of his muse, and a damn near unstoppable force. The fans in the RIMAC are in their seats, anxiously awaiting the start of the match. Before they have a chance to say anything, the lights suddenly fade to black. The noise of the crowd is replaced by a loud whistle emanating from the sound system. The whistle repeats, only this time it is accompanied by a few riffs from a synthesizer. As the synth pulses on for a few seconds, red strobe lights around the stage begin to pulse in perfect synch with the music. The heavy guitar and drum tandem that follows truly signals the beginning of “Engel” by Rammstein. The black of the arena has been replaced by a vivid crimson as the song plays on. The fans immediately leap to their feet and show their displeasure at the arrival of the woman dubbed the she-wolf, Savannah Taylor. David Zinkus: And his opponent, from Las Vegas, Nevada, weighing in tonight at one hundred and fifteen pounds… she is the REIGNING… DEFENDING… SAN DIEGO BAY CHAMPION… She is SAVANNAH! TAYLOR! The blonde steps out onto the stage, decked out in a sharp black military-style jacket that falls to around the mid-thigh level her blonde hair falling over her shoulders. In her right hand she carries a solid black leather riding crop. She glances to either side of her before walking purposefully down the aisle, tapping the end of the riding crop in her left hand. She climbs the steps and stands on the apron, the crowd before raising the riding crop towards the kids in Section B and dragging it across her throat. Stepping into the ring, she stands in the center and raises her hands above her head, seeming to soak in the boos. She then removes her coat and hands that to a stagehand before setting her riding crop down in the corner. She then rests her back against the turnbuckle and waits for the lights to return to normal and the music to fade out. Dick Morosi:Seth Ericson: *DING DING DING!*The sound of the bell is sudden, chiming thrice to the match the tempo of the bout as both Chandler and Savannah advance to one another, meeting in the center of the ring and extending their hands out. Each competitor’s fingers conjoin in between the gaps of their opponent’s, causing their hands to clap in an odd-finger cuff like hold. The Harvard Hammer and the Las Vegas Siren both attempt to gain leverage as they lean on each other, using their entire weight and tenacity, with both wrestlers trying to get the better of their counterpart and “crush” in the early going. The pivotal test of strength, or mercy lock as commonly known on the playground reaches it’s conclusion when Savannah stomps on Scott’s foot, using that underhanded to take advantage; the window of opportunity allows Taylor to compress her foe’s wrists, causing Chandler to recline and bend backward. As Scott feels himself slipping in the battle, he digs deep to muster enough strength to spring himself back to a vertical base; as he pops his hips, the challenger continues his momentum to move forward. In what initially resembles an attempt at a headbutt, Chandler stops mid-stride, just in time to lay a pec right on Taylor’s forehead. The vivacious vixen immediately releases her prey, staggering back in slight shock and confusion. Seth Ericson: Oh what a smooth ass criminal he is. Chandler’s playing mind games, Dick. He’s got Savannah all out of sorts right now. Dick Morosi: It’s not every day you get to fight the one you love. Seth Ericson: Unless you’re in court. Dick Morosi: Or the Maury show. As Savannah takes a moment to regather her bearings, a smiling Chandler gradually makes his way toward her. When Scott’s stride carries him within range of the champion, Savannah suddenly springs off the ropes and rushes forward with a Yakuza Kick, maliciously riving her boot into the nose of the unsuspecting Harvard Hammer, sending him reeling back into the heart of the ring. Proving to be the aggressor thus far, Savannah marches forward and lifts her leg once again before pushing it forward with intent on completely driving her foot straight through Chandler’s body. Scott’s cringes as the aforementioned footwear finds a home in his breadbasket, causing him to double over, allowing Taylor to follow up with a textbook headlock as he locks his head between the crook of her elbow and the side of her body. Dick Morosi: Taylor’s looking to control the pace here, Seth. She seems to have shaken off the effects of Chandler’s how should I say it… appeal. Seth Ericson: Good for her. She’s a strong, independent woman, Dick. Besides, if Chandler liked it he should’ve put a ring on it. Dick Morosi: Did you just quote Beyonce? Seth Ericson: Yeah. I’m in a really weird place right now. Chandler maintains his composure, and slowly backs up into the ropes before attempting to use his momentum to throw Savannah forward. His attempt is thwarted as Taylor slides down to the canvas, whilst she continues to apply the Headlock. Somewhat flustered now, Scott fights his way back to a vertical base, dragging his adversary along for the ride as he makes his way toward the ring cables for a second time. Persistent, Scott tries to use the ropes to his advantage once again, yet the second try proves just as fruitless as the San Diego Bay Champion once again dives to the canvas to pull him down to a knee. With his face beginning to turn purple Chandler takes evasive measures. With his nearest hand the Harvard Hammer slithers around Savannah’s body until he finds his way toward her posterior - which he grabs a massive handful of. Taylor immediately jumps up in shock, the crowd coming to live with fanfare as Scott maintains his grip of her gluteus maximus. Once on his feet the challenger brings his free arm around Savannah’s sleek waist, before bending his knees and popping his hips. The champion suddenly finds herself leaving the ground and ascending to the heavens, as the Harvard Hammer explodes to hoist her into the air before falling backward to drive his foe head and neck first into the canvas. Seth Ericson: Chandler got a little handsy there, Dick. Can’t blame him. There’s a lot to grab if you know what I mean. Hehe. Dick Morosi: More importantly he’s turned things around. That Belly to Back Suplex was a fine counter from one of the best technical wrestlers in the game today. With Taylor still motionless from the impact, Chandler quickly goes for the cover as he hooks her near leg. ”ONE!”
“TWO - KICKOUT!”Taylor manages to get a shoulder up in time before Chris Dawon’s hand can hit the mat for a third time. Both competitors roll away in the opposite direction and scramble to their feet at about the same time. Savannah wastes no time and rushes in immediately, Chandler ducks quickly and sweeps her with his leg leg; the champion falls down to the canvas but hastily gets back up to avoid being caught by surprise. Scott drops down for a quick elbow drpo but only meets the mat, Taylor moving out of a way in the nick of time to escape. The Harvard Hammer and the Las Vegas Siren both stand on their feet now, with Taylor lunging forward in hopes of initiating a grapple - however Chandler has something else in mind, sidestepping and approaching his bieu from behind. Taylor is caught by surprise as Chandler strikes her behind the knee, the force taking the Sin City native off balance to reduce her to a knee. Chandler thinks quickly while Taylor remains vulnerable, and rushes forward to slam his his knee right in her temple, Taylor dropping to the mat instantly in response to the vicious Knee Trembler. Chandler takes a run towards the ropes, rebounding off of them before returning to a supine Taylor. There’s a slight look of concern on his face as he grimaces, as it’s clear didn’t attempt to hit her that hard. Having effectively cleaned the champion’s clock, Scott drops down and hooks the leg for the pin. ”ONE!”
“TWO - KICKOUT!”Savannah lifts her shoulder up, forcing scott to climb back to his feet. Chandler begins looking around at his surroundings, but only moves over to the corner of the ring, resting whilst he ponders his next move. Dick Morosi: Scott with a solid shot there. Savannah came out strong early, but it’s been all Chandler since then. Seth Ericson: That’s because he’s been getting frisky. Smart strategy. He took hold of the assets and hasn’t looked back. Taylor slowly gets back to a stand - Chandler already moving in for his next attack, as he lifts up and goes for a High Knee Lift, but only to have his leg caught by the champion. Taylor smirks as she keeps the aforementioned appendage held tightly in her hand. Savannah trips Scott to the ground and automatically tries to turn him over in an attempt at the Ace of Spades. However, Scott manages to get his other leg up before she can get a hold it, and quickly kicks the Nevadan in the jaw sending her stumbling back. Savannah rubs her jaw vigorously and eyes the grounded Scott, with malicious intent brimming in her beautiful eyes, which are now narrowed in cold fury as her foe remains locked with her eyes. Chander climbs up to a seated position, the same look in Taylor’s eyes now manifesting in his eyes, as if to imitate her. Savannah pushes back against the ropes and uses the very velocity of the ropes to charge forward, turning around to use her hip as a weapon as she blasts the Harvard Hammer in the face; Chandler falls back and hits the mat with a hard thud as his head bounces off the canvas as the champion stops at the opposite side to look back at the damage. Seth Ericson: Either Savannah does a hell of a lot of squats, or she’s seen the same surgeon that Kim Kardashian has. Nevertheless, she was just too bootylicious for Chandler right there, Dick. Dick Morosi: I imagine that wasn’t the facefull Chandler was hoping for, Seth. Taylor smiles boastfully as she looks down upon her fallen foe, towering over him. She quickly drops down for the pin, Chandler immediately kicks out before the Dawson can even make the count. Savannah isn’t too disappointed by the result, having half expected him to show his resolve. The champion stares out at the crowd for a brief moment before she kneels down beside Chandler to grab him around the head before pulling him back to a vertical base. Savannah lifts her knee high enough to reach the ribs of her opponent who was forced low enough to greet them. With the knee-chest meeting over and Chandler gasping for air, Taylor throws him head first into the turnbuckle. Scott ricochets off and turns around toward Savannah - or where he thought she was. The San Diego Bay Champion comes flying off the ropes to take him down with a Bulldog. Taylor once again tests her challenger’s resolve with a pin-fall. ”ONE!”
“TWO - KICKOUT!”Chandler gets the shoulder up as soon as Dawson’s hand hits the mat for a second time. Taylor remained on her knees for a moment, this time a little annoyed but not too fussed. She was still in control of the match and if it carried on as is, she would be thoroughly enjoying herself. Seth Ericson: Savannah keeps finding her way on top but Chandler just won’t stay down. What kind of man is he? Dick Morosi: The kind who isn’t going to roll over. That’s why he’s become a fan-favorite in his exclusive stint here in EXODUS. The determination and willpower is amazing. He’s the real deal. The aftermath of the pinfall attempt was similar to the one before, almost deja-vu with Savannah grasping Chandler by the head once again. The difference this time however was that Chandler knew what was coming. Having memorized the sequence from before, Scott parries the incoming knee blocking it with his arms. The force on his head brought him lower but he uses it to his advantage, as he tucks himself into Taylor’s body and takes her onto his shoulders and rolled the champion onto her back and onto the mat with a Fireman’s Carry. Savannah, confused at how she ended up in such a predicament was in no position to counter the elbow that came her way. Landing on the sternum on her chest, Savannah lets out a deep groan as she twitches on the ground in agony. With a look of concern on his facial features, Chandler gives Taylor a gentle “puppy rub” before climbing on top of her for the lateral press. ”ONE!”
“TWO - KICKOUT!”Taylor gets a shoulder up to break the count. The Harvard Hammer found this to be the perfect opportunity to set-up another set of moves. Quick on his feet, Scott goes straight for the turnbuckle, climbing onto the top effortlessly, as if they were stairs to his bedroom. Taylor rolls onto her chest and pushes herself up to all fours. She looks up out of her peripheral vision, and immediately knows she’s in trouble. Her reaction was quick as it was deadly as she springs to her feet just as Chandler leaps down from the top turnbuckle, spinning to catch him in mid-air with the Desert Rose. Dick Morosi: Good lord what a counter! She caught Chandler on the way down, and may have knocked his lights out. Seth Ericson: Which would have happened to Ray Rice had Janay Palmer beat him to the punch. Savannah beams a smile that grins from ear-to-ear, dropping to her knees for what she believes to be the end as she goes for the cover. The audience stood to their feet. Chris Dawson slides into position and the Las Vegas Siren nods in cadence with the count as the zebra-striped official acknowledges the pinfall, "...ONE..."
"...TWO..."
"...THR..."Chandler rolls a shoulder up to loud cheers from the crowd. The frustrated, flustered Nevadan grapples Scott by the head before repeatedly slamming the back of his cranium into the mat. Somewhat seething, Taylor shows no affection for her challenger; she’s full tilt with rage and anger as she continues to drive his skull into the canvas with complete disregard for his well being. With utter reluctance, Taylor finally relinquishes his hold, climbing to his feet, chest rising and falling rapidly, clearly panting as sweat cascades from her brow and steam fires out of her nostrils. The San Diego Bay Champion gradually regains her composure, slowin down her breathing as she tries to think rationally. But that doesn’t mean she’ll be taking in the considerations of Chris Dawson, as she blocks out the official, whilst shoving him aside before leaning over to grab Scott by the head - only to be dragged into a Small Package. ”ONE!”
“TWO - KICKOUT!”Savannah rolls free before three and both competitors scramble to their feet. Savannah is the first to a stand and immediately charges at Chandler. She goes for a Yakuza Kick, but the challenger circumvents the attack before slipping behind the unbalanced Taylor to pull her down into a School Boy Pin. With the champion’s shoulders pinned down to the canvas, referee Chris Dawson slides into position to make the count. ”ONE!”
“TWO - KICKOUT!”Taylor once again kicks out before the three count can be administered, the momentum of which sends Chandler stumbling back into the ropes. Savannah’s momentum drives her back onto her knee, where she immediately registers an incoming Scott. She fires first with a Clothesline, but the Harvard Hammer ducks down and heads for the opposite set of cables. He rebounds off the ropes and dives forward to connect with a Spinning Sitout Sleeper Slam. With his opponent’s shoulders flattened to the canvas, Scott crawls on top of her sprawled boy and hooks her leg for the pinfall. ”ONE!”
“TWO!
THR - NO KICKOUT!”Seth Ericson: She got a shoulder up! Chandler can’t believe it! Dick Morosi: That was a closeeee nearfall right there. What a match we’re witnessing, Seth. There’s no love lost between these two. Both competitors remain motionless on the canvas. Scott clenches his teeth as he fights the pain and fatigue, and struggles to get to his feet whereas Savannah simply remains down after the impact of her head meeting the canvas. Dawson checks up on both superstars before walking up and beginning his ten count. “ONE!”
“TWO!”
“THREE!”
“FOUR!”
“FIVE!”
“SIX!” Scott and Taylor both begin to stir. They dig the palm of their hands into the mat and pushes themselves up to their knees before glaring at one another. Some less than flattering words afterward from both parties, which Taylor takes offense too and responds with a solid slap to the face. Chandler returns fire, giving the Nevadan and vicious open hand to the cheek. Gasping in shock and disbelief, the San Diego Bay Champion gingerly holds the affected area, then responds with a slap of her own. Then Chandler again. Savannah. Chandler. Savannah. Chandler. Both competitors get to their feet now as the audience explodes. Hands fly every which way as sweat and pride fly everywhere, the arena sounding like an elementary school auditorium during an assembly. Getting the better hand of the exchange, the Harvard Hammer connects with a MASSIVE slap to the face that turns Taylor around - only for her to come back with a SICKENING Roundhouse Kick that drops Chandler to a knee. Seth Ericson: Chandler just got LEVELED! The fat lady is warming up her vocal. This one looks over, Dick. Chandler’s cranium hangs askew while his eyes roll to the back of his head - looking visibly out of it and ready to be put out of his misery. Savannah, happy to oblige him, Taylor grabs him around the head and slowly drags him back to a vertical base. With a sinister grin plastered on her face, the Las Vegas Siren lays one on Scott, before kicking him in the solar plexus and taking a hold of her arm. She immediately goes for the Siren’s Song, but just as she goes to step over Chandler’s arm the Harvard Hammer pulls it free, slipping behind Taylor before shoving two fingers where the sun don’t shine. Taylor shrieks, and rushes toward the ropes in embarrassment. Red in the face with rage, Savannah turns around and charges right at Chandler with a Clothesline. The Massachusetts native ducks, then makes a dash for the ropes, leans into the cables then comes back with a Discus Polish Hammer right to the turning champ’s head. Dick Morosi: HARVARD HAMMER! Almost instinctively, Scott drops down and hooks both legs for the count. “ONE!” TWO!” “THREE!” "Perfect Strangers" by Deep Purple hits the P.A. system as the crowd roars in approval. Chandler slowly climbs to his feet, an arm raised in triumph while the other grabs the San Diego Bay Championship from referee Chris Dawson. WINNER (and NEW San Diego Bay Champion): Chandler ScottDick Morosi: HE HAS DONE IT! CHANDLER SCOTT TAKES THE SAN DIEGO BAY TITLE! THE SEKIGUN SCORES A HUGE VICTORY! Seth Ericson: Can you believe it?! HE CAME, HE SAW, HE CONQUERED! On this night, Chandler Reigns Supreme! Dick Morosi: While those two recover, let's head to the back! In a quiet corner backstage we find Dragons Unleashed, sitting opposite each other across a table and both clad in dressing gowns. Laurel Anne Hardy is, with the care and patience of a clockmaker, painting Evangelista's face; Hardy's own face is coated in a base of green and yellow. Evangelista: Not long now. Laurel Anne Hardy: Be careful how you talk. You'll smudge it. Evangelista: Sorry. Just excited. Laurel Anne Hardy: See? You knew you would be. Evangelista: I know, I know, just... so much can happen in the space of a month... Laurel Anne Hardy: You mean you expected I was gonna hunt down HATE - or at least hunt down Ollie for attacking you - an' get suspended, an' get you removed from this match. Evangelista: ...I ...wouldn't exactly say expected, but... Laurel pauses, nominally to switch to a different brush. Laurel Anne Hardy: Everybody thinks I can't control myself but I ain't gonna blow this for you, Leanne. Tonight you and I regain the Tag Team Championship, and I prove to the world that I can destroy Marty and Eve and still stay above board against opponents with honour. Not that it matters after tonight anyway, because tonight, Jonathan ends Daisuke for good - and we end two more of HATE. And then, next chance I get... Oliver Creed gets his. Evangelista sighs and starts to say something back to Laurel, but Laurel grabs Leanne's chin and tilts her head sideways to brush a streak of blue glitter down the side of her face. Whether she did it with the intention of cutting Evangelista off or not is unclear, but either way that's the effect. Instead Evangelista just says after a moment: Evangelista: Es jus fohus n uh tah tyuh fu tunih. Laurel Anne Hardy: Of course. You an' me, babe. By the end of the night we're gonna be back on top of the tag world and everybody's gonna know that what you an' me got... She moves Leanne's head this way and that, inspecting her work, then sets it dead centre so their eyes can lock together. Laurel Anne Hardy: ...is unbreakable. Fade.
|
|
|
Post by EXODUS Office on Nov 17, 2014 13:59:45 GMT -6
Up on the rooftop, a lone figure is sitting cross legged smoking a cigarette and looking out across the San Diego dusk. A light wind whips her long black hair. She begins to speak, without taking her eyes from the view of the city. Laurel Anne Hardy: The air pressure's almost unbearable. Can't move without static crawling up your skin. That cloud of fatalism has darkened past black now; it's about ready to collapse into a hypersingular vortex sucking in light and souls. She blows out a long, thin stream of smoke, which as soon as it gets more than a foot or so from her lips is diced to nothing by the breeze. Laurel Anne Hardy: This is what they mean by the autumn effect. Laurel turns round to look at us. Laurel Anne Hardy: Let's suppose the worst happens tonight. Let's suppose that Justin Brooks pulverises Angela Jameson, Daisuke Iwakuma turns Jonathan Collins into another Andreas Lasiewicz, HATE somehow manage to retrieve the tag belts, Chuck Matthews beats Zack Lifer to take ownership, Sally Talfourd traumatises Fiona Collins, and Christum Furor buries Chris Strike alive... let's suppose it's not just a clean sweep for the hordes of darkness but a rout. Question then is... She smiles, predatorily. Laurel Anne Hardy: ...what next? How you gonna keep EXODUS down beyond that? A pause as she stands and stretches. Laurel Anne Hardy: You could remodel the place, give it that Matthews Enterprises makeover, but how you gonna make the rest of us respect your property rights? You could liquidate the legal entity, but how you gonna stop the rest of us making our own EXODUS, with blackjack and hookers? You could tear up contracts but how you gonna stop myself an' Evangelista... and Christian, Steve, Wulf, Abby, Adrien, Jaime, Salaryman, hell even Chandler... how could you stop us all showing up at the RIMAC in two Mondays' time anyway and doing what we always do, even if it has to be in the car park? With a sneering laugh, Laurel suggests: Laurel Anne Hardy: Legal action? Don't make me laugh. You know Wulf and I alone could take down every single police officer in San Diego. Laurel shrugs. Both her tone of voice and her body language are getting aggressive. Laurel Anne Hardy: Fire everyone. Dissolve the assets. Tear down the RIMAC. You still can't kill EXODUS. Daisuke, Christum... your shared obsession with Jonathan Collins has you as blinded as Andreas Lasiewicz. You started a war you can't win - and I don't mean that in a trite way. I mean you're chasing the wrong victory condition. You can win all the battles you want but you ain't earning any points towards your goal. You're just grinding in place. You're trying to make 21 when the rest of us are playing poker. A faint orange glow illuminates her features as with one final, hard toke she finishes her cigarette. Laurel Anne Hardy: You were told straight up at EXPRO 25 by the man you're so consumed with: You can't kill an idea, and that's what EXODUS is. EXODUS isn't a letterhead or a bank account name, and it most certainly is not contained within one man - not even Jon. EXODUS is a kami, and it lives inside every employee and every fan who cares about the art of wrestling. Take the trappings and raze them, twist them, do what you will. Fire us. Break our bones. It doesn't matter - you know you'll still never get what you really want. She flicks the butt over the edge of the building, then turns and heads back inside. Laurel Anne Hardy: Now... if you'll excuse me... I've a show to steal. With that, we go back to Dick & Seth. Dick Morosi: I don't often say things like this for journalistic reasons, but...I agree with Laurel Anne Hardy. In two weeks, no matter what happens, I will still be EXODUS Pro. And in two weeks, I will be with EXODUS Pro in whatever form it may be. Not a bastardized Chuck Matthews version, but wherever the heart of it goes. I will support this company. Seth Ericson: As touched as I am, and as much as I agree with you....GAAAAAAAAY. Dick Morosi: ....wow. Seth Ericson: You're right though. Tonight, we stand together. And tonight, we stand together when the Sekigun takes on that darkness, and this is one of those matches Laurel Anne Hardy talked about! It's Justin Brooks meeting Angela Jameson...next! The fans in the arena are eagerly anticipating the next thing to happen when all of a sudden, the lights are cut off sharply, causing the fans to murmur among them as to what is happening. As they continue to wonder, a solitary guitar riff echoes throughout the arena, furthering the confusion of those in attendance. As the riff keeps playing, the clash of a bass guitar and the beat of drums chime in, and red spotlights begin to pulsate in perfect sync with the beat of the music. While this is going on, the eerie voice of Tom Araya breaks through, reaching the audience. "An unforeseen future nestled somewhere in time. Unsuspecting victims, no warnings, no signs. Judgment day the second coming arrives. Before you see the light you must DIE!!!" As soon as the final word is uttered, the loud crash of the drums and guitar signal a brilliant white light to take over the arena, truly kicking off “South of Heaven” by Slayer. Once the light fades out, it has been replaced by blood red lights. Spotlights frame the aisle and begin to pulse with the music. A few seconds pass and out from behind the curtains emerges ‘The Fallen Angel’ Angela Jameson. She steps out onto the stage, clad in her purple and black entrance robe, the hood coming down to just below her eyebrows. Her crystal blue eyes show little emotion as she stands there, surveying the scene for a moment before moving slowly down the aisle, the fans showering her with a loud chorus of boos. Her arms remain at her sides as her laser-like gaze remains focused on the ring as she climbs the steps slowly. She stands on the apron, with her back resting slightly on the ropes and glances to her right and left before reaching up with her right hand and yanking back the hood. As soon as she yanks the hood back, the lights slowly return to normal. Angela then steps through the bottom and middle ropes. Standing up tall in the ring, she quickly undoes her robe and hands it to the stagehand before slowly pacing around the ring as her music starts to fade out. "TO BEAT ME, YOU'RE GONNA HAVE TO SUFFER." [Rick Ross - Chorus] Pork on the fork, widen the pot By any means if you like it or not Malcom X, by any means Many ONE4 stuffed in my denim jeans As-Salamu Alaykum Wa alaikum as salaam Whatever your religion, kiss the ring on the Don Real nigga, street certified, hit the streets whip cost 335 David Zinkus: Now coming to the ring...hailing from Fort Worth, Texas...standing at 6'4" and 267 pounds, he is Justin Brooks! [Wale] Malcom X get your hand out my pocket Some niggas walking with death guess they ran out of options Tell them niggas we moving, tell them niggas to do it I swear we going ham, throw some, my niggas sew me They burn on every block, Snitches ain't got no heart Shit ain't been the same since Ronald Reagan helped Plymouth rock And we don't land on it Mr. Reagan, But this gonna make us rich Mr. Reagan Now As-Salamu Alaykum Wa alaikum as salaam She near that every Friday and then go to Jummah Let her play with the box, she give the greatest of top She said these niggas out here prayin' she makes a lot, word How they say that we not fly, how they say that we not working They just need convincing like Malcolm Little 'fore he converted I'm on my dean Insha Allah I'ma get her right On the Bible you can run (Qu'Ran) but you can't hide A large chorus of boos erupt from the E-Pro faithful as Justin Brooks appears from the curtain and stands there with a smirk on his lips as he places his hands on his waist. “By Any Means” by Wale continues to blast through the PA system as he keeps his eyes on the middle of the squared circle as he slowly makes his way towards the ring, sliding underneath the bottom rope and quickly standing to his feet and looks amongst the crowd as run his tongue over the front of his teeth. Justin just leaps to the second turnbuckle and throws his hands in the air before leaping down from the turnbuckle. Dick Morosi:: Ladies and Gentlemen…this place is electric as these two stand in the middle of the ring. Seth Ericson:: They’ve had a lot to say on and off Twitter and with Cleon Gray defintely watching in the back, it’s about to time see these two lock horns for the first time. The bell sounds. With the opening bell there is a large pop from the crowd as both Justin and Angela circle around each other better meeting in the middle of the ring in a collarbone tie-up. Using his strength advantage, Justin pushes Angela back hard as Justin stands in the middle of the ring and rolls his shoulders forward as Angela smiles and nods her head before engaging in another tie up in the ring. This time it’s Angela with the advantage, catching Brooks with a stiff forearm to the face causing the bigger man to stagger back. Pressing the advantage, Angela whips Justin into the ropes Brooks goes for a clothesline attempt but Jameson ducks and quickly grabs Justin around the waist and with a loud grunt she hoists Brooks over her head with a strong release German suplex. Dick Morosi:: And there’s Jameson showing some strength of his own, surprising The Big Bad Brooks! Seth Ericson:: Yeah, but do you think that you want go strength for strength with Justin Brooks? That’s a lose-lose situation! Grabbing the back of his head Justin slowly starts to climb to his feet as Jameson works to keep the offensive press on as bounces off the opposite ropes and drives Brooks back to the mat with a running bulldog causing the other to bounce off the mat. Jameson scrambles over and rolls Brooks over for a quick pin as Chris Dawson counts! ONE.. .. KICKOUT. Angela can’t help but smile to herself and shrug her shoulders as Justin powers out of the pin. Both are back to a vertical base with the Angela Jameson fans clearly in her corner as the two meet in the middle of the ring once again, but this time it’s Justin Brooks who adds pressure and drives a knee into the mid-section of Jameson, driving the air out of her lungs! Yet, Brooks isn’t done as he drives another knee into her gut… …followed by another. …and another. …and another. Brooks lets go of Angela, who falls to the mat in a crumpled heap and grabs her midsection in pain. There are scattered boos from the Jameson fans as Justin looks up and with a smirk on his face he grabs Angela by the air and lifts her to her feet before putting him back down with a scoop slam. Dick Morosi:: I don’t see Angela smiling anymore… Seth Ericson:: Justin Brooks is all about business between those ropes. Mounting Angela, Justin rains down lefts and rights as Angela brings her hands up trying to deflect what she can, yet Justin continue to drop bombs as referee counts to five and pulls Brooks off of Angela, giving Justin a stern warning and threatening disqualification. Justin stares down the referee into a corner and slowly turns around to find Angela Jameson on her feet and more importantly connecting with a flying calf kick taking down the Big Bad Brooks. Dick Morosi:: And Brooks is down! Angela is going to have to keep the match up to keep Justin off of his feet! Seth Ericson:: So far it’s working! Picking Justin up, Angela starts to assault Brooks’ midsection with closed-fist punches pushing Justin against the ropes. Finding another opening, Angela races to the other side of the ropes and bounces back with a full head of speed but Justin is a step ahead and ducks his shoulder, launching Angela high over the top rope and to the ring floor hard! Dick Morosi:: Oh my! Seth Ericson:: Angela just earned several hundred frequent flyer miles after that one! Justin takes a moment to catch his breath before looking over at the fallen Angela on the outside of the ring. Climbing out of the ring, Justin slowly makes his way towards Angela and picks him up to his feet and flings him into the steel guardrail hard as he yells out in pain. Finding the advantage of his own, Justin grabs Angela by the back of his neck and rolls him back into the ring before climbing onto the ring apron and back into the ring himself. Dick Morosi:: The Big Bad Brooks, slowing this match down to his own pace. This guy is a monster and when he starts to get his own way, things get can very ugly very quickly. Seth Ericson:: And Angela Jameson is about to find out. Slowly Angela climbs onto her feet as Justin grabs her around the waist from behind and the big man pulls Angela high and back down with a German Suplex of his own, yet he bridges his back for the pin, as Chris Dawson counts. ONE.. .. KICKOUT. Dick Morosi:: And it’s Justin Brooks with a German suplex of his own! Releasing the pin, Justin floats over the side of Angela and begins to drive his knees into the rib cage of Jameson as the referee begins to his count with Justin letting Angela go at the count of four. Angela is winching in pain as Justin pulls Angela up roughly and flings her into the ropes hard. Coming back towards Brooks, she ducks his shoulder for a back body drop but it’s Angela who floats over the back of Brooks and drops The Monster hard with a surprise DDT! Both men are down on the mat with Angela being the first to stir and climb to her feet. Holding his exposed ribs, Angela takes matters into her own hands and climbs to the top rope but see Justin slowly begin to stir and climb to his feet. Launching herself off the top rope, it’s Justin with surprise all of his own as he catches Angela with THE REMINDER (Lunging Clothesline From Hell), which turns Angela inside out! The crowd cheers loudly and stands to their feet in approval! Dick Morosi:: Brooks nearly took Angela head off with that! Seth Ericson:: Cover him, Big Man! Cover him! Justin slowly crawls over to Angela and rolls himself for the pin as Chris Dawson gets into position. ONE.. TWO.. .. KICKOUT. The fans in Angela’s corner cheer as Justin drops his head in disbelief as the referee signals for two and a half. Climbing to his feet along with Angela in tow, Justin hurls her into the ropes but with a reversal it’s Justin who find himself heading towards the ropes as he turns he finds Angela hot on his tail and nails him hard with a clothesline that sends Justin to the outside of the ring. Finding her window slowly closing, Angela finds another gear and races towards the closest corner and climbs the top turnbuckle and leaving all self-perseveration into the wind and leaps with BITTERSWEET SERENADE driving her into the chest of Brooks to a huge pop from the fans! Both are down on the outside of the ring in an attempt to catch their breath as the referee begins his count with neither one moving. Dick Morosi:: Oh this can’t end like this… Seth Ericson:: These people damn a solid winner…com’n one of you guys needs to GET UP! It’s Angela who’s first to stir and grunts, struggling to pick up the bigger Brooks and slowly rolls himself into the ring to stop the count. Sliding underneath the bottom rope, Angela hooks the leg for a pin, as Chris Dawson counts. ONE.. TWO.. .. KICKOUT. With a mixture of cheers and groans from the crowd, Angela looks slightly defeated as shakes her head slowly as lifts herself up to her knees looking at the referee who shows two and three-quarters. Dick Morosi:: One can only imagine that if Angela would’ve pulled that off inside of the ring, this match would’ve been over. Seth Ericson:: But she took too long to get Brooks back into the ring and this match is going to continue. [THIS IS AWESOME!] [clap-clap-clapclapclap] [THIS IS AWESOME!] [clap-clap-clapclapclap] [THIS IS AWESOME!] [clap-clap-clapclapclap] [THIS IS AWESOME!] [clap-clap-clapclapclap] Angela stands to her feet looking up into the crowd and stands to her feet and starts to pump up the crowd as she stalks Justin who slowly climbs to his feet. Running towards him, Angela hooks arms around the big man and attempts a Belly to Belly suplex but Justin blocks the attempt and breaks Angela’s hold only to reverse position and nail a Belly to Belly suplex of his own as a last ditch effort. Angela lands hard across the ring as Justin slumps down in the far corner of the ring to catch his breath. Grimacing in pain and grabbing her ribs, Angela slowly stands to hher feet as Justin breaks into a dead sprint from the corner with a SPEAR picking Angela off of her feet and back to the mat hard. Justin jumps to his feet with a primal roar as the Brooks fans come to life with a huge pop! Justin drapes his body over Angela and hooks the leg! Chris Dawson counts. ONE.. TWO.. THREE-NOOOOOOO! Dick Morosi:: So close! Seth Ericson:: Oh com’n! That was a three count! Justin climbs to his feet and starts to argue with the referee who stands by his count of two and three-quarters as Justin Brooks argues different. Angela stirs and looks up to see Brooks with his back turn and springs to life with SANTA MUERTE and locks it in tight! Locking her legs around Brooks, Justin slowly climbs to his feet and staggers backwards as Angela holds the submission tight in the middle of the ring as Justin stands there beginning to fade out. Dick Morosi:: This could be it! Justin Brooks could be out on his feet! Seth Ericson:: Brooks should’ve kept his eye on the prize instead of dealing with the referee! Angela grits her teeth trying to keep pressure on as Justin begins to fade slowly as the referee keeps a close eye on the action waiting for the moment to call for the bell. Justin swings his arms in hopes to trying to hit Angela with some sort of contact but Angela keeps her grip tight on the arms of Brooks, wrapped around his throat, who staggers backwards towards the nearest corner crushing Angela between himself and the turnbuckle. Hitting her exposed ribs against the turnbuckle, Angela can’t help but release the hold as Justin drops to his hands and knees and takes a deep breath in hopes to get the oxygen back to his brain. Seeing a small glimmer of hope, Angela fights the pain and stands to her feet and waits for Brooks to get to a vertical base. Throwing Brooks’ arm over her shoulder...but Brooks blocks with an elbow to the side of the head stunning Jameson and sending her staggering back slightly giving Justin the space he needs as he scoops Angela over his shoulders… Dick Morosi:: HOOK ‘N LADDER! HOOK ‘N LADDER! Dick Morosi:: Brooks pulled that out of nowhere! Justin collapses over Angela’s body for the pin! Chris Dawson counts. ONE.. TWO.. .. KICKOUT. There’s an agony on Justin’s face as he looks up at the referee who only shakes his head slowly. Looking down at Angela, he shakes his head slowly as he climbs to feet and brings Angela up with him, who quickly goes for END OF DAYS but Brooks blocks it, pushing Angela back off of the ropes Brooks winds up for THE REMINDER but Angela ducks underneath and pulls Brooks down with a double leg takedown but remaining on his feet Angela, hooks Justin’s leg underneath the other in hopes to turning him over for the TEXAS CLOVERLEAF! Dick Morosi:: Angela needs to turn Justin over to lock in that submission! Dick Morosi:: But look at Justin trying his damnedest to fight it off! Both competitors in the middle of the ring, Justin is still on his back but using his what power he has left in his legs Justin pushes Angela off hard again and before Angela can recover Justin lunges and connects with THE REMINDER, sending Angela end over end. Completely exhausted, Justin crawls over to Angela’s downed body and drapes a single arm over her chest. Chris Dawson counts. ONE.. TWO.. THREE.. The ExPro fans roar as the ending bell sounds and both athletes lay in the middle of the ring, neither man acknowledging the referee who points to Justin Brooks as the victor. David Zinkus:: The winner of this match Justin Brooks!! WINNER: Justin BrooksDick Morosi:: Ladies and Gentlemen…that was one for the ages. Seth Ericson: And while we stand in awe...look at what we have here! Indeed, Cleon Gray has motored his way down to the ring on his segway, starting to clap his hands slowly for Justin Brooks. Brooks looks at him and Cleon smirks and nods, pointing at Brooks to finish off Jameson. He looks at Cleon in disbelief before Cleon starts barking orders at him, making sure that Brooks heard him. In the anger and rage, Justin Brooks just walks off, hoisting up Cleon's segway over his shoulders as he steps off, leaving Cleon alone. Very alone. The crowd starts to pop as Angela starts to get up and look at a very nervous Cleon, who tries to look around for help, even trying to call down the black clad security that had been doing his bidding, even looking for Brianna Singer to assist him. However, he currently stands alone as Angela looks at him. Dick Morosi: HAVE YOUR MOMENT, ANGELA! Angela indeed lets out a primal scream before lunging at Cleon, starting to hammer him with fists as the crowd erupts! A huge "KILL HIM, ANG!" chant starts to erupt through the open area, all the crowd getting behind her actions. Quickly, she lifts him and places him in a standing headscissors and trapping his arms...WIDOWMAKER! She gets up and starts to leave the ring to the sounds of "South of Heaven" while the crowd cheers and she continues to slap hands with the crowd! Dick Morosi: Man, that was satisfying. Well, folks, we’re going to move along to our-- Cleon Gray Stop the show. Dick Morosi: Wait, what? Cleon Gray, in spite of being battered by Angela Jameson, is not, seemingly, unbowed. The disciplinarian also successfully has gotten hold of a microphone, and is anything but pleased. Cleon Gray: You think you’ve won, don’t you? Justin Brooks betrayed me, Angela Jameson laid her filthy hands on me...but Cleon Gray will be the one with the last laugh! For while you all sit here and laugh at me, tonight is the night that I introduce my insurance policy to EXODUS! Jonathan Collins was stupid enough to sign off on the appointing of a NEW authority figure here, a man who will be doing MY bidding! Seth Ericson: You know, I really don’t like where this is going… Neither do the RIMAC fans, who jeer Cleon lustily. Cleon Gray: Behold! The new Director of Quality Control of EXODUS Pro Wrestling...SEYMOUR ALMASY! Dick Morosi: ...goddamnit. “Otherworld” by Nobuo Uematsu plays in the RIMAC, and the former Final Fantasy (and new Director of Quality Control) emerges from behind the curtain in the same troubling black suit that he has been intermittantly seen in over the past weeks and months. The booing only intensifies, but Almasy himself doesn’t seem to pay any heed to the EXODUS faithful as he power-walks down to the ring. He doesn’t even slide into the ring. He takes the stairs instead, lest his very nice suit get dirty. Stepping between the ring ropes, he raises a hand in the air to acknowledge the fans, finally - and seems almost offended at the negativity. Cleon, on the other hand, is gleeful. Cleon Gray: Welcome to the Autumn Effect 2, Mr. Almasy! The floor is yours! Seth Ericson: Gray’s practically rubbing his hands together! How long has this been in the works now? Months? Seymour takes the microphone from Cleon with a nod and a bow, shaking Cleon’s hand as well. When he turns to speak, he’s hit with another wave of negativity. Seymour Almasy: Thank you, Mr. Gray. Without you, none of this would be possible. Now... I promised the world that I would be here at the Autumn Effect 2, and lo and behold, Seymour Almasy keeps his promises. I’m going to try and keep this short, but I’ve got important things to discuss tonight. Now, most of you not named Wulf Erikssen have seen me here and there on EXODUS television. Some of you in attendance have seen me coming to and from the RIMAC on show days even when I haven’t been on the show. I’ve been talking to roster members, talking to staff, and it’s all led up to this night. Earlier tonight, I signed a contract officially making me the Director of Quality Control of EXODUS Pro Wrestling. Seymour Almasy: Now, Cleon, if you’d be so kind, tell everyone out there watching exactly what that means? Gray calls for another microphone. Unfortunately, he gets it. Cleon Gray: As the Director of Quality Control. Seymour Almasy has authority to discipline all on-camera EXODUS talent. This discipline can take the forms of fines and suspensions, and as EXODUS is often a very...naughty company, Almasy’s mandate includes the ability to indefinitely suspend such talent, especially talent who put their hands on minority shareholders! If the crowd suspected the fix was in before, it’s now positive of it, as negativity rains down from all corners of the RIMAC Arena. Seymour Almasy: Thank you, Cleon. Now...just to reiterate, as Director of Quality Control for EXODUS Pro, I’ve been given the authority to pass judgment on any and all on-air talent of EXODUS, isn’t that correct? Cleon Gray: Yes! Very much correct! Seymour Almasy: Good, good! So I have authority over EVERYONE! Jonathan Collins? If he steps out of line right now? I can fine him. If Magnus Gunner survives being buried alive and acts up? I have the authority to suspend him! That’s what you’re telling me, right? Cleon nods his head gleefully, and gestures to the back, mouthing the words “Angela Jameson.” Seymour Almasy: Even you, Mr. Grey! You’re on-air talent, right? Cleon Gray: Of course! You know Harvey Q. Birdman, our attorney, right? We don’t allow anyone to appear on EXODUS television or iPPV without signing them to a talent contract! Seymour Almasy: Wonderful! Well, then, now that we have that cleared up, my first official act as Director of Quality Control for EXODUS Pro Wrestling… The smile on Cleon Gray’s face is a horrible thing, the sort of image that scares children and becomes memetic on certain corners of the internet. There is, however, a bit of good news. Seymour Almasy: ..is to officially announce that Cleon Grey is hereby suspended indefinitely and BARRED from appearing on any EXODUS broadcast. ...it’s officially gone, now. Seth Ericson: Wait, WHAT? The roar from the crowd almost drowns out Seth’s commentary. There is, naturally, one person who isn’t quite so happy. Cleon Gray: ….oh! I get it! This is a joke! Now I understand! Ha! Very funny! Now go on, and say it again, except this time with the right na-- The Director of Quality Control reaches out, SLAPPING the microphone out of Gray’s hand. It bounces off the mat with a loud feedback sound, and suddenly, Cleon Gray’s countenance darkens even further. Seymour Almasy: ...did you really think you’d get away with this, Cleon? With everything you’ve done? With being in Daisuke Iwakuma’s pocket, ruining Zack Lifer’s life, and driving Angela Jameson batshit crazy? Did you? As a horrified Cleon Gray stands shaking in the ring, Seymour Almasy waves to the back. Moments later, several security personnel file out from behind the curtain, heading down to the ringside area. Seymour Almasy: You were afraid, Cleon. You were afraid Daisuke might betray you one day. You knew Justin Brooks was going to abandon you to the wolves. No matter how powerful you felt, you needed an ally, Cleon. You needed a man who’d stand alongside you. And I became that man, but did you ever stop and think why? Didn’t you find it just a tiny bit odd that Jonathan Collins was so quick to sign off on my appointment? Gray’s mouth flaps open and closed, but no sound comes out until the security hit the ring apron, and Cleon screams out his accusation at the top of his lungs. Cleon Gray: YOU SET ME UP! YOU AND COLLINS! Seymour Almasy: Damn right we did. And you know what, Cleon? It was even easier than Jon told me it would be. A wild-eyed Gray lunges towards Almasy, only for the security to get to him first. Holding his arms behind his back, the six guards manage to roll Cleon down to the apron, and then out of the ring. Hoisting him overhead like a human sacrifice to the volcano, they begin to carry Cleon out of the arena to the back, as the RIMAC do their solemn duty. DA-NA-NA-NA! DA-NA-NA-NA! HEY HEY HEY! GOODBYE! DA-NA-NA-NA! DA-NA-NA-NA! HEY HEY HEY! GOODBYE! DA-NA-NA-NA! DA-NA-NA-NA! HEY HEY HEY! GOODBYE! DA-NA-NA-NA! DA-NA-NA-NA! HEY HEY HEY! GOODBYE! Seth Ericson: The RIMAC faithful saying their fond farewells to Cleon Gray, and now that he’s indefinitely suspended, I can say that it couldn’t have happened to a nicer guy! In the ring, Almasy waves to the departing Gray, and heaves a huge sigh. The hostlity towards him is gone, contributing to Seymour’s much improved mood. Seymour Almasy: Thank Yevon that’s over. Do you have any idea how hard it was to pretend to like that guy for months on end? Seymour shudders. Seymour Almasy: Now that he’s gone, I can be up front with everyone. I stand here before you today because Jonathan Collins was a big enough man to admit the one thing I’d wanted to hear from him since the day I walked into EXODUS Pro - that when it came to his company, he couldn’t be unbiased. And really? He shouldn’t be unbiased. EXODUS is his baby. Tonight, he’s wrestling the last match of his career, but he’s going to bleed EXODUS until they put him in the ground. Dick Morosi: That’s a certainty. Seth Ericson: Given the nature of what he’s fighting Iwakuma in, though, Seymour miiiight have wanted a better choice of words... Seymour Almasy: After he admitted that to me, he told me that he wanted someone who could impartially mete out justice here. Someone with no agenda. Someone with no stake. Someone who wouldn’t abuse his power. And, well, seeing as how my last match in EXODUS was a Cibernetico months ago... a guy who calls himself the Judge Magister fits the bill pretty well, doesn’t he? Dick Morosi: I’m just happy he’s not actually a Cleon zombie, really. Seymour Almasy: As Director of Quality Control, my job’s really simple. My job is to basically make sure shit doesn’t get too out of hand. This is pro wrestling, of course, so mayhem and disorder are the rules of the day, but EXODUS has been under a pall practically since day one. Between LEGION and Gods & Monsters, there’s always been psychological warfare pushing the boundaries of what should be allowable. Now, ideally? One way or another, tonight’s the denouement for a WHOLE lot in this company. We’re, knock on wood, going to be off to the start of a bright new era, and as such? The Judge Magister nods his head, firmly. Seymour Almasy: EVERYONE’s going to have a clean slate with me. I’ll be looking at everyone with new eyes as EXODUS goes on into 2015 and beyond.. And whether it’s Magnus Gunner or Chris Strike leading that new era, I’m going to do everything I can to make sure the four words Jonathan Collins has lived his life by since opening these doors aren’t just a cool sounding hashtag. All WILL be well, everyone. I will do everything in my power to make sure of it. And now that I’ve wasted enough of your time, I’m going to head backstage and watch the rest of 2014’s best pay-per-view event. Enjoy! Seymour turns the microphone off, and takes his leave, waving to the capacity RIMAC crowd as he heads to the back.
|
|
|
Post by EXODUS Office on Nov 17, 2014 13:22:27 GMT -6
The feed pans around the arena to survey the enthusiastic audience and highlight the various fanfare depicted. After a brief moment of anticipation, "Cinderella Man" by Eminem suddenly rumbles onto the PA system to greet the capacity crowd. Almost on cue, the crowd reacts with loud boos and jeers that almost drown out the introduction and drums. The curtains slowly part, the exasperated crowd locking their eyes on Mr. EXODUS whom is draped in a dapper three piece Paul Smith suit, looking polished as ever in his powder blue, singled button, welted notched lapel jacket with matching pants. The sophisticated lay is accompanied by a gold Rolex that glitters under the lights, black leather loafers and flat top SUPER sunglasses that effectively compliment his stylish wardrobe. Behind the Brit is none other than his manager and confidant, Quinn Goodrich who is dressed in a suit from the Ralph Lauren Black Label, looking equally as sophisticated as his client. Johnny Cannon his usual pompous grin from cheeck to cheek as he stands at the top of the aisle posing with the British 'V' salute, drawing the ire of the sold out crowd. Goodrich applauds the strapping Brit in the background, cheering him to further agitate the fans. Upon the crowd's heat reaching its peak, the two narcissists begin their strit down to ringside; Mr. EXODUS strolls with his shoulders and arms swaying, holding his head high to the sky. Cannon ignores the fans in either side of him, continuing his walk whilst Goodrich sings his praises. The British Mamba reaches the steel stairs, ad climbs then in a slow, drawn out fashion which demonstrates his complete self-absorption. Upon wiping his feet along the ring apron, Cannon enters the squared circle, ducking through the middle and top ropes with Goodrich following suit. Seth Ericson: Damn, in a past life I would have killed to be Johnny Cannon. They say the man makes the suit... and my god Cannon MAKES the suit, Dick! Dick Morosi: He also makes me sick to my stomach. Look at him, acting like he owns the place. Seth Ericson: Well this is the house that Cannon built. How many times does he have to say it? Check his resume. Dick Morosi: I did. It says he's the biggest douchebag alive. He makes you look like the Pope. With a mic already in hand, Goodrich waits for the music to die down, and then the noise from the crowd which takes much longer to quiet. Quinn Goodrich: Good evening ladies and gentleman. For those of you who don't know my mame is Quinn Goodrich, and I am the legal, financial and professional adviser and confidant to an extraordinary individual. My client is one of the greatest men to ever walk this Earth, and I'm not just saying that. It's true. The crowd immediately boos as the camera focuses on Cannon who mouths "It is" with a wide smirk. Quinn Goodrich: This is a man who came from nothing. A self made mogul, and success story who grew up in the toughest neighborhood in London. That toughness translated to the Octagon where he proved that he was the toughest fighter and the baddest man on the planet for a decade. And when he got bored with DOMINATING MMA, he decided to enlarge his brand my becoming an actor where he DOMINATED the film industry. And when he got tired of killing Hollywood he took his talents to professional wrestling, traveling and competing throughout Europe for two years before he landed here in EXODUS where he has DOMINATED! More jeers fill the arena, Cannon merely nodding in approval, almost gushing in response to the high praise. Quinn Goodrich: My client is the reason you're all here tonight. He is the reason you're filling those seats. That's because he out your asses in them. In the two years my client has been in EXODUS he has achieved more success than ANYONE else in the company. He is a Triple Crown winner, with a multitude of five star matches and endless highlights and tonight... tonight will be another historic moment added to his incredible legacy. Ladies and gentleman, at this time it is my esteemed pleasure to introduce to you the my client the British Mamba, The King of San Diego and the GREATEST MAN THAT EVER LIVED... he is the future number one contender to the EXODUS WORLD HEAVYWEIGHT CHAMPIONSHIP... Mr. EXODUS .. JOHNNY CANNONNNNNNN! The heat from the crowd is tenfold as Mr. EXODUS grabs the mic from Goodrich. The ravishing Englishman slowly removes his shades, tucking them on the breast pocket of his blazer as he waits for the crowd to show him so respect. A few second pass and they don't. Johnny Cannon: When someone who is better than you in every conceivable has the floor your job is to give him your undivided attention by closing the fly in your bloody traps. Now show me the respect I wholeheartedly deserve and shut your bloody mouths. The rude order from the Brit simply prompts even more booing before an irritated Cannon begins pacing the ring, twirling the microphone in his left hand whilst Goodrich shakes his head in frustration in response to the crowd's blatant show of disrespect. Dick Morosi: What a jackass. Every time Cannon opens his mouth a load of garbage comes out of it. Seth Ericson: You can't talk about him like that, Dick. He's The Greatest Man That Ever Lived. Cannon finally begins talking anyway, not desiring to wait for silence. He turns back toward Goodrich, speaking into the mic. Johnny Cannon: You would think these wankers would be respectful in the presence of a winner since their Chargers continually wet the bed, and their Lakers won't win another game until Christmas. Obviously I was wrong. But then again everyone in this arena is a f*cking loser so there's no point in being polite anymore I'll just talk over them. The crowd finally quiets down to listen. Johnny Cannon: Now that's more like it. You all can boo for a goddamn hour. With lungs that big, it's obvious what you all do in your spare time. Haha. Anyway let's get down to business. As you all know tonight I'm going up against my greatest rival to date, Abby Park in an I-Quit Match that will decide who gets to face what's left of the World Champion at whatever Supercard my face probably won't be on the promotional AD cover of which is a travesty when you take into account the simple fact that nobody and I mean NOBODY can compare to me and everything that I've accomplished here in EXODUS. Tired of the egotists gloating the crowd boos. Cannon simply smirks at his detractors while Goodrich slowly claps his hands. Johnny picks the microphone up and continues his grandstanding. Johnny Cannon: But Abby Park thinks she can. Abby Park thinks she's going to knock me down a peg later tonight. Abby Park thinks she's going to make me say two words that I've he er said in my entire life. Well San Diego, I'm here to tell you that Abby Park is out of her f*cking mind. Let me tell you a little story about the man who never quit. Cannon removes his suit jacket, laying it across the ropes before rolling up his arm sleeves. Johnny Cannon: This man came into EXODUS with nothing but the clothes on his back. He was hated from the get go. Told he didn't belong and that he wouldn't last against the world's elite. He heard the whispers. Even from management. He was never meant to succeed and deck was stacked against him from the first night he laced up his five hundred dollar custom ring boots. But did he quit? Hell no. He persevered and kept his chin up despite the fact that his career got off to a rocky start. He stumbled out of the gates, and the haters were celebrating. The doubters were throwing enough shade to block the sun, but did he quit? No. Goodrich shakes his head in unison as his client continues his tirade. Johnny Cannon: He didn't throw in the towel or give those wankers the satisfaction of saying they were right about him. He kept fighting in spite of their hatred, in spite of the obstacles that were placed in front of him. The struggle only made him hungrier. It have him intestinal fortitude. He made him strong, so strong that he went on to take EXODUS by storm as he captured the Tag Team championship, and the International Championship twice. He was on his way to GREATNESS, he was building a legend that NO ONE would forget... until his momentum was halted by an injury that threatened to dereail his career. He was on the shelf. People were questioning wherher he would be able to return. They said he was DONE. That he was FINISHED. But did he quit? No! Goodrich yells "That's right!" as the Brit gets fired up. Johnny Cannon: He fought back to get to one hundred percent. He healed up. He rushed back because he wasn't going to go out like a chump... any one of you would have called it a wrap, would've have hung up the boots but not him. No. He's better than that. He wasn't going to run off into the sunset until he achieved his dream. He was going to win the World Championship. So he cane back and fought into contention, but was denied AGAIN and AGAIN... he was thrown in multi-man matches in an effort to keep him away from what he deserved... and what he deserved more than ANYONE was one shot. The Brit holds up a finger, his eyes closing as he begins to get melodramatic. Johnny Cannon: Just one. One opportunity. And so he voiced his frustrations. He protested. He let management have it until they did right behind... until they finally gave him the chance that they had awarded to SO many others who weren't HALF as worthy... HALF as deserving... they put him in the Main Event against Andreas Lasiewicz for the EXODUS World Championship. They said he wouldn't be able to do it, that he wasn't in The Morning Star's league and that he would finally realize that he wasn't good enough. But what he do? Why don't you tell them Q. Cannon hands Goodrich the microphone. Quinn clears his throat, and takes a moment to gather his thoughts. Then suddenly, out of nowhere he begins shouting into the microphone. Quinn Goodrich: HE DOMINATED HIM. MY CLIENT WENT TOE TO TOE WITH THE LEGENDARY ANDREAS LASIEWICZ AND BEAT HIM TO A PULP. TO WITHIN AN INCH OF HIS LIFE. HE OUT WRESTLED HIM. HE OUTCLASSED HIM. HE TREATED HIM LIKE A TWO DOLLAR WHORE. HE BEAT HIM AS IF HE WERE ADRIAN PETERSON DISCIPLINING HIS SON. HE EMASCULATED HIM. STOMPED ON HIS PRIDE. MY CLIENT CHEWED ANDREAS OUT AND SPIT HIM BACK OUT. HE PUT HIM DOWN... THEN PICKED HIM BACK UP JUST TO PUT HIM BACK DOWN! AND WHEN THE OLD DOG BEGGED MY CLIENT FOR MERCY... WHEN HE PLEADED FOR THE SUFFERING TO END... MY CLIENT KICKED HIS BLOODY HEAD OFF. JOHNNY CANNON DID NOT WIN THE EXODUS WORLD CHAMPIONSHIP... HE. TOOK. IT. ANDREAS LASIEWICZ WILL NEVER... EVER... EVERERRR WRESTLE AGAIN AFTER WHAT JOHNNY CANNON DID TO HIM. Goodrich stares out into the audience, listening to the deafening boos as Cannon takes the microphone back. Johnny Cannon: That was supposed to be my finest moment. It was supposed to be the greatest night of my life. But they couldn't let me have it. They disparaged me. They tore me down and called me a thief. These people turned on me because they couldn't accept the fact that I had won... that I had proven them wrong... especially Jonathan Collins. The Saint of Violence was sick to his stomach... he was irate that I had succeeded to spite him... so he prayed for my downfall. The ENTIRE world prayed for me to lose at Absent Are the Saints. The evil I is real. People HATE to see you doing better than them because they can't handle being failures... so they wished for me to fail and I did... I failed and fell so hard that I hit rock bottom. Johnny Cannon be became the forgotten man after that... he became an afterthought. Mr. EXODUS lowers his head in frustration, as a rush of emotions comes over him as he remembers that dark place he was in. Johnny Cannon: I could have said that was it. I had fallen down and I couldn't get up like your grandmother with the bad hip and you know you are! I was at the back of the line again, facing an uncertain future and a climb back up the mountain that would be near impossible to do. Right then and there I could've succumbed to it... to the pain.. to the self-doubt... to the voices that were said I was DONE. That I was WASHED UP. That I couldn't cut it anymore. But I didn't. I didn't give up... I didn't quit because I refuse to go down in history as a loser... like you people who will NEVER amount to anything... who wait tables and work for tips then turn around and blow your minimum wage every second Monday of the month to come see ME so that you can leach off my greatness and feel accomplished... so that you can boo me and pretend that you matter... The crowd jeers some more, but Cannon just shrugs his shoulders nonchalantly. Johnny Cannon: I didn't quit because I'm not like you... I'm not like any of you wankers because NONE of you matter... you're all nobodies but ME... I'm somebody... I'M JOHNNY F*CKING CANNON AND I USED TO BE THE EXODUS WORLD CHAMPION. The British Mamba stares out into the capacity crowd, holding a steely glare on his face. As he stands there, chance of "Johnny Sucks!" begin to fill up the arena, bringing a smile to the Englishman's face. Johnny Cannon: No. No I don't suck because that would mean I'm like your mother... or your sister... or your girlfriend running after my limo every time I leave the arena begging for me to take them home so that they can blow me for a new bag or some new heels or a new weave... because b*tches love new weave. No. I'm not like them. I'm better than them. I'm better than you. And better than Abby Park. The crowd unleashes some more booing as Cannon grins. Johnny Cannon: I'm better than Abby because I never quit on my dream... I'm better than Abby because I never took what was handed to me I took what I WANTED. I'm better than Abby because I didn't turn a blind eye when Jonathan Collins was busy giving handouts to his family and friends... nor did I keep quiet as he gave opportunity after opportunity to guys who couldn't light a bloody candle to me just because they were willing to bend over and assume the position. I've never been an ass-kisser. I've never been a quitter. I never have and I never will. Mr. EXODUS nods repeatedly to himself whilst Goodrich applauds. Johnny Cannon: That's because I'm a winner... and history only remembers winners... and when my time is done I'm going to be remembered for being the best... because I am the best... I'm the best in EXODUS. Hell, I'm the best in the f*cking world and nobody can tell me different because it's the bloody truth! Booing me, making cute little signs to insult me, talking about how I suck, or how I sold-out and all of that rubbish, all of that is simply running away from the fact that no one can touch me... but they'll try. Abby will try... but in the end she won't succeed because she's just Abby Park, and Abby Park is just a woman. Cannon stops abruptly and grins devilishly, looking over at Goodrich who looks on in approval. With the whole crowd under his temporary control, Johnny takes the time to use this moment to send his final message. Johnny Cannon: A woman I'm going to give the business to until she can't take it anymore. The British Mamba caps off his rant with a pelvic thrust to loud boos as Goodrich steps forward to give him a round of applause. Quinn grabs Cannon's suit jacket, holding it open to allow Johnny to slip it back on as "Cinderella Man" starts back up. With his usual cocksure grin etched on his face, Mr. EXODUS places his shades back on his face and throws up the British two finger salute, holding his pose until the feed cuts back to Dick & Seth. Dick Morosi: I can't believe Johnny Cannon! He's making some very arrogant remarks towards the fans and towards Abby Park! Seth Ericson: But he's living that Johnny Cannon life, and he has a chance to back up that talk and become the number one contender tonight if he can make Abby Park say I Quit! Dick Morosi: He's not the only despicable person here tonight though. Seth Ericson: Oh? Dick Morosi: Up next, folks, is the (R)evolution Wrestling World Championship match, and, well, after the events of the pre-show, this bout takes on a whole new dimension. Seth Ericson: Damn straight. Our challenger, along with GRENDEL, Shozo Arino, and Aries Reed, basically decimated damn near the entirety of the RevPro roster. Devan Whitmore is armed with a new attitude, and that’s not even considering that earned the Contender’s Baton by beating the always tough Shinji Uchikawa. Dick Morosi: Sydney Christensen has been a Hell of a champion, but she’s just found herself up against some potentially very, VERY dangerous odds. Both of these women, in my opinion, could acquit themselves quite well on our main roster. They’re two of the best RW has to offer - I just hope we’ll see that in this match, and not a gang attack. Let’s go up to our ring announcer, David Zinkus, and get this under way! David Zinkus: This contest is scheduled for one fall, with a sixty minute time limit, and it is for the REVOLUTION WRESTLING WORLD CHAMPIONSHIP! Introducing first, the challenger! She said: "He so sweet, I wanna lick the wrapper."
So i let her lick the wrapper.
And she, she licked me Like a lollipop Like a lollipopStrobe lights flash around the curtain in various colors and as the chorus hits, Devan slowly makes her way onto the stage. She is not, however, alone - she’s flanked by six feet, ten inches and three hundred pounds of GRENDEL. Whitmore wears a shit-eating grin on her face as she saunters down the aisle alongside her new teammate. Seth Ericson: Well, you were right, partner! She’s not even waiting for the bell, she’s got GRENDEL out here as a giant-sized insurance policy! Shorty wanna thug Bottles in the club Shorty wanna hump You know I like to touch Your lovely lady lumps Shorty wanna thug Bottles in the club Shorty wanna hump You know I like to touch Your lovely lady lumpsDavid Zinkus: Coming to us from Townsend, Delaware, this is the CHALLENGER! Ladies and gentlemen, the Dark Lady of the Sith…..DEVVAANNNN WHIIIIITMOOOORREEEE! As Devan and her monstrous ally approach the ring, the official stands his ground inside. He points at GRENDEL, and then to the back, as the smile on Devan’s face cracks a tiny bit. Dick Morosi: Thank God! Our official taking control of this contest before it starts, and sending GRENDEL to the back to ensure that this is a one on one match! Seth Ericson: For now, Dick. For now. We know he’s here. Same for Aries Reed, and Shozo Arino could be lurking, too. It’s a matter of time, as far as I’m concerned. GRENDEL and Devan share a few final words on the floor before the giant heads to the back, leaving Devan to enter the squared circle. Taking center ring, she gestures to her waist, making the universal symbol that the title shall soon be hers. Dick Morosi: Maybe, Seth. Right now, I’m just happy the ref did his job. GRENDEL’s not a manager, for Pete’s sake. David Zinkus: AND, HER OPPONENT! Suddenly, over the PA System, a voice. Keep the gun oiled, and the temple cleaned Shit, snort, and blaspheme Let the heads cool, and the engine run Because in the end, everything we do Is just everything we’ve done. Suddenly, the music for "The Future Is Now" by Starset explodes, and the crowd rises as the stage goes black save for a few tiny blue lights that look like stars! Suddenly, at the entrance, the brightest lights comes and in her long duster jacket...IS SYDNEY CHRISTENSEN! They said there was no way But they forgot the black hole in the sky Yesterday is nothing I have half a life to rewrite Flying into this future I will let the science bring the change This will be the final cure I am gonna take the past away... Sydney starts to make her way down the ramp, slapping a few hands along the way as the chorus begins, Tom Higashikata reemerging from the back to accompany the RW World Champion. The look on "The North Star" says it all, and that's she's here to win! With a fist pump, she hops up onto the apron and steps into the ring before pointing her finger upward to a flare light going off above her, signaling the arrival of The North Star, all before she climbs the turnbuckles to get applause from the crowd! David Zinkus: Accompanied to the ring by the leader of the #BASEDEMPIRE, Tom Higashikata, she hails from Calgary, Alberta, Canada! She is the Revolution Wrestling World Champion, ladies and gentlemen, SYDNEY CHRISTENSEN! The official of record demands the belt, and Sydney unstraps it from around her waist. The referee takes it, and raises it high overhead before passing it to the timekeeper. The official looks at Higashikata at ringside, and nods at him. Tom puts up both his hands, but after a brief fight, he too agrees to go to the back, to ensure a one on one contest. Dick Morosi: Here we go, folks! Christensen and Whitmore, for the richest prize in (R)Evolution Wrestling! DING DING DING!Christensen lunges forward at the bell, but Whitmore quickly backs away and to the side with a shake of her head. A displeased Sydney continues to circle, and darts in again, only for Devan to catch her with a well-placed poke to the eye before grabbing a side-headlock and taking down the North Star. Seth Ericson: Devan already showing her willingness to take the shortcut. Dick Morosi: After what she did to Anastasia, I...I just don’t understand. Seth Ericson: I do. Sydney Christensen’s the golden girl of the class. Even if Devan won this match tonight clean as a sheet, you think that would change? Sydney’s teacher’s pet - she even uses Collins’ ALPHA-16. Devan’s DRIVEN. She wants to be the best, and if that means she’s going to step on people to do it, she’s going to. Devan cranks the side headlock, but Sydney counters into the headscissors. Devan pushes down on Sydney’s knees, extricating herself from the lock, and simply drops down into the mount, raining punches down on the champion. The official steps in to warn her, and Whitmore favors him with an incredulous look, before standing up and stomping right on Sydney’s sternum. Dick Morosi: I will agree that she’s more dangerous, now. But that dangerousness comes with a cost. Whitmore beckons Sydney to get up, and the North Star complies. The pair circle one again, before leaning into an aggressive collar and elbow tieup. This time, it’s Sydney who gets the upper hand. She claps on her own side headlock, only for Devan to push her off into the ropes. Sydney comes back, as Whitmore leapfrogs her, only to turn around into Christensen rampaging towards her, spinning to drop the challenger with a huge discus clothesline! Seth Ericson: Sydney’s a fire plug, though! Teacher’s pet or not, she’s very strong, very technical, and very, very hard to outwork in the squared circle. Dick Morosi: She is, Seth. And she carries that title extremely proudly. I don’t really want to think about what that group would be able to do if they could count the RW Champion amongst their number. Sydney drops down, seemingly for a cover, but Devan has rolled over to her stomach to prevent an easy cover. That suits the champion fine, as she drops an elbow in the small of Whitmore’s back. A second and a third follow, and Christensen this time rolls Whitmore to her back, going for the cover. ONE! TWO! KICKOUT! Seth Ericson: This is smart by Sydney, I think. She wants a fast win - because the longer this match goes, the better the chance Shozo, Aries, and/or GRENDEL come out here. I think the edge is with Whitmore and her group if this contest goes long. Christensen picks Whitmore up after the kickout. She aims a roundhouse kick, but Devan ducks underneath it. Devan steps forward, and grabs hold of Sydney, taking her down with a snapped-off Russian leg sweep. Getting to her feet, Devan immediately hits the far ropes, shoulder-rolling towards the champion and leaping in the air, landing a pretty somersault senton. Devan reaches across to hook the leg for her own first cover of the match. ONE! TWO! KICKOUT! Dick Morosi: Both competitors about the same weight tonight. Whitmore has a four inch height advantage. I’d argue that Christensen is the more complete wrestler of the two -- Seth Ericson: Why? Because she has fancier moves? Devan’s got a well-drilled arsenal of her own. Quality over quantity. Dick Morosi: The fifteen pounds of gold Sydney wears to the ring argues for me, but you’re right. Tonight’s going to determine who the best wrestler in this company is - assuming no outside interference. Devan stomps away at the downed Christensen...only for Sydney to grab hold of the foot. Devan begins to hop, as Sydney works her way back up to her feet. Whitmore continues to hop, before leaping into an enzuigiri that Sydney deftly ducks underneath. Seth Ericson: This is what Sydney’s going to have to do tonight. She needs to keep focused and on the task at hand. The challenger returns to her feet, only to get SMACKED in the jaw by the champion! Sydney jacks her jaw with three more strikes, knocking her back into the corner. Christensen ascends the ropes, beginning to drive punches into Devan’s head, the crowd counting along - until Devan carries her out of the corner, and falls back to drive the champion face-first into the top turnbuckle. Dick Morosi: You’re right, and I think she let the anger get the better of her! Seth Ericson: Pain leads to anger. Anger leads to hate. Hate leads to suffering, HMMMMM? Whitmore drags the champion out of the corner, and positions her mid-ring, before turning to hit a quick standing moonsault, for a cover. ONE! TWO! KICKOUT! Sydney’s shoulder shoots defiantly off of the canvas, but Devan pays no heed. She backs up, taking careful aim in the process. Dick Morosi: This is the Kessel Run! That shining wizard that she decimated poor Anastasia Starling with! Devan charges, but Sydney pops up, snatching the running Whitmore and torqueing her over with a high impact powerslam! ONE! TWO! KICKOUT! Seth Ericson: You know, we talk a lot about the technical acumen of Sydney...let’s not forget that she’s STRONG. Low center of gravity and strong legs, coupled with her upper body strength - she’s one of the most powerful competitors of her size that I’ve ever seen. As Devan tries to use Sydney’s body to claw her way back to her feet, Christensen claps in a front facelock, snapping her over with a swinging neckbreaker. No sooner has Devan hit the floor than Sydney is right back up, stepping out to the ring apron. Dick Morosi: A rare chance from the champion, here. She favors a Tornado DDT and a missile dropkick as her aerial offense, and it seems like this is going to be the latter. Christensen waits on the top turnbuckle for Devan to stand. As the Sith does, Sydney leaps for a picture perfect dropkick, only for Devan to swat both feet out of the way as she descends. It sends Christensen into a tailspin for the final, violent portion of her descent. Seth Ericson: That’s a big miss, off a move I don’t think Sydney would usually go for at this stage of the contest! The events of the pre-show are in the forefront of Sydney’s mind, you’ve gotta believe. She wants to punish Devan, but Devan...I’ve got to think Devan played the mind games on Twitter to get the champ off of her game! Sydney slowly tries to get back up, but Whitmore is there on her, using her leverage advantage to hook the champion up in her patented abdominal stretch, wrenching away at the ribcage of the champion. Dick Morosi: Han Shot First! Seth Ericson: Obviously, Dick. Also notable here is that both of these competitors use the abdominal stretch as part of their repetoires. Dick Morosi: Whitmore has that abdominal stretch sunk in! Seth Ericson: And look at how smart she is with it! Indeed, as the official is looking the other way, Devan reaches out with her free hand, grabbing the ropes for extra leverage. By the time the official comes back around, she’s let go, but is instead driving the palm of her hand repeatedly into the short and floating ribs of the champion to accentuate the move. Dick Morosi: You say smart, I say illegal. Seth Ericson: Only half of it, though! Even when the official’s watching her like a hawk, she has those very much legal palm thrusts, softening up the champion even more! I don’t think I’ve ever seen Devan Whitmore look this confident in her entire tenure here. The crowd begins to applaud, trying to will Sydney Christensen back into the bout. She lowers her center of gravity even further, managing to unwrap Devan’s leg from around her own. She looks for the time-honored hip-toss counter, only for Whitmore to land on her feet and mock-applaud the champion. Dick Morosi: That woman’s changed, folks. Seth Ericson: In the ring, it’s hard to argue that change is anything but for the better. Christensen grimaces, only to launch into a short bicycle kick. Devan, though, whirls out of the way, and leaps back, catching the champion in the skull with a Pele kick! Devan wastes no time, pulling Sydney out of the ropes and hooking the leg. ONE! TWO! THR--NO! Dick Morosi: I’ve got to admit...I’m a little surprised by how this is going. Seth Ericson: Devan’s in Sydney’s head, Dick. Christensen’s not wrestling her normal match - she wants to rip Whitmore’s head off. Which is all well and good, but it’s got her out of sorts! And with her title on the line, she can NOT be out of sorts if she wants to retain against someone as good as Devan is. Simple as that. Devan picks Sydney up, and executes a quick ribbreaker. She takes a moment to position the champion, before quickly stepping out to the apron. Dick Morosi: This is the Jedi Mind Trick! If Devan hits her 450 splash, we’ve got a new champion! Seth Ericson: All the rib work from the challenger, building up to this! Whitmore ascends quickly, and doesn’t hesitate when she reaches the top. She flies off with the 450, rotating her body… ...and landing squarely on the raised knees of the world champion. Devan groans in pain, rolling off of the knees and clutching at her abdomen in pain. Dick Morosi: Knees! Knees from Sydney Christensen! She’s staved off certain death! Seth Ericson: And she needs to END THE DAMN MATCH! No trying to kill Whitmore, just pinning her shoulders for the three count! The North Star immediately front facelocks Devan, lifting her up in the air for a suplex...and holding her. And holding her… Dick Morosi: The delayed vertical suplex from Sydney Christensen! Seth Ericson: Good Lord, that woman is strong! Some in the crowd begin to count along the seconds as Christensen holds Whitmore upside down, letting all the blood rush to her head before dropping back down to complete Killing Time. She immediately floats over. ONE! TWO! TH-KICKOUT! Dick Morosi: Cover gets two, but she’s doing exactly what my broadcast colleague is advising! Christensen shows off her power again, scooping Devan up like a sack of potatoes, before tossing her overhead. Sydney bridges with the fallaway slam, trying to stack as much weight over Devan as she can. Seth Ericson: The Calgary Stampede from the North Star! ONE! TWO! THR--NO! SHOULDER UP! Dick Morosi: Devan got the shoulder up! She’s staying alive, in the face of this onslaught from the World Champion, but the end may well be near, folks! Christensen stays right on Devan, picking the challenger back up, and trying to get her up across her shoulders in an Argentine backbreaker. Seth Ericson: The Remedy - or at least, she’s trying for it, but wait a minute...that’s… Seth’s attention is drawn by the silver-haired Jaina Frost, who has made her way down to the ringside area. Sydney spots her, even as Devan Whitmore struggles on her shoulders, and manages to fall off, back to the canvas. Christensen keeps her eyes on the Sister of Sin, even as Frost hops up to the ring apron, drawing the referee’s attention. Dick Morosi: I expected interference in this thing, but from GRENDEL! Or Aries or Shozo...not Jaina Frost! What the Hell’s going on here? Seth Ericson: Your guess is as good as mine! Devan Whitmore, too, by now has spotted the Sister of Sin on the apron, and looks about as puzzled as anyone else in the arena. Seeing Sydney’s attention drawn, though, Whitmore charges from behind. Sydney, though, spots her out of the corner of her eye, and sidesteps, giving Devan a little push that sends her careening into Jaina Frost! Frost drops down and off the apron, as Christensen rolls up Whitmore on the rebound! ONE! TWO! THR--NO!!!! Dick Morosi: Dear God, how close was that! I think Frost and Whitmore hit heads - that kickout had to be on instinct! Indeed, Devan is still very much dazed and out of it, and Sydney looks to take full advantage. Stepping over Devan’s head, she grabs hold of the arm, beginning to twist it into the kimura… Seth Ericson: The ALPHA-16! She’s...she’s almost got it in, and if she locks her hands, Devan’s going to be in a WORLD of trou-- From the crowd, Cassidy Carter and Celeste Mallory hop the guardrail on opposite sides of the ring, just as Jaina Frost rises to her feet and slides in as well. The three converge on Sydney, knocking her off Whitmore and beginning to stomp the champion into paste as the official is forced to call for the bell. DING DING DING!Dick Morosi: Sydney’s going to retain her belt by disqualification, but folks, I’ve no idea what the Hell’s going on here! Seth Ericson: If I’m Devan Whitmore, I’m pissed off as Hell right now - sure, Jaina Frost’s appearance might have been a temporary help, but she also is the reason Sydney was able to lock in the ALPHA-16! The Sisters of Sin are going to WORK on the Revolution Wrestling World Champion! The bell continues to ring futilely. Devan, sitting up and seeing what’s going on, rolls her way free of the ring. A scowl contorts her face as she walks up the aisleway, clearly unhappy - but also clearly more than willing to leave Sydney to the wolves. Dick Morosi: It’s three on one in there! I don’t know what the Hell caused this, but this is a totally unprovoked attack! As Celeste, Cassidy, and Jaina work over the champion, though, they suddenly hear a HUGE roar from the EXODUS faithful. The man causing it is one Carey Dean, tearing out from the back like a bat out of Hell, armed with a trusty crowbar. Seth Ericson: Oh, shit, here we go! Carey slides in under the bottom, and peels Celeste off the pile, NAILING her in the stomach with the pipe! Cassidy whirls away to see Carey armed with the weapon, getting Jaina’s attention. Carey swings a home-run shot, only for Cassidy to drop down and roll free of the ring. Along with Jaina, she grabs one of Celeste’s legs, pulling their fellow sister out of the ring to safety as Dean drops down to check on the fallen Champion. Dick Morosi: This thing’s completely broken down! Let’s go up to David Zinkus and get the official word! David Zinkus: Your winner of this contest, as a result of a disqualification, and STILL Revolution Wrestling World Champion….SYDNEY CHRISTENSEN! WINNER (and STILL (R)Evolution World Champion): Sydney ChristensenSydney, by now, is coherent enough to hear the announcement, sitting up - and glaring daggers at the Sisters of Sin in the aisleway. Seth Ericson: Things in RW have gone topsy-turvy over the course of two nights, folks. I...I don’t even know the implications of this! Tom Higashikata comes sprinting out from the back as well, to check on his champion, as we go elsewhere.
|
|