The scene suddenly turns from the end of the last commercial to static, a loud buzzing noise accompanying it. Out of nowhere there is a sudden flash of crimson, before it all returns to static, the hum growing ever louder as a faint piano piece plays softly, strangely distorted because of the white noise. From this comes a creepy and disturbing voice, robotic in tone.
Robotic Voice: And you still deny every word I have spoken... You'll look like fools until your dying day... Creeping up on you, isn't it? The Sekigun is going to die because of their inadequacies and ridiculous egos. They can't get the job done. Never have been able to... And they never will... G&M will take over, your dreams will die then everything will turn to ruin.
There is another flash of crimson, this one accompanied by what sounds like the crashing of thunder, but the sound is far too warped to quite figure out. The voice continues on, though it is multi layered. Several voices speak as one, some male, others female, some belonging to children, all of them robotic.
Robotic Voice: And what have you done? Hid in the shadows? Some of you. Tried to grab every penny while you can. Much more. Fled... greater still... You claimed to care... and yet you do nothing...The few that could have made a difference you shunned. Both the fans and the management alike. Your own selfish needs came above all others. EXODUS is about to die... And the only finger you can point in blame is at yourselves...
There is a cry amongst the static, a tearful wail that grows louder as the haunting classical piano intensifies.
Robotic Voice: Whilst people are breaking and failing and crying and dying you spend your final moments indulging in what is left, not fighting for what could be. Your selfishness, your need to only fulfil your own pointless motives... It only aids in your own destruction. The powers that be, those ones in government only want to be heroes... yet are completely incapable... Those that wish to takeover... They don't understand that everything will fall about and everything will be for naught once they succeed... And then there's you... The one who collects their pay check and wanders off without a care in the world...
There are several flashes of crimson, the static disappearing for the briefest of moments to show a mock-up of the RIMAC itself, burning in an intense fire as sirens scream out in the background.
Robotic Voice: It's your job on the line. It's the food on your family's table turned to ash. Your dreams vanished. Your legend turned to dust. You could be part of something great, you could be part of something special... Your name, your dreams could live on forever. Yet you do nothing and those that come to the temple to worship your every movement lose their faith. They lose their trust, lose their love. Without them... where are you? You are nowhere... You are nothing...
There is sudden darkness, before an ominous bout of manic laughter breaks out. As this fades away, the static slowly returns followed by a roar as the screen flashes crimson once again, the piano switching to an organ.
Robotic Voice: Unless you do something... Jon Collins promises are lies, his followers blinded by their own failures. The creation of G&M is the blood on their hands. They brought it on themselves... They brought it on the business... They brought it on you. And yet they refuse to take blame, claim they can overturn it... Yet look what happened... Their selfish need for glory... Their need for glory... is the end of all you know...
Another flash of crimson, as the image of the burning RIMAC is shown once more, this time with streams of fans running for their very lives.
Robotic Voice: For who will follow their dreams when all dreams have faded away? When all there is... is the nightmare that destroyed it? All eyes will turn away, dollars back in pockets, both from fan and sponsor alike. With them at the helm? Who will give a flying f(BLEEP)k?
N
O
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Robotic Voice: Thus the end of the parable... Thus the end of all you know, all you dreamed, all you wanted and all you screamed for... But you have already given up... haven't you? You have... that is clear...
The image of the burning RIMAC fades, replaced with a series of flashing images, ones of many an EXODUS star tapping out to a variety of different submission manoeuvres, before returning to static once more.
Robotic Voice: But maybe... maybe someone will actually pay attention. Maybe someone will actually learn from the failures of the 'glorious' few... Maybe those that shunned the false preacher known as Christum, that ignored the lies... Maybe they will finally open their eyes. Maybe they will see what is really happening. Maybe they will witness what has become of their 'world'. Maybe you will realize before it's too late...
The organ suddenly jolts, before returning to a soft, faint piano piece. An image fades in of a destroyed RIMAC, slowly being rebuilt with cranes as a bright light shines in the background and a metallic eagle soars on ahead.
Robotic Voice: There are mere weeks between now and The Autumn Effect... At the end of those weeks, the Sekigun will have died. And Furor's madness held in the hands of G&M and a man even more infatuated with his lies and delusions shall control everything... And in tribute to Guy Fawkes himself, it will all burn upon a bonfire with puppets and effigies for you to mock...
The scene switches to such an image. One of the members of G&M and Matthews himself burning upon a fire.
Robotic Voice: Your decision is already made... Will you drown in the lies and deceit... Or fight for those that fight for the living? The answer is already within you.
The scene flashes with static once more, then nothing. Pure pitch darkness. And then a light, one single flame of a candle. The light spreads out, as a cigarette appears in view, lit up with the candle’s flame. The man holding the cigarette is a figure we all know, the wheel chair bound Andreas Lasiewicz.
Andreas Lasiewicz: This message… I have spread it before, more or less, upon social media. But it is only just that it is repeated once more, verbally, physically. It is quite possibly the most important message that I have ever given, a speech that ears around the world need to hear. It is a message I need you to listen to, to understand, to take to heart. It may scare you, it may infuriate you, it may touch your very heart and soul, it may inspire… But as long as you listen, as long as you understand and as long as you know exactly what is going on right now… Then it was all worth it.
He pauses as he inhales the intoxicating fumes, his eyes piercing the camera as he continues on.
Andreas Lasiewicz: If you don’t heed my words… you may as well just run. Those that do… You know what to do. It's about time you paid attention... Now do something about it... Dobranoc.
He blows out the smoke as we return to ringside for the next contest.
Dick Morosi: Of course fans, two weeks ago, Darrin Stearns got to name the opponent for Chuck Matthews tonight, and he did just that!
Seth Ericson: He put Chuck against a Godfather of Wrestling, the one and only Chandler Scott!
Dick Morosi: And that match begins right now!
NORMAL MATCH
Chandler Scott vs. Chuck MatthewsThe sound of an organ plays throughout the arena. The lighting in the arena slowly switches to an orange hue, causing the fans to quickly shift their attention to the entrance way. As "Perfect Strangers" by Deep Purple kicks in, the crowd leaps to their feet to cheers the man that's about to walk out. At around the THREE second mark, Chandler Scott bursts through the curtain as the crowd shows its support with cheers, applause and various shrieks of excitement.
David Zinkus: Now making his way to the ring....he is
CHANDLER SCOTT!!!
As Chandler makes his way to the ring, he looks at both sides of the aisle and points both of his thumbs back at himself. He then throws up both index fingers in the air as he swaggers his way to the ring. After climbing up onto the apron, Chandler steps through the ropes, springboards up onto the second ropes and poses once more, basking in his glory.
David Zinkus: ...and his opponent...
CHUCK MATTHEWS!
The heavy bridge of "Brains" erupts through the speakers as spotlights race across the crowd. Chuck Matthews steps out onto the stage, looking around at the people in attendance. He smiles, taking in the reaction of the fans. Casually, Chuck begins his walk towards the ring. He moves calmly, but quickly, making no effort to interact with fans until he reaches the apron. At this point, he climbs up, leaning with his back against the ropes, looking out at the crowd. He winks, and steps between the ropes before climbing one of the corners. He raises his arms in his signature horns before hopping down. He rolls his wrists and neck, waiting for the match to begin.
Chris Dawson signals for the bell as Chandler is in his corner with his hands on his knees looking across the ring at the Smartest Man in Wrestling, Chuck Matthews. Scott stands up straight in his corner and takes a couple of steps out. Matthews slowly raises to his feet and the two starts to move about the ring, keeping THREE-4 feet between. They circle each other and finally stop and eye each other.
Dick Morosi: Scott is one inch taller than Matthews and got a couple pounds on him as well.
Seth Ericson: Like call Jenny Craig already....
They lock up and Scott drop down to one knee briefly only to come back up to both feet. Matthews puts his weight behind and backs Scott into the ropes. Chris Dawson calls for the break.
ONE..
TWO...
THREE..
FO-…Matthews release the hold and slowly backs away from Scott. Chandler had his hands up ready for a sucker punch but Matthews doesn't strike. Scott smirks and charges at Matthews, but Matthews sees him coming and hides behind the ropes, but Chris Dawson is there to stop Scott and warns him to get back in his corner. Matthews points and tells Scott to check himself. Middle of the ring is where Scott is and he motions at Matthews to come on, let's go.
Dick Morosi: Scott have some fun with Matthews.
Chris Dawson now tells Matthews to come on and let's go as Matthews and Scott lock up again. This time it is Matthews who drops down to one knee and Scott quickly locks Matthews into a side headlock. Matthews pushes Scott off and into the ropes. Scott off of the ropes leap frogs over Matthews who ducks down. Scott off the ropes again, Matthews goes for a hip toss, Scott counters and lands a hip toss of his own! Scott winds up and connects with a kick to the center of the back on Matthews after Matthews sits up after the hop toss. Scott backpedals into the ropes, Matthews spins to his feet and Scott coming at Matthews leaps and connects with a running forearm. Scott back off of the ropes, and goes for a shoulder tackle, but Matthews braces himself and its Scott who hits the mat. Now it's Matthews who takes off into the ropes. Scott picks himself up, and lays down on the mat in front of Matthews, Matthews skips over Scott. Scott to his feet, Jumps up and over Matthews when he bounces off the ropes. Scott drops to the mat on his back and Matthews comes off the ropes, Scott raises his legs to catch Matthews and flip him but Matthews pulls up, grabs Scott feet and stomps Scott right in the stomach!
Dick Morosi: And I don't think that is how Scott thought that would go.
Seth Ericson: It never does.
Scott rolls onto his side and Matthews measures him up and drop a standing leg drop on Scott. Matthews rolls Scott on his back and covers Scott. Chris Dawson counts.
ONE..Scott kicks out and sits up still favoring his stomach. Matthews plants his knee into Scott back and wraps him up in a reverse chin lock. Chris Dawson check in on the hold and Scott tries to wiggle free and Matthews lets go after a bit and raises up and drops an elbow across Scott's shoulder. Matthews moves into an arm bar and put some torque onto Chandler's shoulder. Scott moves to one knee, then his feet and Matthews moves into a wrist lock then a chicken wing. Scott throws an elbow back and connects. With Matthews feeling the effects of the elbow, Scott spins around Matthews and locks him in a chicken wing. Matthews goes to throw an elbow back but Chandler leans back and out of the way. Matthews starts to take a couple of steps to the ropes, but Scott pulls up on the hold stopping Matthews. Matthews throws another elbow, Scott ducks under it, and Matthews ends up putting his arm around Scott, Chandler Scott then lifts Chuck Matthews up, holds him for a second and falls back, dropping Matthews on his arm. Scott to his feet, into the ropes. Matthews is up, Scott takes him down with a cross body in the middle of the ring. Scott hooks the leg.
ONE..
TWO..
KICKOUT!Dick Morosi: And Scott back to his feet. What is looking to do.
Seth Ericson: What do Scotts do? They fly!
Scott spring boards off of the ropes and lands a drop kick on Matthews who was getting up off of the mat. Scott again springs off the ropes twisting in mid air and catching Matthews who was climbing back to his feet with a spinning heel kick. Matthews lays on the mat holding his head. Scott slowly raises to his feet to the applause of the fans.
Dick Morosi: Once Scott gets on a roll it is kind of hard to slow him down.
Seth Ericson: He needs to keep Chuck Matthews grounded through.
Scott steps through the ropes and moves down the apron to where Matthews is laying on the mat. Scott pulls back on the top rope, and launches himself over the top rope with a big splash on Matthews! Scott hooks the leg.
ONE..
TWO..
KICKOUT!!Scott takes Matthews and brings him to his feet, and scoops him up and slams him down to the mat with a body slam. Scott jumps up in the air and comes feet first down on Chuck Matthews's chest! Matthews clutches his chest as Chandler climbs the nearest turnbuckles. As Scott sets himself, Casey rolls to his feet, Scott leaps looking to land a top rope hammer fist, But Matthews side steps Scott, Scott lands on his feet, but Matthews gets behind Chandler and reaches back and hits a neck breaker on Scott! Matthews quickly to his feet, helps Scott to his feet, sends him into the ropes as he bounces off of the ropes Matthews connects with a tilt a whirl back breaker on Chandler Scott! Matthews on his feet starts to stomp away Chandler. Matthews drops a knee across Scott's forehead as Chuck Matthews with the pin.
ONE..
TWO..
KICKOUT!!Matthews, with Scott on his feet sends him into the turnbuckles, smashing his head into the top pad. Matthews spins Scott around, hooks his arm over the top rope and chops Chandler across the chest.
Dick Morosi: Matthews put all of his weight behind that chop right there.
Matthews kicks Chandler in the gut followed with a huge forearm across his back. Matthews shoves Chandler back into the corner, pushing back on his head and drives his knee into Chandler's mid section. Matthews drops down, and uses his shoulder as a battling ram ramming Scott over and over and over in his stomach. Matthews stands up, delivers a closed right on Scott. Matthews quickly to the center of the ring, charges at Scott and with a running splash on Scott! Matthews wraps his arms around Scott and coming out of the corner Matthews with an overhead belly to belly suplex on Chandler Scott. Chuck Matthews slowly walks up to Scott and takes a hand full of hair and forces Scott to his feet. Matthews with a knee to the mid section doubling him over. Matthews takes Scott right arm, pulls it down and between Chandler's legs, Matthews pauses and then hooks and lifts Chandler Scott in a gut wrench power bomb! Chuck Matthews, the Smartest Man in Wrestling lands it in the middle of the ring!
Matthews covers Scott.
ONE..
TWO..
KICKOUT!!Scott rolls away from Matthews creating some space. Scott gets to his hands and knees as Matthews stands up and is stalking the Seikgun Member. Matthews kicks Scott in the gut, kicking him so hard he flips Scott over into his back. A small Scott chant starts. Matthews goes to stomp Scott, Chandler rolls away and rolls out under the bottom rope.
Dick Morosi: Smart move by Scott giving him a breather.
Seth Ericson: Yeah only if Matthews doesn't follow him.
Which Matthews does. Chandler moves to the other side of the corner post. Matthews moves to him and Scott selling that he is hurt, reaches up grabs the second rope and when Matthews comes around the corner of the ring, Scott pulls himself and kicks Chuck Matthews in the head. Matthews tries to shake it off. Chandler Scott now on the ring apron takes a couple of step back, and as Matthews turns to Scott, Chandler takes off running and connects with a running clothesline on Chuck Matthews! Scott pops right back up, jumps up on the guard railing, balances himself for a split second and leaps, spinning in mid air and lands a cross body splash on Chuck Matthews!
CHANDLER SCOTT!
CHANDLER SCOTT!
CHANDLER SCOTT!
Chandler rolls in under the bottom rope to break the count. Scott watches Matthews who is slowly getting back to his feet. Chandler Scott runs across the ring, off the ropes, and runs and dives through the second and top rope catching Chuck Matthews and driving him back into the guard rails! Chandler Scott pulls himself back up on the ring apron.
Dick Morosi: WITH ARMS WIDE OPEN! WHERE EAGLES FLY!
Seth Ericson: Really? Every time you have to say that?
Dick Morosi: What?
Seth Ericson: You know what!
With his back to Matthews, Scott looks back and once Matthews is close to getting back to his feet, Scott springs off of the second rope and lands an Asia moonsault on Chuck Matthews! Scott lands on his feet and leans back into the fans at ring side and holds his arms out! Everyone mugs around the Exodus Pro superstar and cheers wildly!
Scott helps Matthews to his feet and rolls him into the ring near the turnbuckles. Chandler Scott climbs the turnbuckles and stands on the top turnbuckle.
Dick Morosi: This could be it! Scott's.......
Seth Ericson: OH NO ONE WAS HOME!
Going for the flying elbow but Matthews rolls to the turnbuckles as Chandler Scott crashes and burns. Matthews to his feet and takes Scott and sets him up and lands a belly to belly on Scott! Chuck Matthews quickly is on Scott with a kick to the back. Matthews snatches Chandler up and throws him into the ropes, and into a snap body slam. Matthews himself goes into the ropes, Scott slowly to his feet but is taken back down with a running forearm. Matthews with the cover.
ONE..
TWO..
KICKOUT!!Chuck Matthews brings Scott to his feet and lands a DDT on Scott! Matthews rolls him over and this time hooks the leg.
ONE..
TWO..
KICKOUT!!Matthews grinds his forearm into Scott face, grinding it back and forth. Another pin.
ONE..
TWO..
KICKOUT!!Matthews to his feet, stomps on Scott. Matthews drops an elbow! The pin!
ONE..
TWO..
KICKOUT!!Matthews takes Scott by the head and they move to their feet. Matthews pokes Scott in the eye which results in some boos. As Scott is rubbing his eyes Chris Dawson is warning Matthews about the dirty move. The Scott chants return.
SCOTT!
SCOTT!
SCOTT!
Chuck Matthews waits for Scott to stumble back around and when he does, he hammers Chandler Scott with a European upper cut! This stuns Chandler Scott! And Chuck Matthews then scoops Scott and lays him across his shoulders!
Dick Morosi: Matthews is going for it!
Seth Ericson: OH Scott doesn't want to be there!
Chuck Matthews pauses for a split second and goes to apply the Cryptic Cross on Chandler Scott but fails to gain control of Chandler’s legs and Chandler Scott wiggles free to the roar of the crowd! Matthews snaps back to his feet, irate, Matthews charges at Scott, Scott ducks the wild right, he takes off into the ropes, bounces off of them just as Matthews snaps around, Matthews with another wild lariat but Chandler Scott lands a text-book dropkick! Chris Dawson counts!
ONE..
TWO..
.. KICKOUT!!Dick Morosi: OH! So close!
Seth Ericson: This Matthews is one tough man to beat!
Scott is on his knees and can't believe that Matthews kicked out. Matthews slowly rolls to the ropes as Scott moves to his feet and turns to Matthews.
Matthews sits up on his knees just to the right of Chris Dawson, drawing his attention away just like last week. Scott moves in for the kill, but when he does and without Chris Dawson watching him, Matthews goes for a low blow on Scott but Scott catches Matthews's arm and the two struggle as Scott is trying to go for the Harvard Hammer and Matthews wants nothing to do with that! The two end up in the middle of the ring, and Matthews with his strength somehow gets a hold of Scott and lifts him, but Scott wraps his free arm around Matthews's head and manages to tuck his legs in close to his chest and as Matthews goes to drop him, Scott holds on and ends up connecting with a double knee drop on Chuck Matthews! The ring shaking catches Chris Dawson's attention and he turns his attention back to the action in the ring. Chandler Scott quickly brings Matthews to his feet and hits a standing tornado DDT on Chuck Matthews! He hooks the leg!
ONE..
TWO..
THREE..Chris Dawson signals for the bell! The fans jump for joy as Scott slowly raises to his feet and Chris Dawson raises his hand in victory.
David Zinkus: Your winner....
CHANDLER SCOTT!
Dick Morosi: Chandler....pulls it out and gets the win!
WINNER: CHANDLER SCOTTSeth Ericson: Another stinging defeat for Chuck Matthews...but I don't know that his in-ring performances really hinder his threat to EXODUS as a whole, Dick!
Dick Morosi: That's very true. Right now, we're headed backstage!
We cut backstage in the RIMAC after the last exciting encounter. The lights are slightly dimmed in the bustling area, one of the many large open spaces where equipment is shipped in and out. There are dozens of staff at hand, flipping through clipboards, moving crates and hurriedly going about their business. In the darkest corner of this area is a lone figure, head bowed as sits upon his steel wheelchair. He twiddles his thumbs impatiently as he looks upward, something catching his eye, making him cock an eyebrow as if he has been looking for something in particular to happen after all this time. At first, all that can be seen is a silhouette, obviously female. As she steps forward, Heather Halliwell comes into focus. In a rare display, she's dressed to the dimes in a black lace dress with a red underlay. Her hair cascades in Fiery curls down one side, held in place by a bright red tropical flower. As her eyes land on her target, she smiles a sly, sexy smile.
Heather Halliwell: I was wondering if you were serious about meeting here or not. This is a rather... Unique place.
She glides over to him and leans down placing a feather light kiss on the corner of his mouth. The espresso haired man smiles back politely, his glance switching from her to something else as he motions for her to sit next to him without even saying a word. He is dressed quite fashionably as well, a crisp white shirt complimented with a navy blue blazer and matching trousers. He strokes the five o’clock shadow on his face thoughtfully, before the man, Andreas Lasiewicz, speaks.
Andreas Lasiewicz: Tell me, Ms. Halliwell… when you look out into the crowd, what do you see?
Heather ponders this for a moment, drumming her fingers against the speaker she is sitting on.
Heather Halliwell: I suppose the first thing I see is everyone running around, like ants, trying to make a difference, all desperate to impress someone they believe better than they. I see the masses that come here every show, spending their hard earned money to watch a power struggle that seems to be stuck in one place. I see people; good people, bad people, lost people. All of whom believe that their ultimate goal is the goal everyone should follow, that their way is the right way. I see a roster full of talented men and women, divided in a war that's going nowhere fast, despite each sides best effort.
Heather looks up and shakes her head sadly.
Heather Halliwell: An interesting question, Mr. Lasiewicz. But I think the answer, ultimately, is I see a group of desperate people trying hard to win a war that may just end up burning the entire house down.
Andreas smiles, turning to the redhead and stroking her face gently with fondness.
Andreas Lasiewicz: Very well spoken, Ms. Halliwell. It does seem that you have a very keen eye for such matters.
He leans in a little closer to her as her smile widens slightly, her eyes beginning to close. But just as they are about to, he gently moves her face to the side with his thumb as he whispered gently into her ear.
Andreas Lasiewicz: But as you spent your time thinking outside of the box, you missed a much greater detail, a detail that has infiltrated the very box itself unknown to anyone else. A detail that slithered in whilst everyone was distracted… and now it could be too late to stop it.
Heather looks on, quite confused at what the Pole is speaking of.
Andreas Lasiewicz: Look a little deeper. Look for the obvious. What seems out of place? Don’t follow your heart, don’t follow your dreams… Just open your eyes and see.
She looks on, taking a brief moment to glance at the intimidating man on his iron throne. At this point her eyes open wide, spotting something she was unaware of before. A group of men, all clad in black by the furthest exit to the building. At their belts they all carry radios, a few of them quietly whispering into them as they slip in and out of the shadows almost at will. No one approaches them, no one speaks to them. It’s like they don’t exist at all. Heather shakes her head slightly, attempting to make sense of what she is seeing.
Heather Halliwell: I don't... Have you been building your own army this entire time? I mean...
Heather looks towards the darkly clad figures again, observing the actions, trying to comprehend. She looks at Las, her lips parted slightly, her breathing growing slightly shallow.
Heather Halliwell: This entire time, when two houses have been going to war... You've been minding your own... Preparing? Waiting for the houses to fall. Are you planning to build a new regime once Gods & Monsters and the Seikigun destroy one another?
Andreas Lasiewicz: Ms. Halliwell… this is not MY army…
She turns to him confused, quite unsure what to think of that comment.
Andreas Lasiewicz: This is another force, a force paid for with blood money that has been growing week by week. What you see before you is merely a small section of a much larger group, a virus that is multiplying at an incredible rate. I have seen sixteen such figures this day alone, the previous week I saw eight, the show before four. Does this mean we will have thirty two by the next show? Sixty four by the Autumn Effect? Who knows?
He turns his attention back to these black clad figures.
Andreas Lasiewicz: They have gone under the radar, not even the Sekigun’s ‘mighty’ ruler has spotted them as of yet. They are another chess piece that is making a beeline towards the ‘King’. Soon it will be checkmate. Tis only a matter of time.
He pauses, head bowed.
Andreas Lasiewicz: I once called for an army, long, long ago. Both the Sekigun and EXODUS as a whole refused to answer… And thus I was forced into this chair by continuing the fight alone. A foolish decision in hindsight. Maybe this was the answer, use money to build the force to end all this? But paying for reinforcements is not my style. But I know someone who would.
He turns to the redhead, a serious tone to his voice.
Andreas Lasiewicz: Someone you would mend bridges with…
As Heather stares on at him, he turns his attention to the black clad figures once again.
Andreas Lasiewicz: The war has taken a turn for the worse, Ms. Halliwell. What all witnessed at (R)Evolution Wrestling was merely a taster of what is to come. One side has played their most powerful card already, and who knows whether the opposition will withstand it. This force… This force will destroy EVERYTHING. These groups… they rise, evolve, advance and at the apex of their glory they are extinguished. The Sekigun aren’t the first, neither are Gods & Monsters. They did not create EXODUS, nor did they create professional wrestling. And both were set to live on after their destruction, I put measures in place for that certain occurrence.
He turns, one last final time as he holds her face in his hands.
Andreas Lasiewicz: This… changes… everything...
Heather is silent for several long moments, her head spinning from everything Las has shown and said to her. She runs her hands up his arms, resting hers own hands over his on her face. She stares at him intently for what feels like an eternity, lips slightly parted. Her eyes flicker back over to the black clad figures, a chill running down her spine as the enormity of the information that was just imparted to her begins to sink in. She licks her lips slowly and nods her head gently, as only one question comes to mind.
Heather Halliwell: Why are you telling me this?
She swallows lightly, her eyes burning holes into his.
Heather Halliwell: This is... This is huge. This absolutely changes everything... And you could have been the only one with the knowledge, the only one not completely in the dark. So why... Why tell me?
His eyes meet hers once more, a glimmer of molten fire flickering in them that takes even Heather by surprise, yet she does not move.
Andreas Lasiewicz: Because I need you to understand… I need you to understand everything I have done… and everything I am about to do has been to stop the eradication of everything we know and love. The Seikigun will die because of all this. Gods & Monsters will die because of this…
His eyes burn with fire once more.
Andreas Lasiewicz: But I will not let EXODUS vanish into the wind because of this...
Heather Halliwell: I don't know what you have planned... I can't imagine how much uglier this is about to get, I've no idea what you possibly have up your sleeve, but...
Her blue-green eyes light up as she slips her hand into his and curls it in, resting her face on it for a moment. She bites her lower lip and leans in close, her voice barely above a whisper.
Heather Halliwell: You don't want EXODUS to fall... Nor do I... We're in this together now, aren't we?
The closeness between them has become almost unbearable, and it is at this very moment that they embrace, a passionate embrace that had been coming since the very moment she arrived. As their kiss deepens the camera pans away, taking a brief shot of the men in black as it does so. But around the corner stands another figure, one peering out at the pair of them with wide eyes and a look of shock upon her elfin face.
Lady Magdalena: … I remember…
The scene fades out, sending the viewer off to the final commercial break of the night.